him, he’ll come down at last to a few shillingsworth of hoofs and hide, just at a time, perhaps, when my bull is being bought for a big sum for some important picture gallery.”

It was too much. The united force of truth and slander and insult put over heavy a strain on Tom Yorkfield’s powers of restraint. In his right hand he held a useful oak cudgel, with his left he made a grab at the loose collar of Laurence’s canary-coloured silk shirt. Laurence was not a fighting man; the fear of physical violence threw him off his balance as completely as overmastering indignation had thrown Tom off his, and thus it came to pass that Clover Fairy was regaled with the unprecedented sight of a human being scudding and squawking across the enclosure, like the hen that would persist in trying to establish a nesting-place in the manger. In another crowded happy moment the bull was trying to jerk Laurence over his left shoulder, to prod him in the ribs while still in the air, and to kneel on him when he reached the ground. It was only the vigorous intervention of Tom that induced him to relinquish the last item of his programme.

Tom devotedly and ungrudgingly nursed his half brother to a complete recovery from his injuries, which consisted of nothing more serious than a dislocated shoulder, a broken rib or two, and a little nervous prostration. After all, there was no further occasion for rancour in the young farmer’s mind; Laurence’s bull might sell for three hundred, or for six hundred, and be admired by thousands in some big picture gallery, but it would never toss a man over one shoulder and catch him a jab in the ribs before he had fallen on the other side. That was Clover Fairy’s noteworthy achievement, which could never be taken away from him.

Laurence continues to be popular as an animal artist, but his subjects are always kittens or fawns or lambkins⁠—never bulls.

The Occasional Garden

“Don’t talk to me about town gardens,” said Elinor Rapsley; “which means, of course, that I want you to listen to me for an hour or so while I talk about nothing else. ‘What a nice-sized garden you’ve got,’ people said to us when we first moved here. What I suppose they meant to say was what a nice-sized site for a garden we’d got. As a matter of fact, the size is all against it; it’s too large to be ignored altogether and treated as a yard, and it’s too small to keep giraffes in. You see, if we could keep giraffes or reindeer or some other species of browsing animal there we could explain the general absence of vegetation by a reference to the fauna of the garden: ‘You can’t have wapiti and Darwin tulips, you know, so we didn’t put down any bulbs last year.’ As it is, we haven’t got the wapiti, and the Darwin tulips haven’t survived the fact that most of the cats of the neighbourhood hold a parliament in the centre of the tulip bed; that rather forlorn looking strip that we intended to be a border of alternating geranium and spiraea has been utilised by the cat-parliament as a division lobby. Snap divisions seem to have been rather frequent of late, far more frequent than the geranium blooms are likely to be. I shouldn’t object so much to ordinary cats, but I do complain of having a congress of vegetarian cats in my garden; they must be vegetarians, my dear, because, whatever ravages they may commit among the sweet pea seedlings, they never seem to touch the sparrows; there are always just as many adult sparrows in the garden on Saturday as there were on Monday, not to mention newly-fledged additions. There seems to have been an irreconcilable difference of opinion between sparrows and Providence since the beginning of time as to whether a crocus looks best standing upright with its roots in the earth or in a recumbent posture with its stem neatly severed; the sparrows always have the last word in the matter, at least in our garden they do. I fancy that Providence must have originally intended to bring in an amending Act, or whatever it’s called, providing either for a less destructive sparrow or a more indestructible crocus. The one consoling point about our garden is that it’s not visible from the drawing-room or the smoking-room, so unless people are dinning or lunching with us they can’t spy out the nakedness of the land. That is why I am so furious with Gwenda Pottingdon, who has practically forced herself on me for lunch on Wednesday next; she heard me offer the Paulcote girl lunch if she was up shopping on that day, and, of course, she asked if she might come too. She is only coming to gloat over my bedraggled and flowerless borders and to sing the praises of her own detestably over-cultivated garden. I’m sick of being told that it’s the envy of the neighbourhood; it’s like everything else that belongs to her⁠—her car, her dinner-parties, even her headaches, they are all superlative; no one else ever had anything like them. When her eldest child was confirmed it was such a sensational event, according to her account of it, that one almost expected questions to be asked about it in the House of Commons, and now she’s coming on purpose to stare at my few miserable pansies and the gaps in my sweet-pea border, and to give me a glowing, full-length description of the rare and sumptuous blooms in her rose-garden.”

“My dear Elinor,” said the baroness, “you would save yourself all this heartburning and a lot of gardener’s bills, not to mention sparrow anxieties, simply by paying an annual subscription to the O.O.S.A.

“Never heard of it,” said Elinor; “what is it?”

“The Occasional-Oasis Supply Association,” said the baroness; “it exists to meet cases exactly like yours,

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