Then came Monsieur Porion and Monsieur Lapalme, a master and an amateur, who gave way to exaggerated gymnastics; charging furiously at one another, obliging the judges to scuttle off with their chairs, crossing and re-crossing from one end of the platform to the other, one advancing and the other retreating, with vigorous and comic leaps and bounds. They indulged in little jumps backwards that made the ladies laugh, and long springs forward that caused them some emotion. This galloping assault was aptly criticized by some young rascal, who sang out: “Don’t burst yourselves over it; it is a time job!” The spectators, shocked at this want of taste, cried “Ssh!” The judgment of the experts was passed around. The fencers had shown much vigor, and played somewhat loosely.
The first half of the entertainment was concluded by a very fine bout between Jacques Rival and the celebrated Belgian professor, Lebegue. Rival greatly pleased the ladies. He was really a handsome fellow, well made, supple, agile, and more graceful than any of those who had preceded him. He brought, even into his way of standing on guard and lunging, a certain fashionable elegance which pleased people, and contrasted with the energetic, but more commonplace style of his adversary. “One can perceive the well-bred man at once,” was the remark. He scored the last hit, and was applauded.
But for some minutes past a singular noise on the floor above had disturbed the spectators. It was a loud trampling, accompanied by noisy laughter. The two hundred guests who had not been able to get down into the cellar were no doubt amusing themselves in their own way. On the narrow, winding staircase fifty men were packed. The heat down below was getting terrible. Cries of “More air,” “Something to drink,” were heard. The same joker kept on yelping in a shrill tone that rose above the murmur of conversation, “Orgeat, lemonade, beer.” Rival made his appearance, very flushed, and still in his fencing costume. “I will have some refreshments brought,” said he, and made his way to the staircase. But all communication with the ground floor was cut off. It would have been as easy to have pierced the ceiling as to have traversed the human wall piled up on the stairs.
Rival called out: “Send down some ices for the ladies.” Fifty voices called out: “Some ices!” A tray at length made its appearance. But it only bore empty glasses, the refreshments having been snatched on the way.
A loud voice shouted: “We are suffocating down here. Get it over and let us be off.” Another cried out: “The collection.” And the whole of the public, gasping, but good-humored all the same, repeated: “The collection, the collection.”
Six ladies began to pass along between the seats, and the sound of money falling into the collecting-bags could be heard.
Du Roy pointed out the celebrities to Madame Walter. There were men of fashion and journalists, those attached to the great newspapers, the old-established newspapers, which looked down upon the Vie Francaise with a certain reserve, the fruit of their experience. They had witnessed the death of so many of these politico-financial sheets, offspring of a suspicious partnership, and crushed by the fall of a ministry. There were also painters and sculptors, who are generally men with a taste for sport; a poet who was also a member of the Academy, and who was pointed out generally, and a number of distinguished foreigners.
Someone called out: “Good day, my dear fellow.” It was the Count de Vaudrec. Making his excuses to the ladies, Du Roy hastened to shake hands with him. On returning, he remarked: “What a charming fellow Vaudrec is! How thoroughly blood tells in him.”
Madame Walter did not reply. She was somewhat fatigued, and her bosom rose with an effort every time she drew breath, which caught the eye of Du Roy. From time to time he caught her glance, a troubled, hesitating glance, which lighted upon him, and was at once averted, and he said to himself: “Eh! what! Have I caught her, too?”
The ladies who had been collecting passed to their seats, their bags full of gold and silver, and a fresh placard was hung in front of the platform, announcing a “surprising novelty.” The judges resumed their seats, and the public waited expectantly.
Two women appeared, foil in hand and in fencing costume; dark tights, a very short petticoat halfway to the knee, and a plastron so padded above the bosom that it obliged them to keep their heads well up. They were both young and pretty. They smiled as they saluted the spectators, and were loudly applauded. They fell on guard, amidst murmured gallantries and whispered jokes. An amiable smile graced the lips of the judges, who approved the hits with a low “bravo.” The public warmly appreciated this bout, and testified this much to the two combatants, who kindled desire among the men and awakened among the women the native taste of the Parisian for graceful indecency, naughty elegance, music hall singers, and couplets from operettas. Every time that one of the fencers lunged a thrill of pleasure ran through the public. The one who turned her back to the seats, a plump back, caused eyes and mouths to open, and it was not the play of her wrist that was most closely scanned. They were frantically applauded.
A bout with swords followed, but no one looked at it, for the attention of all was occupied by what was going on overhead. For some minutes they had heard the noise of furniture being dragged across the floor, as though moving was in progress. Then all at once the notes of a piano were heard, and the rhythmic beat of feet moving in cadence was distinctly audible. The people above had treated themselves to a dance to make up
