his practice-ground an almost treeless slope not far behind the sanatorium, remote from the hubbub of the spot where other beginners learned the art, he began daily to make his first blundering attempts, watched by Herr Settembrini, who would stand at a little distance, leaning on his cane, with legs gracefully crossed, and greet his nursling’s progress with applause. One day Hans Castorp, steering down the cleared drive toward the Dorf, in act to take the skis back to the grocer’s, ran into the Hofrat. Behrens never recognized him, though it was broad day, and our beginner had well-nigh collided with him. Shrouded in a haze of tobacco-smoke, he stalked past regardless.

Hans Castorp found that one quickly gets readiness in an art where strong desire comes in play. He was not ambitious for expert skill, and all he needed he acquired in a few days, without undue strain on wind or muscles. He learned to keep his feet tidily together and make parallel tracks; to avail himself of his stick in getting off; he learned how to take obstacles, such as small elevations of the ground, with a slight soaring motion, arms outspread, rising and falling like a ship on a billowy sea; learned, after the twentieth trial, not to trip and roll over when he braked at full speed, with the right Telemark turn, one leg forward, the other bent at the knee. Gradually he widened the sphere of his activities. One day it came to pass that Herr Settembrini saw him vanish in the far white mist; the Italian shouted a warning through cupped hands, and turned homewards, his pedagogic soul well-pleased.

It was beautiful here in these wintry heights: not mildly and ingratiatingly beautiful, more as the North Sea is beautiful in a westerly gale. There was no thunder of surf, a deathly stillness reigned, but roused similar feelings of awe. Hans Castorp’s long, pliant soles carried him in all directions: along the left slope to Clavadel, on the right to Frauenkirch and Claris, whence he could see the shadowy massif of the Amselfluh, ghostlike in the mist; into the Dischma valley, or up behind the Berghof in the direction of the wooded Seehorn, only the top of which, snow-covered, rose above the tree line, or the Drusatschâ forest, with the pale outline of the Rhätikon looming behind it, smothered in snow. He took his skis and went up on the funicular to the Schatzalp; there, rapt six thousand feet above the sea, he revelled at will on the gleaming slopes of powdery snow⁠—whence, in good weather, there was a view of majestic extent over all the surrounding territory.

He rejoiced in his new resource, before which all difficulties and hindrances to movement fell away. It gave him the utter solitude he craved, and filled his soul with impressions of the wild inhumanity, the precariousness of this region into which he had ventured. On his one hand he might have a precipitous, pine-clad declivity, falling away into the mists; on the other sheer rock might rise, with masses of snow, in monstrous, Cyclopean forms, all domed and vaulted, swelling or cavernous. He would halt for a moment, to quench the sound of his own movement, when the silence about him would be absolute, complete, a wadded soundlessness, as it were, elsewhere all unknown. There was no stir of air, not so much as might even lightly sway the treeboughs; there was not a rustle, nor the voice of a bird. It was primeval silence to which Hans Castorp hearkened, when he leaned thus on his staff, his head on one side, his mouth open. And always it snowed, snowed without pause, endlessly, gently, soundlessly falling.

No, this world of limitless silences had nothing hospitable; it received the visitor at his own risk, or rather it scarcely even received him, it tolerated his penetration into its fastnesses, in a manner that boded no good; it made him aware of the menace of the elemental, a menace not even hostile, but impersonally deadly. The child of civilization, remote from birth from wild nature and all her ways, is more susceptible to her grandeur than is her untutored son who has looked at her and lived close to her from childhood up, on terms of prosaic familiarity. The latter scarcely knows the religious awe with which the other regards her, that awe which conditions all his feeling for her, and is present, a constant, solemn thrill, in the profoundest depth of his soul. Hans Castorp, standing there in his puttees and long-sleeved camel’s-hair waistcoat, on his skis deluxe, suddenly seemed to himself exceedingly presumptuous, to be thus listening to the primeval hush, the deathlike silence of these wintry fastnesses. He felt his breast lightened when, on his way home, the first chalets, the first abodes of human beings, loomed visible through the fog. Only then did he become aware that he had been for hours possessed by a secret awe and terror. On the island of Sylt he had stood by the edge of the thundering surf. In his white flannels, elegant, self-assured, but most respectful, he had stood there as one stands before a lion’s cage and looks deep into the yawning jaws of the beast, lined with murderous fangs. He had bathed in the surf, and heeded the blast of the coastguard’s horn, warning all and sundry not to venture rashly beyond the first line of billows, not to approach too nearly the oncoming tempest⁠—the very last impulse of whose cataract, indeed, struck upon him like a blow from a lion’s paw. From that experience our young man had learned the fearful pleasure of toying with forces so great that to approach them nearly is destruction. What he had not then felt was the temptation to come closer, to carry the thrilling contact with these deadly natural forces up to a point where the full embrace was imminent. Weak human being that he was⁠—though tolerably well equipped with the weapons of

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