XX
The Geneva Road
The car had nearly reached Annecy before Celia woke to consciousness. And even then she was dazed. She was only aware that she was in the motorcar and travelling at a great speed. She lay back, drinking in the fresh air. Then she moved, and with the movement came to her recollection and the sense of pain. Her arms and wrists were still bound behind her, and the cords hurt her like hot wires. Her mouth, however, and her feet were free. She started forward, and Adèle Rossignol spoke sternly from the seat opposite.
“Keep still. I am holding the flask in my hand. If you scream, if you make a movement to escape, I shall fling the vitriol in your face,” she said.
Celia shrank back, shivering.
“I won’t! I won’t!” she whispered piteously. Her spirit was broken by the horrors of the night’s adventure. She lay back and cried quietly in the darkness of the carriage. The car dashed through Annecy. It seemed incredible to Celia that less than six hours ago she had been dining with Mme. Dauvray and the woman opposite, who was now her jailer. Mme. Dauvray lay dead in the little salon, and she herself—she dared not think what lay in front of her. She was to be persuaded—that was the word—to tell what she did not know. Meanwhile her name would be execrated through Aix as the murderess of the woman who had saved her. Then suddenly the car stopped. There were lights outside. Celia heard voices. A man was speaking to Wethermill. She started and saw Adèle Tacé’s arm flash upwards. She sank back in terror; and the car rolled on into the darkness. Adèle Tacé drew a breath of relief. The one point of danger had been passed. They had crossed the Pont de la Caille, they were in Switzerland.
Some long while afterwards the car slackened its speed. By the side of it Celia heard the sound of wheels and of the hooves of a horse. A single-horsed closed landau had been caught up as it jogged along the road. The motorcar stopped; close by the side of it the driver of the landau reined in his horse. Wethermill jumped down from the chauffeur’s seat, opened the door of the landau, and then put his head in at the window of the car.
“Are you ready? Be quick!”
Adèle turned to Celia.
“Not a word, remember!”
Wethermill flung open the door of the car. Adèle took the girl’s feet and drew them down to the step of the car. Then she pushed her out. Wethermill caught her in his arms and carried her to the landau. Celia dared not cry out. Her hands were helpless, her face at the mercy of that grim flask. Just ahead of them the lights of Geneva were visible, and from the lights a silver radiance overspread a patch of sky. Wethermill placed her in the landau; Adèle sprang in behind her and closed the door. The transfer had taken no more than a few seconds. The landau jogged into Geneva; the motor turned and sped back over the fifty miles of empty road to Aix.
As the motorcar rolled away, courage returned for a moment to Celia. The man—the murderer—had gone. She was alone with Adèle Rossignol in a carriage moving no faster than an ordinary trot. Her ankles were free, the gag had been taken from her lips. If only she could free her hands and choose a moment when Adèle was off her guard she might open the door and spring out on to the road. She saw Adèle draw down the blinds of the carriage, and very carefully, very secretly, Celia began to work her hands behind her. She was an adept; no movement was visible, but, on the other hand, no success was obtained. The knots had been too cunningly tied. And then Mme. Rossignol touched a button at her side in the leather of the carriage.
The touch turned on a tiny lamp in the roof of the carriage, and she raised a warning hand to Celia.
“Now keep very quiet.”
Right through the empty streets of Geneva the landau was quietly driven. Adèle had peeped from time to time under the blind. There were few people in the streets. Once or twice a sergent-de-ville was seen under the light of a lamp. Celia dared not cry out. Over against her, persistently watching her, Adèle Rossignol sat with the open flask clenched in her hand, and from the vitriol Celia shrank with an overwhelming terror. The carriage drove out from the town along the western edge of the lake.
“Now listen,” said Adèle. “As soon as the landau stops the door of the house opposite to which it stops will open. I shall open the carriage door myself and you will get out. You must stand close by the carriage door until I have got out. I shall hold this flask ready in my hand. As soon as I am out you will run across the pavement into the house. You won’t speak or scream.”
Adèle Rossignol turned out the lamp and ten minutes later the carriage passed down the little street and attracted Mme. Gobin’s notice. Marthe Gobin had lit no light in her room. Adèle Rossignol peered out of the carriage. She saw the houses in darkness. She could not see the busybody’s face watching the landau from a dark window. She cut the cords which fastened the girl’s hands. The carriage stopped. She opened the door. Celia sprang out on to the pavement. She sprang so quickly that Adèle Rossignol caught and held the train of her dress. But it was the fear of the vitriol which had made her spring so nimbly. It was that, too, which made her run so lightly and quickly into the house. The old woman who acted as servant, Jeanne Tacé, received her. Celia offered no resistance. The fear of vitriol had made her supple
