loved her best friend; “she is Flora Mancini.”

“Mancini!” exclaimed Fabian, while his manner became at once respectful and kind. “Are you the orphan daughter of Ugo⁠—the sister of Lorenzo, committed by him to my care?” For since then, through her careful avoidance, Fabian had never even seen his fair ward. She bowed an assent to his questions, while her swelling heart denied her speech; and Fabian, going up to his mother, said, “Madam, I hope for our honour’s sake that this has not before happened. The adverse fortune of this young lady may render retirement and obscurity befitting; but it is not for us to turn into a menial one sprung from the best blood in Italy. Let me entreat you not to permit this to occur again. How shall I redeem my pledged honour, or answer to her brother for this unworthy degradation?”

“Would you have me make a friend and a companion of a Mancini?” asked the countess, with raised colour.

“I ask you not, mother, to do aught displeasing to you,” replied the young noble; “but Flora is my ward, not our servant;⁠—permit her to retire; she will probably prefer the privacy of home, to making one among the festive crowd of her house’s enemies. If not, let the choice be hers⁠—Say, gentle one, will you go with us or retire?”

She did not speak, but raising her soft eyes, curtsied to him and to his mother, and quitted the room; so, tacitly making her selection.

From this time Flora never quitted the more secluded apartments of the palace, nor again saw Fabian. She was unaware that he had been profuse in his eulogium on her beauty; but that while frequently expressing his interest in his ward, he rather avoided the dangerous power of her loveliness. She led rather a prison life, walking only in the palace garden when it was else deserted, but otherwise her time was at her own disposal, and no commands now interfered with her freedom. Her labours were all spontaneous. The countess seldom even saw her, and she lived among this lady’s attendants like a free boarder in a convent; who cannot quit the walls, but who is not subservient to the rules of the asylum. She was more busy than ever at her tapestry frame, because the countess prized her work; and thus she could in some degree repay the protection afforded her. She never mentioned Fabian, and always imposed silence on her companions when they spoke of him. But she did this in no disrespectful terms. “He is a generous enemy, I acknowledge,” she would say, “but still he is my enemy, and while through him my brother is an exile and a wanderer upon earth, it is painful to me to hear his name.”

After the lapse of many months spent in entire seclusion and tranquillity, a change occurred in the tenor of her life. The countess suddenly resolved to pass the Easter festival at Rome. Flora’s companions were wild with joy at the prospect of the journey, the novelty, and the entertainment they promised themselves from this visit, and pitied the dignity of their friend, which prevented her from making one in their mistress’s train; for it was soon understood that Flora was to be left behind; and she was informed that the interval of the lady’s absence was to be passed by her in a villa belonging to the family situated in a sequestered nook among the neighbouring Apennines.

The countess departed in pomp and pride on her so-called pilgrimage to the sacred city, and at the same time Flora was conveyed to her rural retreat. The villa was inhabited only by the peasant and his family, who cultivated the farm, or podere, attached to it, and the old cassiére or housekeeper. The cheerfulness and freedom of the country were delightful, and the entire solitude consonant to the habits of the meditative girl, accustomed to the confinement of the city, and the intrusive prattle of her associates. Spring was opening with all the beauty which that season showers upon favoured Italy. The almond and peach trees were in blossom; and the vinedresser sang at his work, perched with his pruning-knife among the vines. Blossoms and flowers, in laughing plenty, graced the soil; and the trees, swelling with buds ready to expand into leaves, seemed to feel the life that animated their dark old boughs. Flora was enchanted; the country labours interested her, and the hoarded experience of old Sandra was a treasure-house of wisdom and amusement. Her attention had hitherto been directed to giving the most vivid hues and truest imitation to her transcript with her needle of some picture given her as a model; but here was a novel occupation. She learned the history of the bees, watched the habits of the birds, and inquired into the culture of plants. Sandra was delighted with her new companion; and, though notorious for being cross, yet could wriggle her antique lips into smiles for Flora.

To repay the kindness of her guardian and his mother, she still devoted much time to her needle. This occupation but engaged half her attention; and while she pursued it, she could give herself up to endless reverie on the subject of Lorenzo’s fortunes. Three years had flown since he had left her; and, except a little gold cross brought to her by a pilgrim from Milan, but one month after his departure, she had received no tidings of him. Whether from Milan he had proceeded to France, Germany, or the Holy Land, she did not know. By turns her fancy led him to either of these places, and fashioned the course of events that might have befallen him. She figured to herself his toilsome journeys⁠—his life in the camp⁠—his achievements, and the honours showered on him by kings and nobles; her cheek glowed at the praises he received, and her eye kindled with delight as it imaged him standing with modest pride and an erect but gentle mien before

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