“Well?”
“No,” said Sutch, regretfully. “There would be no disloyalty.”
And on that evening Durrance took the train for Holyhead.
IX
At Glenalla
The farmhouse stood a mile above the village, in a wild moorland country. The heather encroached upon its garden, and the bridle-path ended at its door. On three sides an amphitheatre of hills, which changed so instantly to the season that it seemed one could distinguish from day to day a new gradation in their colours, harboured it like a ship. No trees grew upon those hills, the granite cropped out amidst the moss and heather; but they had a friendly sheltering look, and Durrance came almost to believe that they put on their different draperies of emerald green, and purple, and russet brown consciously to delight the eyes of the girl they sheltered. The house faced the long slope of country to the inlet of the Lough. From the windows the eye reached down over the sparse thickets, the few tilled fields, the whitewashed cottages, to the tall woods upon the bank, and caught a glimpse of bright water and the gulls poising and dipping above it. Durrance rode up the track upon an afternoon and knew the house at once. For as he approached, the music of a violin floated towards him from the windows like a welcome. His hand was checked upon the reins, and a particular strong hope, about which he had allowed his fancies to play, rose up within him and suspended his breath.
He tied up his horse and entered in at the gate. A formless barrack without, the house within was a place of comfort. The room into which he was shown, with its brasses and its gleaming oak and its wide prospect, was bright as the afternoon itself. Durrance imagined it, too, with the blinds drawn upon a winter’s night, and the fire red on the hearth, and the wind skirling about the hills and rapping on the panes.
Ethne greeted him without the least mark of surprise.
“I thought that you would come,” she said, and a smile shone upon her face.
Durrance laughed suddenly as they shook hands, and Ethne wondered why. She followed the direction of his eyes towards the violin which lay upon a table at her side. It was pale in colour; there was a mark, too, close to the bridge, where a morsel of worm-eaten wood had been replaced.
“It is yours,” she said. “You were in Egypt. I could not well send it back to you there.”
“I have hoped lately, since I knew,” returned Durrance, “that, nevertheless, you would accept it.”
“You see I have,” said Ethne, and looking straight into his eyes she added: “I accepted it some while ago. There was a time when I needed to be assured that I had sure friends. And a thing tangible helped. I was very glad to have it.”
Durrance took the instrument from the table, handling it delicately, like a sacred vessel.
“You have played upon it? The ‘Melusine Overture,’ perhaps,” said he.
“Do you remember that?” she returned, with a laugh. “Yes, I have played upon it, but only recently. For a long time I put my violin away. It talked to me too intimately of many things which I wished to forget,” and these words, like the rest, she spoke without hesitation or any down-dropping of the eyes.
Durrance fetched up his luggage from Rathmullen the next day, and stayed at the farm for a week. But up to the last hour of his visit no further reference was made to Harry Feversham by either Ethne or Durrance, although they were thrown much into each other’s company. For Dermod was even more broken than Mrs. Adair’s description had led Durrance to expect. His speech was all dwindled to monosyllables; his frame was shrunken, and his clothes bagged upon his limbs; his very stature seemed lessened; even the anger was clouded from his eye; he had become a stay-at-home, dozing for the most part of the day by a fire, even in that July weather; his longest walk was to the little grey church which stood naked upon a mound some quarter of a mile away and within view of the windows, and even that walk taxed his strength. He was an old man fallen upon decrepitude, and almost out of recognition, so that his gestures and the rare tones of his voice struck upon Durrance as something painful, like the mimicry of a dead man. His collie dog seemed to age in company, and, to see them side by side, one might have said, in sympathy.
Durrance and Ethne were thus thrown much together. By day, in the wet weather or the fine, they tramped the hills, while she, with the colour glowing in her face, and her eyes most jealous and eager, showed him her country and exacted his admiration. In the evenings she would take her violin, and sitting as of old with an averted face, she would bid the strings speak of the heights and depths. Durrance sat watching the sweep of her arm, the absorption of her face, and counting up his chances. He had not brought with him to Glenalla Lieutenant Sutch’s anticipations that he would succeed. The shadow of Harry Feversham might well separate them. For another thing, he knew very well that poverty would fall more lightly upon her than upon most women. He had indeed had proofs of that. Though the Lennon House was ruined altogether, and its lands gone from her, Ethne was still amongst her own people. They
