“Ohe! Ohe! Where, where?”
And the people in Manuel’s boat howled back at them, “Ohe! Ohe … e! This way; here!”
Suddenly he struck the guitar a mighty blow, and chanted in an inspired and grandiose strain:
“Steer—for—the—song.”
His fingers ran riot among the strings, and above the jingling his voice, forced to the highest pitch, declaimed, as in the midst of a tempest:
“I adore the saints in the glory of heaven
And, on the dust of the earth,
The print of her footsteps.”
He was improvising. Sometimes he gasped; the rill of softened tinkle ran on, and, glaring watchfully, I fancied I could detect his shape in the white vapour, like a shadow thrown from afar by a tallow dip upon a snowy sheet—the lank droop of his posturing, the greasy locks, the attentive poise of his head, the sentimental rolling of his lustrous and enormous eyes.
I had not forgotten his astonishing display in the cabin of the schooner when, after the confiding of his woes and his ambitions, he had favoured me with a sample of his art. As at that time, when he had been nursing his truculent conceit, he sang, and the unsteady twanging of his guitar lurched and staggered far behind his voice, like a drunken slave in the footsteps of a raving master. Tinkle, tinkle, twang! A headlong rush of muddled fingering; a sudden bang, like a heavy stumble.
“She is the proud daughter of the old Castile! Olà! Olà!” he chanted mysteriously at the beginning of every stanza in a rapturous and soft ecstasy, and then would shriek, as though he had been suddenly cast up on the rock. The poet of Rio Medio was rallying his crew of thieves to a rhapsody of secret and unrequited passion. Twang, ping, tinkle tinkle. He was the Capataz of the valiant Lugareños! The true Capataz! The only Capataz. Olà! Olà! Twang, twang. But he was the slave of her charms, the captive of her eyes, of her lips, of her hair, of her eyebrows, which, he proclaimed in a soaring shriek, were like rainbows arched over stars.
It was a love-song, a mournful parody, the odious grimacing of an ape to the true sorrow of the human face. I could have fled from it, as from an intolerable humiliation. And it would have been easy to pull away unheard while he sang, but I had a plan, the beginning of a plan, something like the beginning of a hope. And for that I should have to use the fog for the purpose of remaining within earshot.
Would the fog last long enough to serve my turn? That was the only question, and I believed it would, for it settled lower; it settled down denser, almost too heavy to be stirred by the fitful efforts of the breeze. It was a true night fog of the tropics, that, born after sunset, tries to creep back into the warm bosom of the sea before sunrise. Once in Rio Medio, taking a walk in the early morning along the sand-dunes, I had stood watching below me the heads of some people, fishing from a boat, emerge strangely in the dawn out of such a fog. It concealed their very shoulders more completely than water could have done. I trusted it would not come so soon to our heads, emerging, though it seemed to me that already, by merely clambering on Castro’s shoulders, I could attain to clear moonlight; see the highlands of the coast, the masts of the English ship. She could not be very far off if only one could tell the direction. But an unsteady little dinghy was not the platform for acrobatic exercises, and Castro not exactly the man.
The slightest noise would have betrayed us, and moreover, the thing was no good, for even supposing I had got a hurried sight of the ship’s spars, I should have to get down into the fog to pull, and there would be nothing visible to keep us from going astray, unless at every dozen strokes I clambered on Castro’s shoulders again to rectify the direction—an obviously impracticable and absurd proceeding.
“She is the proud daughter of old Castile, Olà, Olà,”
Manuel sang confidentially with a subdued and gallant lilt … Obviously impracticable. But I had another idea.
Tinkle tinkle pinnnng … Brrroum. Brrrroum.
“My soul yearns for the alms of a smile.
For a forgiving glance yearns my lofty soul …”
he sang. Ah, if one could have added another four feet to one’s stature. Four or five feet only. There seemed to be nothing but a thin veil between me and the moon. No more than a thin haze. But at the level of my eyes everything was hidden. From behind the white veil came the crying of the strings, a screeching, lugubrious and fierce in its artificial transport, as if it were mocking my sad and ardent conviction of unworthiness, the crowning torment, and the inward pride of pure love. In the breathless pauses I could hear the hollow bumping of gunwales knocking against each other; faint splashings of oars; the distant hail of some laggards groping their way on the shrouded sea.
The note of cruel passion that runs in the blood held these cutthroats profoundly silent in their boats, as at home I could imagine a party of smugglers (they would not stick at a murder or two, either) listening, with pensive faces, to a sentimental ditty of some “sweet Nancy,” howled dismally within the walls of a wayside taproom in the smoke of pipes. I seemed to understand profoundly the difference of races that brings with it the feeling of romance or awakens hate. My gorge rose at Manuel’s song. I hated his lamentations. “Alas, alas; in vain, in vain.” He strummed with vertiginous
