eighteenth-century music; and perhaps of some clear treble voice, for Mr. Sharnall was famed for training boys and discovering the gift of song.

Saint Luke’s little summer, in the October that followed the commencement of the restoration, amply justified its name. In the middle of the month there were several days of such unusual beauty as to recall the real summer, and the air was so still and the sunshine so warm that anyone looking at the soft haze on Cullerne Flat might well have thought that August had returned.

Cullerne Minster was, as a rule, refreshingly cool in the warmth of summer, but something of the heat and oppressiveness of the outside air seemed to have filtered into the church on these unseasonably warm autumn days. On a certain Saturday a more than usual drowsiness marked the afternoon service. The choir plumped down into their places when the Psalms were finished, and abandoned themselves to slumber with little attempt at concealment, as Mr. Noot began the first lesson. There were, indeed, honourable exceptions to the general somnolence. On the cantoris side the worn-out alto held an animated conversation with the cracked tenor. They were comparing some specially fine onions under the desk, for both were gardeners and the autumn leek-show was near at hand. On the decani side Patrick Ovens, a red-haired little treble, was kept awake by the necessity for altering “Magnificat” into “Magnified Cat” in his copy of Aldrich in G.

The lesson was a long one. Mr. Noot, mildest and most beneficent of men, believed that he was at his best in denunciatory passages of Scripture. The Prayerbook, it was true, had appointed a portion of the Book of Wisdom for the afternoon lesson, but Mr. Noot made light of authorities, and read instead a chapter from Isaiah. If he had been questioned as to this proceeding, he would have excused himself by saying that he disapproved of the Apocrypha, even for instruction of manners (and there was no one at Cullerne at all likely to question this right of private judgment), but his real, though perhaps unconscious, motive was to find a suitable passage for declamation. He thundered forth judgments in a manner which combined, he believed, the terrors of supreme justice with an infinite commiseration for the blindness of errant, but long-forgotten peoples. He had, in fact, that “Bible voice” which seeks to communicate additional solemnity to the Scriptures by reciting them in a tone never employed in ordinary life, as the fledgling curate adds gravity to the Litany by whispering “the hour of death and Day of Judgment.”

Mr. Noot, being shortsighted, did not see how lightly the punishments of these ancient races passed over the heads of his dozing audience, and was bringing the long lesson to a properly dramatic close when the unexpected happened: the screen-door opened and a stranger entered. As the blowing of a horn by the paladin broke the repose of a century, and called back to life the spellbound princess and her court, so these slumbering churchmen were startled from their dreams by the intruder. The choirboys fell to giggling, the choir-men stared, clerk Janaway grasped his mace as if he would brain so rash an adventurer, and the general movement made Mr. Sharnall glance nervously at his stops; for he thought that he had overslept himself, and that the choir had stood up for the “Magnificat”.

The stranger seemed unconscious of the attention which his appearance provoked. He was no doubt some casual sightseer, and had possibly been unaware that any service was in progress until he opened the screen-door. But once there, he made up his mind to join in the devotions, and was walking to the steps which led up to the stalls when clerk Janaway popped out of his place and accosted him, quoting the official regulations in something louder than a stage whisper:

“Ye cannot enter the choir during the hours of Divine service. Ye cannot come in.”

The stranger was amused at the old man’s officiousness.

“I am in,” he whispered back, “and, being in, will take a seat, if you please, until the service is over.”

The clerk looked at him doubtfully for a moment, but if there was amusement to be read in the other’s countenance, there was also a decision that did not encourage opposition. So he thought better of the matter, and opened the door of one of the pews that run below the stalls in Cullerne Church.

But the stranger did not appear to notice that a place was being shown him, and walked past the pew and up the little steps that led to the stalls on the cantoris side. Directly behind the singing-men were five stalls, which had canopies richer and more elaborate than those of the others, with heraldic escutcheons painted on the backs. From these seats the vulgar herd was excluded by a faded crimson cord, but the stranger lifted the cord from its hook, and sat down in the first reserved seat, as if the place belonged to him.

Clerk Janaway was outraged, and bustled up the steps after him like an angry turkey-cock.

“Come, come!” he said, touching the intruder on the shoulder; “you cannot sit here; these are the Fording seats, and kep’ for Lord Blandamer’s family.”

“I will make room if Lord Blandamer brings his family,” the stranger said; and, seeing that the old man was returning to the attack, added, “Hush! that is enough.”

The clerk looked at him again, and then turned back to his own place, routed.

And in that day they shall roar against thee like the roaring of the sea, and if one look unto the land behold darkness and sorrow, and the light is darkened in the heavens thereof,” said Mr. Noot, and shut the book, with a glance of general fulmination through his great round spectacles.

The choir, who had been interested spectators of this conflict of lawlessness as personified in the intruder, and authority as in the clerk, rose to their feet as

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