But no; it was not quite that. There was something fatalistic, and yet almost defiant, in her look. A blend of optimistic resignation. What was it? What was she discovering? Why that smile? It was as though in desperation she had given him full rein and found, to her amazement, that he did not seem to pull as hard as when she held him tight.
I perceived that my dinner-party promised well. I caught Fanny Ivanovna’s eye and raised my glass; and instantly I had her glass refilled. My head began to swim. I discovered an agreeable warmth in my body, and the expression that had come on my face seemed to be getting out of my control. “Fanny Ivanovna,” I cried, “never mind my expression: I know it is stupid. It has come on of its own accord, and I cannot quite remove it, though I feel that a smile may develop of itself at any moment.”
“Look,” Nina said to Sonia, “how awfully funnily his face changes from smile to seriousness. Look!”
I smiled a drunken smile.
“Look: there again!”
I should have explained here that I had a passion for that white and pasty substance that Russians eat at Easter—paskha, and when I was in Russia I made it my habit to eat it in and out of season. I had a pyramid of considerable dimensions locked up in the safe. … And now, at the close of dinner, the secret was betrayed. A dash was made for it. The guests armed themselves with knives, forks, and spoons and dug into the substance and cleared it away in less than twenty minutes. They then lay moaning and suffering not a little from its effect on their abounding stomachs.
We were jolly, exuberant, self-centred and sentimental. I felt distinctly pleased with myself. I knew not why; that is the secret of good wine. Some people laughed, others after the manner of the Slav were fain to weep; and outside there raged the snowstorm of a Siberian winter night.
Fanny Ivanovna, Magda Nikolaevna, Čečedek, Eisenstein, Nikolai Vasilievich, reclined on sofas and armchairs, smoked and sipped liqueurs; and Sonia, Nina, Vera, Zina and her sisters and Baron Wunderhausen made a noise in the adjoining rooms and did wild things with the furniture.
Uncle Kostia stood on the hearthrug, dazed and very red in the face, and held forth at great length: his Russian soul a reservoir of overflowing feeling. “I feel positively strange,” he said. “I swear I never felt like this before. I nodded, do you know, to some point in an argument with which at the time I happened to agree, and to my great embarrassment I somehow kept on nodding quite in spite of myself, and keep on nodding—do you see me, Fanny Ivanovna?—though the portion of the argument with which I had expressed agreement long died in oblivion. I know it is the wine. It is good wine, and—to make a long story short—I am drunk. But I don’t care. This is an exceptional night. It is a memorable night. Fanny Ivanovna and Nikolai Vasilievich and Magda Nikolaevna, Moesei Moeseiech, Zina, Sonia, Nina, Vera, Kniaz: I swear I never felt so near to you as I do feel tonight. I feel beastly sentimental. I feel that I could howl aloud. I feel that presently I will go round and kiss each one of you in turn. Look into your own hearts. What is the use of pretending? We are all one family and Nikolai Vasilievich, our dearly beloved, much-respected Nikolai Vasilievich, is our parent and guardian. He stood by us well in our hour of need. His task has been an uphill task; but has he complained of us? Not once. He has borne the burden of many families without a sigh of protest. Speaking for myself, we men of letters have to lean for our support on stalwart men like Nikolai Vasilievich, and it is indeed largely on their generous help that art and literature must depend. As you know, we men of letters are no business men, but if as a writer and a student of life and human nature I may presume to give advice: don’t lose courage, Nikolai Vasilievich. Remember, we are all behind you; we shall follow you, if need be, to the end of the earth. Courage, Nikolai Vasilievich! Keep hard at it! Keep hard at it!”
We became agitated. We all spoke at once, perhaps for no other reason than that we had been deprived of speaking for so long. And then, suddenly, we subsided, for on the floor above us, occupied by a Russian family, someone was playing the piano. It was Chopin. We listened to the music and grew still, and our souls were all music as though he had touched their strings. And the house seemed charmed, and the gruff Siberian night looked in through the window and listened in silence. … For his is the grace and sweet melancholy of romance, and his the laughter of silver trumpets, and tears as bright as the dew at dawn. His sorrows are no graver than the sorrow of the gold-red sunset, and his sobs are the sobs of the sea, the echo of the waves weeping on the rocks. And it has all been to him a dream in music, and when we hear it we dream with him. …
“And Fanny Ivanovna,” said Nikolai Vasilievich, “is now a widow!”
A thought flashed across my brain. “Fanny Ivanovna,” I cried, “I had meant to ask you what was that funeral procession you all followed yesterday?”
“My husband’s,” she said, and I was struck unpleasantly by her tone
