penny; just as she was growing up she had some intrigue with a joiner’s apprentice, and would come to her window barefoot to talk to the lad, who used to stand just there, do you see? The lovers sent each other notes by means of a string. As you may suppose, in her state, and in the months of October and November, that was quite enough to upset a little pale-faced girl. The Rogrons behaved admirably; they never claimed their share of the child’s inheritance; they gave everything to the grandmother. The moral of it all, my friends, is that the devil always punishes us for a good action.”

“Oh! this is quite another story; old Frappier told it in a very different way!”

“Old Frappier consults his cellar more than his memory,” remarked a frequenter of Mademoiselle Rogron’s drawing-room.

“But then old Monsieur Habert⁠—”

“Oh! you know about his share in the matter?”

“No.”

“Why, he wanted to get his sister married to Monsieur Rogron, the Receiver-General.”


Two men daily think of Pierrette⁠—Doctor Martener and Major Brigaut, who alone know the terrible truth.

To give that truth immense proportions, it is enough to recall the fact that if we change the scene to the Middle Ages, and to the vast theatre of Rome, a sublime girl, Beatrice Cenci, was dragged to the scaffold for reasons and by intrigues almost the same as those which brought Pierrette to the tomb. Beatrice Cenci found none to defend her but an artist⁠—a painter. And today history and living people, on the evidence of Guido Reni’s portrait, condemn the Pope, and regard Beatrice as one of the most pathetic victims of infamous passions and factions.

And we may agree that the law would be a fine tiling for social roguery, if there were no God.

Story II

The Vicar of Tours

To David, Sculptor.

The duration of the work on which I write your name⁠—doubly illustrious in our age⁠—is most uncertain, while you inscribe mine on bronze, which outlives nations even when stamped only by the vulgar die of the coiner. Will not numismatists be puzzled by the many crowned heads in your studio, when they find among the ashes of Paris these lives, prolonged by you beyond the life of nations, in which they will fancy they discover dynasties? Yours is this divine prerogative⁠—mine be the gratitude.

De Balzac.

The Vicar of Tours

In the early autumn of 1826 the Abbé Birotteau, the principal personage of this story, was caught in a shower on his way home from the house where he had spent the evening. He was just crossing, as fast as his burly weight permitted, a little deserted square known as the Close, lying behind the apse of Saint-Gatien at Tours.

The Abbé Birotteau, a short man of apoplectic build, and now sixty years of age, had already had several attacks of gout. Hence, of all the minor miseries of human life, that which the worthy man held in most horror was the sudden wetting of his shoes with their large silver buckles, and the immersion of their soles. In fact, notwithstanding the flannel lining in which he packed his feet in all weathers, with the care a priest always takes of himself, they often got a little damp; then, next day, the gout unfailingly gave him proof of its constancy.

However, as the cobbles in the Close are always dry, and as the Abbé had won three francs and ten sous at whist from Madame de Listomère, he submitted to the rain with resignation from the middle of the Place de l’Archevêché, where it had begun to fall heavily. Moreover, at this moment he was brooding over his chimera, a longing already twelve years old, a priest’s daydream! A dream which, recurring every evening, now seemed likely to find fulfilment; in short, he was too well wrapped in the fur sleeves of a canon’s robes to be sensitive to the severities of the weather. In the course of this evening the accustomed guests who met at Madame de Listomère’s had as good as promised him a nomination to the canon’s stall at present vacant in the Metropolitan Chapter of Saint-Gatien, by proving to him that no one better deserved it than he, whose claims were indisputable, though so long ignored. If he had lost at cards, if he had heard that the canonry was given to the Abbé Poirel, his rival, the good man would have found the rain very cold; he might have abused life. But he was in one of those rare moments when delightful sensations make us forget everything. Though he hastened his pace, it was in obedience to a mechanical impulse, and truth⁠—so indispensable in a tale of domestic life⁠—requires us to say that he was thinking neither of the shower nor of the gout.


There were formerly round this Close, on the side by the Grand’ Rue, a number of houses standing within a wall, and belonging to the Cathedral, inhabited by certain dignitaries of the Chapter. Since the sequestration of ecclesiastical property, the town has taken the alley dividing these houses as a public way, by the name of Rue de la Psalette, leading from the Close to the High Street. The name itself shows that here formerly dwelt the precentor with his schools and those who were within his jurisdiction. The left side of the street is formed of one large house, its garden walls being bridged by the flying buttresses of Saint-Gatien, which spring from the ground of its strip of garden, making it doubtful whether the Cathedral were built before or after that ancient dwelling. But, by examining the mouldings and the shape of the windows, the arch of the doorway, and the external architecture of the house, darkened by time, an archaeologist detects that it had always been part and parcel of the magnificent church to which it is wedded. An antiquarian⁠—if there were one at Tours, one of the least literary towns of France⁠—might

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