She would be true to her own old moral code, which aimed at truth and self-control, and originated from the time she was sent to school. She was not like the other children; even her clothes were unlike theirs, and her little soul was very, very different. She lived with her mother, who had been left a widow at the age of twenty, and had nothing in the world but her little daughter. Her father had died before she was old enough to remember him. He was in his grave and in heaven, but in reality he lived with them, for his picture hung above the piano and heard and saw everything they said and did. Her mother spoke of him constantly, telling her what he thought of everything and what Jenny might or must not do because of father. Jenny spoke of him as if she knew him, and at night, in bed, she spoke to him, and to God as one who was always with father and agreed with him about everything.
She remembered her first day at school, and smiled at the recollection. Her mother had taught her herself until she was eight years old. She used to explain things to Jenny by comparison; a cape, for instance, was likened to a small point near the town, which Jenny knew well, so when the teacher asked her in the geography lesson to name some Norwegian capes, she answered without hesitation: “Naesodden.” The teacher smiled and all the pupils laughed. “Signe,” said the teacher, and another girl stood up briskly to answer: “Nordkap, Lindesnaes, Stat.” Jenny smiled in a superior way, not heeding their laughter. She had never had child friends, and she never made any.
She had smiled indifferently at their sneering and teasing, but a quiet, implacable hatred grew in her towards the other children, who to her mind formed one compact mass, a many-headed savage beast. The consuming rage which filled her when they tormented her was always hidden behind a scornful, indifferent smile. Once she had nearly cried her eyes out with rage and misery, and when on one or two occasions she had lost control of herself, she had seen their triumph. Only by putting on an air of placid, irritating indifference could she hold her own against them.
In the upper form she made friends with one or two girls; she was then at an age when no child can bear to be unlike others, and she tried to copy them. These friendships, however, did not give her much joy. She remembered how they made fun of her when they discovered that she played with dolls. She disowned her beloved children and said they belonged to her little sisters.
There was a time when she wanted to go on the stage. She and her friends were stage-struck; they sold their school books and their confirmation brooches to buy tickets, and night after night they went to the gallery of the theatre. One day she told her friends how she would act a certain part that interested them. They burst out laughing; they had always known she was conceited, but not that she was a megalomaniac. Did she really believe that she could become an artist, she, who could not even dance? It would be a pretty sight indeed to see her walk up and down the stage with that tall, stiff skeleton of hers.
No, she could not dance. When she was quite a child her mother used to play to her, and she twisted and turned, tripped and curtseyed as she liked, and her mother called her a little linnet. She thought of her first party, how she had arrived full of anticipation, happy in a new white dress which her mother had made after an old English picture. She remembered how she stiffened all over when she began to dance. That stiffness never quite left her; when she tried to learn dancing by herself her soft, slim body became stiff as a poker. She was no good at it. She was very anxious to go to a dancing class, but it never came to anything.
She laughed at the recollection of her school friends. She had met two of them at the exhibition at home, the first time she had got one of her pictures hung and a few lines of praise in the papers. She was with some other artists—Heggen was one of them—when they came up to congratulate her: “Didn’t we always say you’d be an artist? We were all sure that some day we should hear more of you.”
She had smiled: “Yes, Ella; so was I.”
Lonely! She had been lonely ever since her mother met Mr. Berner, who worked with her in the same office. She was about ten at that time, but she understood at once that her dead father had departed from their home. His picture was still hanging there, but he was gone, and it dawned upon her what death really meant. The dead existed only in the memory of others, who had the power conditionally to end their poor shadow life—and they were gone forever.
She understood why her mother became young and pretty and happy again; she noticed the expression on her face when Berner rang the bell. She was allowed to stay in the room and listen to their talk; it was never about things the child could not hear, and they did not send her out of the room when they were together in her home. In spite of the jealousy in her little heart, she understood that there were many things a grown-up mother could not speak about with a little girl, and a strong feeling of justice developed in her. She did not wish to be
