He looked an apology and an appeal at his wife and said, “One minute, my dear. … Would you mind?” knowing well that she minded. Mrs. Byrne said that of course she did not mind, and went back to her seat by the dramatic critic, yawning furtively.
So Stephen stood against the piano and defended John Donne, that strange Elizabethan mixture of piety and paganism and poetry and nastiness. He had forgotten Mr. Asquith now; he had forgotten the Choir and Muriel Tarrant, and he was absorbed in the serious pronouncement of an artistic belief. The Reverend Peter said that he was no prig, but some of John Donne was too much for him. He could not believe in the essential greatness of a grown man who could write such stuff. Stephen began to quote a line or two from memory; then he reached up for an old brown volume on one of Whittaker’s shelves and read from it in a low voice that only the clergyman could hear. “This is what I make of him,” he said. And he began to talk. He talked with the real eloquence of a master of words profoundly moved, with growing earnestness and vigour. He spoke of the eternal contradictions of human personality, of the amazing mixtures which make up men; how true was the saying of Samuel Butler that everything a man does is in a measure a picture of himself, yet how true it was that one could not confidently judge what a man was like from what he wrote. He told the Reverend Peter that he was narrow in his estimate—unjust. One must strike a balance. Many of the company had gathered about him now, and were listening; Stephen saw this at last, and finished. Then the Reverend Peter laid a large hand affectionately on his shoulder and said, “You’re a wonderful man, Stephen. I surrender. I dare say I’ve wronged the fellow. … I’ll read him again. … You poets are certainly an odd mixture.” And that was the thought of all those who had heard the singing and listened to the talk.
Stephen turned from him with a curious smile and saw suddenly the reproachful figure of his wife.
He said, “Come along, my dear—I’m so sorry! Are you coming, John?”
Egerton looked across at Muriel Tarrant and her mother. They were entangled with Mrs. Ambrose and showed no signs of escaping. He said, “No—I shall stay a little, I think.”
In the hot darkness of The Chase Stephen took his wife’s arm, and knew at once that she was cross. They walked in silence to The House by the River and in silence entered the poky little hall. Stephen cursed himself; it was a stupid end to a jolly evening. In the hall he kissed her and said that he was sorry, and she sighed and smiled, and kissed him and went upstairs.
Stephen walked reflectively into the dining-room and mixed himself a whisky and water. And as he drank, Emily Gaunt came up from the kitchen to ask if Mrs. Byrne wanted tea. Emily Gaunt was the new maid. Stephen finished his whisky and noticed for the first time that she was pretty—in a way.
“No, thank you, Emily,” he said, and smiled at her. And Emily smiled.
II
It was nearly high tide. Stephen Byrne stood at the end of his garden and regarded contentedly the River Thames. The warm glow of sunset lingered about the houses by Hammersmith Bridge and the tall trees on the Surrey side. The houses and the tall trees and the great old elms by William Morris’ house stood rigid on their heads in the still water, and all that wide and comfortable reach between the Island and Hammersmith Bridge was beautiful in the late sun. There were a few small clouds flushed with pink in the southern sky, and these also lay like reefs of coral here and there in the water. The little boats in the foreground, moored in ranks in the tiny roads off Hammerton Chase, lay already deep in the shadow of the high houses of the Terrace, and the water about them was cool and very black. The busy tugs went by, hurrying up with the last of the flood, long chains of barges swishing delightfully behind them. The tug Maud went by, and Margaret, her inseparable companion. On their funnels were a green stripe and a red stripe and a yellow stripe. On their barges were reposeful bargees, smoking old pipes in the stern, and pondering, no doubt, the glories of their life. Margaret this evening had a glorious barge, a great black vessel with a light blue line along the gunwale and a tangle of rigging and coffee-coloured sails strewn along her deck. As they fussed away past the Island the long waves crept smoothly across the river and stole secretly under the little boats in the roads, the sailing-boats and the rowing-boats and the motorboats and the absurd dinghies, and tossed them up and heaved them about with pleasing chuckles; and went on to the garden-wall of the houses and splashed noisily under Stephen’s nose and frothed back to the boats. And the boats rolled happily with charming ripply noises till the water was calm and quiet again. A swan drifted lazily backwards with the tide, searching for something in the back of its neck. It was all very soothing and beautiful, and Stephen Byrne could have looked at the
