and incredible to be looking on at all this, to be seeing the sacred writ, with its heroes and its wonders, the source in our childhood of the first dawning suspicion of another world than this, presented for money before a grateful public that sat quietly eating the provisions brought with it from home. A nice little picture, indeed, picked up by chance in the huge wholesale clearance of culture in these days! My God, rather than come to such a pass it would have been better for the Jews and everyone else, let alone the Egyptians, to have perished in those days and forthwith of a violent and becoming death instead of this dismal pretence of dying by inches that we go in for today. Yes indeed!

My secret repressions and unconfessed fright in face of the Masked Ball were by no means lessened by the feelings provoked in me by the cinema. On the contrary, they had grown to uncomfortable proportions and I had to shake myself and think of Hermine before I could go to the Globe Rooms and dared to enter. It was late, and the Ball had been for a long time in full swing. At once before I had even taken off my things I was caught up, shy and sober as I was, in the swirl of the masked throng. I was accosted familiarly. Girls summoned me to the champagne rooms. Clowns slapped me on the back, and I was addressed on all sides as an old friend. I responded to none of it, but fought my way through the crowded rooms to the cloakroom, and when I got my cloakroom ticket I put it in my pocket with great care, reflecting that I might need it before very long when I had had enough of the uproar.

Every part of the great building was given over to the festivities. There was dancing in every room and in the basement as well. Corridors and stairs were filled to overflowing with masks and dancing and music and laughter and tumult. Oppressed in heart I stole through the throng, from the nigger orchestra to the peasant band, from the large and brilliantly lighted principal room into the passages and on to the stairs, to bars, buffets and champagne parlours. The walls were mostly hung with wild and cheerful paintings by the latest artists. All the world was there, artists, journalists, professors, business men, and of course every adherent of pleasure in the town. In one of the orchestras sat Pablo, blowing with enthusiasm in his curved mouthpiece. As soon as he saw me he sang out a greeting. Pushed hither and thither in the crowd I found myself in one room after another, upstairs here and downstairs there. A corridor in the basement had been staged as hell by the artists and there a band of devils played furiously. After a while, I began to look for Hermine or Maria and strove time after time to reach the principal room; but either I missed my way or had to meet the current. By midnight I had found no one, and though I had not danced I was hot and giddy. I threw myself into the nearest chair among utter strangers and ordered some wine, and came to the conclusion that joining in such rowdy festivals was no part for an old man like me. I drank my glass of wine while I stared at the naked arms and backs of the women, watched the crowd of grotesquely masked figures drifting by and silently declined the advances of a few girls who wished to sit on my knee or get me to dance. “Old Growler,” one called after me; and she was right. I decided to raise my spirits with the wine, but even the wine went against me and I could scarcely swallow a second glass. And then the feeling crept over me that the Steppenwolf was standing behind me with his tongue out. Nothing pleased me. I was in the wrong place. To be sure, I had come with the best intentions, but this was no place for me to be merry in; and all this loud effervescence of pleasure, the laughter and the whole foolery of it on every side, seemed to me forced and stupid.

Thus it was that, at about one o’clock, in anger and disillusionment I steered a course for the cloakroom, to put on my coat again and go. It was surrender and backsliding into my wolfishness, and Hermine would scarcely forgive it me. But I could not do otherwise. All the way as I squeezed through the throng to the cloakroom, I still kept a careful lookout in case I might yet see one of my friends, but in vain. Now I stood at the counter. Already the attendant was politely extending his hand for my number. I felt in my waistcoat pocket⁠—the number was no longer there! The devil was in it if even this failed me. Often enough during my forlorn wanderings through the rooms and while I sat over my tasteless wine I had felt in my pocket, fighting back the resolve to go away again, and I had always found the round flat check in its place. And now it was gone. Everything was against me.

“Lost your number?” came in a shrill voice from a small red and yellow devil at my elbow. “Here, comrade, you can take mine,” and he held it out to me without more ado. While I mechanically took it and turned it over in my fingers the brisk little fellow rapidly disappeared.

When, however, I examined the pasteboard counter for a number, no number was to be seen. Instead there was a scribble in a tiny hand. I asked the attendant to wait and went to the nearest light to read it. There in little crazy letters that were scarcely legible was scrawled:

Tonight At The Magic Theatre

For Madmen Only

Price Of Admittance Your Mind.

Not

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