In a word, Hans Castorp was valorous up here—if by “valour” we mean not mere dull matter-of-factness in the face of nature, but conscious submission to her, the fear of death cast out by irresistible oneness. Yes, in his narrow, hypercivilized breast, Hans Castorp cherished a feeling of kinship with the elements, connected with the new sense of superiority he had lately felt at sight of the silly people on their little sleds; it had made him feel that a profounder, more spacious, less luxurious solitude than that afforded by his balcony chair would be beyond all price. He had sat there and looked abroad, at those mist-wreathed summits, at the carnival of snow, and blushed to be gaping thus from the breastwork of material well-being. This motive, and no momentary fad—no, nor yet any native love of bodily exertion—was what impelled him to learn the use of skis. If it was uncanny up there in the magnificence of the mountains, in the deathly silence of the snows—and uncanny it assuredly was, to our son of civilization—this was equally true, that in these months and years he had already drunk deep of the uncanny, in spirit and in sense. Even a colloquy with Naphta and Settembrini was not precisely the canniest thing in the world, it too led one on into uncharted and perilous regions. So if we can speak of Hans Castorp’s feeling of kinship with the wild powers of the winter heights, it is in this sense, that despite his pious awe he felt these scenes to be a fitting theatre for the issue of his involved thoughts, a fitting stage for one to make who, scarcely knowing how, found it had devolved upon him to take stock of himself, in reference to the rank and status of the Homo Dei.
No one was here to blow a warning to the rash one—unless, indeed, Herr Settembrini, with his farewell shout at Hans Castorp’s disappearing back, had been that man. But possessed by valorous desire, our youth had given the call no heed—as little as he had the steps behind him on a certain carnival night. “Eh, Ingegnere, un po’ di ragione, sa!” “Yes, yes, pedagogic Satana, with your ragione and your ribellione,” he thought. “But I’m rather fond of you. You are a windbag and a hand-organ man, to be sure. But you mean well, you mean much better, and more to my mind, than that knife-edged little Jesuit and terrorist, apologist of the Inquisition and the knout, with his round eyeglasses—though he is nearly always right when you and he come to grips over my paltry soul, like God and the Devil in the medieval legends.”
He struggled, one day, powdered in snow to the waist, up a succession of snow-shrouded terraces, up and up, he knew not whither. Nowhither, perhaps; these upper regions blended with a sky no less misty-white than they, and where the two came together, it was hard to tell. No summit, no ridge was visible, it was a haze and a nothing, toward which Hans Castorp strove; while behind him the world, the inhabited valley, fell away swiftly from view, and no sound mounted to his ears. In a twinkling he was as solitary, he was as lost as heart could wish, his loneliness was profound enough to awake the fear which is the first stage of valour. “Praeterit figura huius mundi,” he said to himself, quoting Naphta, in a Latin hardly humanistic in spirit. He stopped and looked about. On all sides there was nothing to see, beyond small single flakes of snow, which came out of a white sky and sank to rest on the white earth. The silence about him refused to say aught to his spirit. His gaze was lost in the blind white void, he felt his heart pulse from the effort of the climb—that muscular organ whose animal-like shape and contracting motion he had watched, with a feeling of sacrilege, in the X-ray laboratory. A naive reverence filled him for that organ of his, for the pulsating human heart, up here alone in the icy void, alone with its question and its riddle.
On he pressed; higher and higher toward the sky. Walking, he thrust the end of his stick in the snow and watched the blue light follow it out of the hole it made. That he liked; and stood for long at a time to test the little optical phenomenon. It was a strange, a subtle colour, this greenish-blue; colour of the heights and deeps, ice-clear, yet holding shadow in its depths, mysteriously exquisite. It reminded him of the colour of certain eyes, whose shape and glance had spelled his destiny; eyes to which Herr Settembrini, from his humanistic height, had referred with contempt as “Tartar slits” and “wolf’s eyes”—eyes seen long ago and then found again, the eyes of Pribislav Hippe and Clavdia Chauchat. “With pleasure,” he said aloud, in the profound stillness. “But don’t break it—c’est à visser, tu sais.” And his spirit heard behind him words of warning in a mellifluous tongue.
A wood loomed, misty, far off to the right. He turned that way, to the end of having some goal before his eyes, instead of sheer white transcendence; and made toward it with a dash, not remarking an intervening depression of the ground. He could not have seen it, in fact; everything swam before his eyes in the white mist, obliterating all contours. When he perceived it,
