He darted forward to meet the wife of the manager, and then shaking Du Roy by the hand, said: “How are you, Pretty-boy?”
His friend was surprised, and exclaimed: “Who told you that—”
Rival interrupted him with: “Madame Walter, here, who thinks the nickname a very nice one.”
Madame Walter blushed, saying: “Yes, I will admit that, if I knew you better, I would do like little Laurine and call you Pretty-boy, too. The name suits you very well.”
Du Roy laughed, as he replied: “But I beg of you, madame, to do so.”
She had lowered her eyes, and remarked: “No. We are not sufficiently intimate.”
He murmured: “Will you allow me the hope that we shall be more so?”
“Well, we will see then,” said she.
He drew on one side to let her precede him at the beginning of the narrow stairs lit by a gas jet. The abrupt transition from daylight to this yellow gleam had something depressing about it. A cellar-like odor rose up this winding staircase, a smell of damp heat and of moldy walls wiped down for the occasion, and also whiffs of incense recalling sacred offices and feminine emanations of vervain, orris root, and violets. A loud murmur of voices and the quivering thrill of an agitated crowd could also be heard down this hole.
The entire cellar was lit up by wreaths of gas jets and Chinese lanterns hidden in the foliage, masking the walls of stone. Nothing could be seen but green boughs. The ceiling was ornamented with ferns, the ground hidden by flowers and leaves. This was thought charming, and a delightful triumph of imagination. In the small cellar, at the end, was a platform for the fencers, between two rows of chairs for the judges. In the remaining space the front seats, ranged by tens to the right and to the left, would accommodate about two hundred people. Four hundred had been invited.
In front of the platform young fellows in fencing costume, with long limbs, erect figures, and moustaches curled up at the ends, were already showing themselves off to the spectators. People were pointing them out as notabilities of the art, professionals, and amateurs. Around them were chatting old and young gentlemen in frock coats, who bore a family resemblance to the fencers in fighting array. They were also seeking to be seen, recognized, and spoken of, being masters of the sword out of uniform, experts on foil play. Almost all the seats were occupied by ladies, who kept up a loud rustling of garments and a continuous murmur of voices. They were fanning themselves as though at a theater, for it was already as hot as an oven in this leafy grotto. A joker kept crying from time to time: “Orgeat, lemonade, beer.”
Madame Walter and her daughters reached the seats reserved for them in the front row. Du Roy, having installed them there, was about to quit them, saying: “I am obliged to leave you; we men must not collar the seats.”
But Madame Walter remarked, in a hesitating tone: “I should very much like to have you with us all the same. You can tell me the names of the fencers. Come, if you stand close to the end of the seat you will not be in anyone’s way.” She looked at him with her large mild eyes, and persisted, saying: “Come, stay with us, Monsieur—Pretty-boy. We have need of you.”
He replied: “I will obey with pleasure, madame.”
On all sides could be heard the remark: “It is very funny, this cellar; very pretty, too.”
George knew it well, this vault. He recalled the morning he had passed there on the eve of his duel, alone in front of the little white carton target that had glared at him from the depths of the inner cellar like a huge and terrible eye.
The voice of Jacques Rival sounded from the staircase: “Just about to begin, ladies.” And six gentlemen, in very tight-fitting clothes, to set off their chests, mounted the platform, and took their seats on the chairs reserved for the judges. Their names flew about. General de Reynaldi, the president, a short man, with heavy moustaches; the painter, Joséphin Roudet, a tall, ball-headed man, with a long beard; Matthéo de Ujar, Simon Ramoncel, Pierre de Carvin, three fashionable-looking young fellows; and Gaspard Merleron, a master. Two placards were hung up on the two sides of the vault. That on the right was inscribed “M. Crévecœur,” and that on the left “M. Plumeau.”
They were two professors, two good second-class masters. They made their appearance, both sparely built, with military air and somewhat stiff movements. Having gone through the salute with automatic action, they began to attack one another, resembling in their white costumes of leather and duck, two soldier pierrots fighting for fun. From time to time the word “Touched” was heard, and the six judges nodded with the air of connoisseurs. The public saw nothing but two living marionettes moving about and extending their arms; they understood nothing, but they were satisfied. These two men seemed to them, however, not over graceful, and vaguely ridiculous. They reminded them of the wooden wrestlers sold on the boulevards at the New Year’s Fair.
The first couple of fencers were succeeded by Monsieur Planton and Monsieur Carapin, a civilian master and a military one. Monsieur Planton was very little, and Monsieur Carapin immensely stout. One would have thought that the first thrust would have reduced his volume like that of a balloon. People laughed. Monsieur Planton skipped about like a monkey: Monsieur Carapin, only moved his arm, the rest of his frame being paralyzed by fat. He lunged every five minutes with such heaviness and such effort that it seemed to need the most energetic resolution on his part to accomplish it,
