After this I thought I should like to see the old Cathedral, with which the tenderest memory of my childhood was inseparably linked, and I went into it; the interior seemed to me most beautiful; never have I felt a deeper impulse of religious veneration in any church. It gave me a passionate desire to pray, and I did in fact throw myself on my knees, before the very altar where my mother had offered an ex-voto for my escape from death. The waxen image which I believed to be an exact likeness of myself was still in its place which it filled with all the solemnity of sanctity, but it struck me as very like a chestnut-husk. And yet this trumpery doll, the symbol of piety and maternal devotion, filled me with tender respect. I said my prayers on my knees, in memory of my good mother’s sufferings and death, and trying to realize that she was now happy in Heaven; but as my head was not yet very clear of the fumes of that accursed brandy, I stumbled and fell as I rose from my knees and an indignant sacristan turned me out into the street. A few steps took me back to the Calle del Fideo, where we were staying, and my master scolded me for being so long absent. If Doña Francisca had been cognizant of my fault I should not have escaped a sound drubbing, but my master was merciful and never beat me, perhaps because his conscience told him he was as much a child as I was.
We were staying at Cádiz in the house of a cousin of my master; and the reader must allow me to describe this lady somewhat fully, for she was a character deserving to be studied. Doña Flora de Cisniega was an old woman who still pretended to be young. She was certainly past fifty, but she practised every art that might deceive the world into believing her not more than half that terrible age. As to describing how she contrived to ally science and art to attain her object—that would be an undertaking far beyond my slender powers. The enumeration of the curls and plaits, bows and ends, powders, rouges, washes and other extraneous matters which she employed in effecting this monumental work of restoration, would exhaust the most vivid fancy; such things may be left to the indefatigable pen of the novelist—this, being History, deals only with great subjects and cannot meddle with those elegant mysteries. As far as her appearance was concerned what I remember best was the composition of her face, which all the painters of the Academy seemed to have touched up with rose color; I remember too that when she spoke she moved her lips with a grimace, a mincing prudery which was intended either to diminish the width of a very wide mouth, or to conceal the gaps in her teeth from whose ranks one or two proved deserters every year; but this elaborate attempt was so far a failure that it made her uglier rather than better looking. She was always richly dressed, with pounds of powder in her hair, and as she was plump and fair—to judge from what was visible through her open tucker, or under the transparency of gauze and muslin—her best chance lay in the display of such charms as are least exposed to the injurious inroads of time, an art in which