Dinah, tossed by mental storms, was still undecided when, in the autumn of 1827, the news was told of the purchase by the Baron de la Baudraye of the estate of Anzy. Then the little old man showed an impulsion of pride and glee which for a few months changed the current of his wife’s ideas; she fancied there was a hidden vein of greatness in the man when she found him applying for a patent of entail. In his triumph the Baron exclaimed:
“Dinah, you shall be a countess yet!”
There was then a patched-up reunion between the husband and wife, such as can never endure, and which only humiliated and fatigued a woman whose apparent superiority was unreal, while her unseen superiority was genuine. This whimsical medley is commoner than people think. Dinah, who was ridiculous from the perversity of her cleverness, had really great qualities of soul, but circumstances did not bring these rarer powers to light, while a provincial life debased the small change of her wit from day to day. Monsieur de la Baudraye, on the contrary, devoid of soul, of strength, and of wit, was fated to figure as a man of character, simply by pursuing a plan of conduct which he was too feeble to change.
There was in their lives a first phase, lasting six years, during which Dinah, alas! became utterly provincial. In Paris there are several kinds of women: the duchess and the financier’s wife, the ambassadress and the consul’s wife, the wife of the minister who is a minister, and of him who is no longer a minister; then there is the lady—quite the lady—of the right bank of the Seine and of the left. But in the country there is but one kind of woman, and she, poor thing, is the provincial woman.
This remark points to one of the sores of modern society. It must be clearly understood: France in the nineteenth century is divided into two broad zones—Paris, and the provinces. The provinces jealous of Paris; Paris never thinking of the provinces but to demand money. Of old, Paris was the Capital of the provinces, and the Court ruled the Capital; now, all Paris is the Court, and all the country is the town.
However lofty, beautiful, and clever a girl born in any department of France may be on entering life, if, like Dinah Piédefer, she marries in the country and remains there, she inevitably becomes the provincial woman. In spite of every determination, the commonplace of second-rate ideas, indifference to dress, the culture of vulgar people, swamp the sublimer essence hidden in the youthful plant; all is over, it falls into decay. How should it be otherwise? From their earliest years girls bred in the country see none but provincials; they cannot imagine anything superior, their choice lies among mediocrities; provincial fathers marry their daughters to provincial sons; crossing the races is never thought of, and the brain inevitably degenerates, so that in many country towns intellect is as rare as the breed is hideous. Mankind becomes dwarfed in mind and body, for the fatal principle of conformity of fortune governs every matrimonial alliance. Men of talent, artists, superior brains—every bird of brilliant plumage flies to Paris. The provincial woman, inferior in herself, is also inferior through her husband. How is she to live happy under this crushing twofold consciousness?
But there is a third and terrible element besides her congenital and conjugal inferiority which contributes to make the figure arid and gloomy; to reduce it, narrow it, distort it fatally. Is not one of the most flattering unctions a woman can lay to her soul the assurance of being something in the existence of a superior man, chosen by herself, wittingly, as if to have some revenge on marriage, wherein her tastes were so little consulted? But if in the country the husbands are inferior beings, the bachelors are no less so. When a provincial wife commits her “little sin,” she falls in love with some so-called handsome native, some indigenous dandy, a youth who wears gloves and is supposed to ride well; but she knows at the bottom of her soul that her fancy is in pursuit of the commonplace, more or less well dressed. Dinah was preserved from this danger by the idea impressed upon her of her own superiority. Even if she had not been as carefully guarded in her early married life as she was by her mother, whose presence never weighed upon her till the day when she wanted to be rid of it, her pride, and her high sense of her own destinies, would have protected her. Flattered as she was to find herself surrounded by admirers, she saw no lover among them. No man here realized the poetical ideal which she and Anna Grossetête had been wont to sketch. When, stirred by the involuntary temptations suggested by the homage she received, she asked herself, “If I had to make a choice, who should it be?” she owned to a preference for Monsieur de Chargeboeuf, a gentleman of good family, whose appearance and manners she liked, but whose cold nature, selfishness, and narrow ambition, never rising above a prefecture and a good marriage, repelled her. At a word from his family, who were alarmed lest he should be killed for an intrigue, the Vicomte had already deserted a woman he had loved in the town where he previously had been Sous-préfet.
Monsieur de Clagny, on the other hand, the only man whose mind appealed to hers, whose ambition was founded on love, and who knew what love means, Dinah thought perfectly odious. When Dinah saw herself condemned to six years’ residence at Sancerre she was on the point of accepting the devotion of Monsieur le
