and how he had looked, even this source of consolation was now decreasing, and seemed gradually to be drying up altogether. One day he had scarcely been there for five minutes, another time only just passed through the studio, a third time Meta had not seen him at all, a fourth time she could not even say whether she had seen him or not. Elsa thought she knew the meaning of this apparent negligence. Meta had found out something which she could not tell her, or had in some other way become convinced of the hopelessness of her love; and the ample details which she gave from her other experiences and observations in the studio, only served to conceal her embarrassment.

It was therefore with a very divided heart that Elsa heard how Meta daily grew in favour with Aunt Rikchen, who was really a most excellent old lady, and whose heart was in the right place, if her spectacles did always get crooked, or slipped to the end of her nose. And how there was something especially touching to her in the good lady, for she herself would look just like that fifty years hence. But far more touching to her was a lovely young blind girl, who now came every day, because Herr Anders wished to bring the two together in one group. “When she spoke it was just as if a lark were singing high up in the blue sky on a Sunday mornings when all is still in the fields; and Justus said that Nature had never before produced such a contrast as she and Cilli made, and if he succeeded in reproducing it, no one could speak to him again save hat in hand. There was also next to Justus’s studio another which aroused all her curiosity, because the owner of it never allowed herself to be seen, and she could form no idea of what a lady could be like who modelled in clay or hammered at the marble, least of all of such a beautiful, elegant lady as Justus said Fräulein Schmidt was, for you know, Elsa, a sculptor looks like a baker, only that he has clay in his fingers instead of dough, and is powdered with marble-dust instead of flour, and you would hardly take such a queer-looking creature for a respectable gentleman, much less for a great artist, and Justus says the one who looks cleanest and most elegant in spite of his working blouse, and is handsomer than anyone I ever saw in my life, is no true artist, as he can do nothing more than point and block out; but you, poor child, do not know what pointing is. Pointing, you must know, is when you take a thing like a stork’s bill, you know⁠—”

And then followed a very long and very complicated explanation, out of all which Elsa only gathered Meta’s desire to talk of everything excepting what alone lay near her own heart. “The work will soon be finished,” said Elsa to herself, “and the whole result of the fine plan will be that I can no longer consider Reinhold’s holding back as a mere chance,” But the work did not seem likely to be finished.

“Such a countenance had never before come under his notice,” said Justus. “You might as well model the spring clouds, which every moment change their form.” And again, when the portrait for the bas-relief was finished, “You can have no idea how dreadfully absurd I look, Elsa, like a Chinese!” Justus had begun to work at the completion of the “Ambulance preparations.” “And I cannot leave the poor man in the lurch after all his trouble, for you know, Elsa, it is no longer a question of the head only⁠—that is done⁠—but of the whole figure, the attitude, gesture, in a word, a new subject, you know; but I really believe, poor child, you do not know what a subject is. A subject is when a man has no idea what he shall make, and then suddenly sees something, where in reality there is nothing to see⁠—say a cat or a washing-tub⁠—”

This was the longest, but also the last explanation which Meta gave to her friend out of the fullness of her newly-acquired knowledge.

For the next few days Elsa had more than usual to do in the household, and another matter imperiously claimed her attention. The final conference over the future management of the Warnow estates took place at her father’s house, after two months of discussion backwards and forwards over it, and the three votes of Herr von Wallbach, Councillor Schieler, and Giraldi, as the Baroness’s proxy, in opposition to the General’s single voice⁠—who recorded his dissentient view in a minute⁠—had determined the sale of the whole property at the earliest possible opportunity, and Count Axel von Golm had been accepted as the purchaser in the event of his agreeing to the conditions of sale settled at the same by the trustees.

Her father appeared after the long conference paler and more exhausted than Elsa had ever seen him.

“They have done it at last, Elsa,” he said. “The Warnow property, which has been two hundred years in the possession of the family, will be sold and cut up. Your aunt Valerie may justify it if she can, since she and she alone is to blame that an old and honourable family falls miserably to the ground. Had she been a good and faithful wife to my friend⁠—but what use is it harping upon bygone things? It is folly in my own eyes, how much more so then in those of others, to whom the present is everything! And I must confess the gentlemen have acted quite in the spirit of the age, cleverly, rationally, and in your interests. If the results are as brilliant as the Councillor flatters himself, you will be at least twice as rich as before. It is very unnatural, Elsa, but I hope he triumphs too soon. The

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