He glanced sharply from face to face, feeling as though some silent, unseen process were changing everything about him. All the faces seemed oddly familiar. Pagel, the Brother he had been talking with, was of course the image of Pagel, his former room-master, and Kalkmann, he now realised for the first time, was the very twin of another master whose name he had quite forgotten, but whom he used to dislike intensely in the old days. And, through the smoke, peering at him from the corners of the room, he saw that all the Brothers about him had the faces he had known and lived with long ago—Röst, Fluheim, Meinert, Rigel, Gysin.
He stared hard, suddenly grown more alert, and everywhere saw, or fancied he saw, strange likenesses, ghostly resemblances—more, the identical faces of years ago. There was something queer about it all, something not quite right, something that made him feel uneasy. He shook himself, mentally and actually, blowing the smoke from before his eyes with a long breath, and as he did so he noticed to his dismay that everyone was fixedly staring. They were watching him.
This brought him to his senses. As an Englishman, and a foreigner, he did not wish to be rude, or to do anything to make himself foolishly conspicuous and spoil the harmony of the evening. He was a guest, and a privileged guest at that. Besides, the music had already begun. Bruder Schliemann’s long white fingers were caressing the keys to some purpose.
He subsided into his chair and smoked with half-closed eyes that yet saw everything.
But the shudder had established itself in his being, and, whether he would or not, it kept repeating itself. As a town, far up some inland river, feels the pressure of the distant sea, so he became aware that mighty forces from somewhere beyond his ken were urging themselves up against his soul in this smoky little room. He began to feel exceedingly ill at ease.
And as the music filled the air his mind began to clear. Like a lifted veil there rose up something that had hitherto obscured his vision. The words of the priest at the railway inn flashed across his brain unbidden: “You will find it different.” And also, though why he could not tell, he saw mentally the strong, rather wonderful eyes of that other guest at the supper-table, the man who had overheard his conversation, and had later got into earnest talk with the priest. He took out his watch and stole a glance at it. Two hours had slipped by. It was already eleven o’clock.
Schliemann, meanwhile, utterly absorbed in his music, was playing a solemn measure. The piano sang marvellously. The power of a great conviction, the simplicity of great art, the vital spiritual message of a soul that had found itself—all this, and more, were in the chords, and yet somehow the music was what can only be described as impure—atrociously and diabolically impure. And the piece itself, although Harris did not recognise it as anything familiar, was surely the music of a Mass—huge, majestic, sombre? It stalked through the smoky room with slow power, like the passage of something that was mighty, yet profoundly intimate, and as it went there stirred into each and every face about him the signature of the enormous forces of which it was the audible symbol. The countenances round him turned sinister, but not idly, negatively sinister: they grew dark with purpose. He suddenly recalled the face of Bruder Kalkmann in the corridor earlier in the evening. The motives of their secret souls rose to the eyes, and mouths, and foreheads, and hung there for all to see like the black banners of an assembly of ill-starred and fallen creatures. Demons—was the horrible word that flashed through his brain like a sheet of fire.
When this sudden discovery leaped out upon him, for a moment he lost his self-control. Without waiting to think and weigh his extraordinary impression, he did a very foolish but a very natural thing. Feeling himself irresistibly driven by the sudden stress to some kind of action, he sprang to his feet—and screamed! To his own utter amazement he stood up and shrieked aloud!
But no one stirred. No one, apparently, took the slightest notice of his absurdly wild behaviour. It was almost as if no one but himself had heard the scream at all—as though the music had drowned it and swallowed it up—as though after all perhaps he had not really screamed as loudly as he imagined, or had not screamed at all.
Then, as he glanced at the motionless, dark faces before him, something of utter cold passed into his being, touching his very soul. … All emotion cooled suddenly, leaving him like a receding tide. He sat down again, ashamed, mortified, angry with himself for behaving like a fool and a boy. And the music, meanwhile, continued to issue from the white and snakelike fingers of Bruder Schliemann, as poisoned wine might issue from the weirdly fashioned necks of antique phials.
And, with the rest of them, Harris drank it in.
Forcing himself to believe that he had been the victim of some kind of illusory perception, he vigorously restrained his feelings. Then the music presently ceased, and everyone applauded and began to talk at once, laughing, changing seats, complimenting the player, and behaving naturally and easily as though nothing out of the way had happened. The faces appeared normal once more. The Brothers crowded round their visitor, and he joined in their talk and even heard himself thanking the gifted musician.
But, at the same time, he found himself edging towards the door, nearer and nearer, changing his chair when possible, and joining the groups that stood closest to the way of escape.
“I must thank you all tausendmal for my little reception and the great pleasure—the very great honour you have done me,” he began in decided tones at length, “but I fear I have trespassed far too long already
