during his whole life the whole wealth of his fancy, the whole of his thought; and in so far as he let loose upon himself every barbed criticism, every anger and hate he could command, he was, in spite of all, a real Christian and a real martyr. As for others and the world around him he never ceased in his heroic and earnest endeavour to love them, to be just to them, to do them no harm, for the love of his neighbour was as deeply in him as the hatred of himself, and so his whole life was an example that love of one’s neighbour is not possible without love of oneself, and that self-hate is really the same thing as sheer egoism, and in the long run breeds the same cruel isolation and despair.

It is now time, however, to put my own thoughts aside and to get to facts. What I first discovered about Haller, partly through my espionage, partly from my aunt’s remarks, concerned his way of living. It was soon obvious that his days were spent with his thoughts and his books, and that he pursued no practical calling. He lay always very late in bed. Often he was not up much before noon and went across from his bedroom to his sitting-room in his dressing-gown. This sitting-room, a large and comfortable attic room with two windows, after a few days was not at all the same as when occupied by other tenants. It filled up; and as time went on it was always fuller. Pictures were hung on the walls, drawings tacked up⁠—sometimes illustrations cut out from magazines and often changed. A southern landscape, photographs of a little German country town, apparently Haller’s home, hung there, and between them were some brightly painted watercolours, which, as we discovered later, he had painted himself. Then there were photographs of a pretty young woman, or⁠—rather⁠—girl. For a long while a Siamese Buddha hung on the wall, to be replaced first by Michelangelo’s Night, then by a portrait of the Mahatma Gandhi. Books filled the large bookcase and lay everywhere else as well, on the table, on the pretty old bureau, on the sofa, on the chairs and all about on the floor, books with notes slipped into them which were continually changing. The books constantly increased, for besides bringing whole armfuls back with him from the libraries he was always getting parcels of them by post. The occupant of this room might well be a learned man; and to this the all-pervading smell of cigar-smoke might testify as well as the stumps and ash of cigars all about the room. A great part of the books, however, were not books of learning. The majority were works of the poets of all times and peoples. For a long while there lay about on the sofa where he often spent whole days all six volumes of a work with the title Sophia’s Journey from Memel to Saxony⁠—a work of the latter part of the eighteenth century. A complete edition of Goethe and one of Jean Paul showed signs of wear, also Novalis, while Lessing, Jacobi and Lichtenberg were in the same condition. A few volumes of Dostoevsky bristled with pencilled slips. On the big table among the books and papers there was often a vase of flowers. There, too, a paint box, generally full of dust, reposed among flakes of cigar ash and (to leave nothing out) sundry bottles of wine. There was a straw-covered bottle usually containing Italian red wine, which he procured from a little shop in the neighbourhood; often, too, a bottle of Burgundy as well as Malaga; and a squat bottle of Cherry brandy was, as I saw, nearly emptied in a very brief space⁠—after which it disappeared in a corner of the room, there to collect the dust without further diminution of its contents. I will not pretend to justify this espionage I carried on, and I will say openly that all these signs of a life full of intellectual curiosity, but thoroughly slovenly and disorderly all the same, inspired me at first with aversion and mistrust. I am not only a middle-class man, living a regular life, fond of work and punctuality; I am also an abstainer and nonsmoker, and these bottles in Haller’s room pleased me even less than the rest of his artistic disorder.

He was just as irregular and irresponsible about his meal times as he was about his hours of sleep and work. There were days when he did not go out at all and had nothing but his coffee in the morning. Sometimes my aunt found nothing but a banana peel to show that he had dined. Other days, however, he took his meals in restaurants, sometimes in the best and most fashionable, sometimes in little outlying taverns. His health did not seem good. Besides his limping gait that often made the stairs fatiguing to him, he seemed to be plagued with other troubles and he once said to me that it was years since he had had either a good digestion or sound sleep. I put it down first and last to his drinking. When, later on, I accompanied him sometimes to his haunts I often saw with my own eyes how he drank when the mood was on him, though neither I nor anyone else ever saw him really drunk.

I have never forgotten our first encounter. We knew each other then only as fellow-lodgers whose rooms were adjoining ones. Then one evening I came home from business and to my astonishment found Haller seated on the landing between the first and second floors. He was sitting on the top step and he moved to one side to let me pass. I asked him if he was all right and offered to take him up to the top.

Haller looked at me and I could see that I had awoken him from a kind of trance.

Вы читаете Steppenwolf
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату