small package. “Poor thing! poor thing!” he said, in a deep voice which had something strangely threatening in its apparent pity. It did not seem to him as if this guileless loving little woman could reconcile him to the world at all, but rather that she was with him against the world, that she was a creature who would need to be avenged.

“Oh, don’t you be sorry for me,” she said; “for though I don’t see him often, he is more beautiful and good than anybody else in the world. I say prayers to him when he’s away. You couldn’t think what he is!”

She looked at Baldassarre with a wide glance of mysterious meaning, taking the baby from him again, and almost wishing he would question her as if he wanted very much to know more.

“Yes, I could,” said Baldassarre, rather bitterly.

“No, I’m sure you never could,” said Tessa, earnestly. “You thought he might be Nofri,” she added, with a triumphant air of conclusiveness. “But never mind; you couldn’t know. What is your name?”

He rubbed his hand over his knitted brow, then looked at her blankly and said, “Ah, child, what is it?”

It was not that he did not often remember his name well enough; and if he had had presence of mind now to remember it, he would have chosen not to tell it. But a sudden question appealing to his memory, had a paralysing effect, and in that moment he was conscious of nothing but helplessness.

Ignorant as Tessa was, the pity stirred in her by his blank look taught her to say⁠—

Never mind: you are a stranger, it is no matter about your having a name. Goodbye now, because I want my breakfast. You will come here and rest when you like; Monna Lisa says you may. And don’t you be unhappy, for we’ll be good to you.”

“Poor thing!” said Baldassarre again.

XXXIV

No Place for Repentance

Messer Naldo came again sooner than was expected: he came on the evening of the twenty-eighth of November, only eleven days after his previous visit, proving that he had not gone far beyond the mountains; and a scene which we have witnessed as it took place that evening in the Via de’ Bardi may help to explain the impulse which turned his steps towards the hill of San Giorgio.

When Tito had first found this home for Tessa, on his return from Rome, more than a year and a half ago, he had acted, he persuaded himself, simply under the constraint imposed on him by his own kindliness after the unlucky incident which had made foolish little Tessa imagine him to be her husband. It was true that the kindness was manifested towards a pretty trusting thing whom it was impossible to be near without feeling inclined to caress and pet her; but it was not less true that Tito had movements of kindness towards her apart from any contemplated gain to himself. Otherwise, charming as her prettiness and prattle were in a lazy moment, he might have preferred to be free from her; for he was not in love with Tessa⁠—he was in love for the first time in his life with an entirely different woman, whom he was not simply inclined to shower caresses on, but whose presence possessed him so that the simple sweep of her long tresses across his cheek seemed to vibrate through the hours. All the young ideal passion he had in him had been stirred by Romola, and his fibre was too fine, his intellect too bright, for him to be tempted into the habits of a gross pleasure-seeker. But he had spun a web about himself and Tessa, which he felt incapable of breaking: in the first moments after the mimic marriage he had been prompted to leave her under an illusion by a distinct calculation of his own possible need, but since that critical moment it seemed to him that the web had gone on spinning itself in spite of him, like a growth over which he had no power. The elements of kindness and self-indulgence are hard to distinguish in a soft nature like Tito’s; and the annoyance he had felt under Tessa’s pursuit of him on the day of his betrothal, the thorough intention of revealing the truth to her with which he set out to fulfil his promise of seeing her again, were a sufficiently strong argument to him that in ultimately leaving Tessa under her illusion and providing a home for her, he had been overcome by his own kindness. And in these days of his first devotion to Romola he needed a self-justifying argument. He had learned to be glad that she was deceived about some things. But every strong feeling makes to itself a conscience of its own⁠—has its own piety; just as much as the feeling of the son towards the mother, which will sometimes survive amid the worst fumes of depravation; and Tito could not yet be easy in committing a secret offence against his wedded love.

But he was all the more careful in taking precautions to preserve the secrecy of the offence. Monna Lisa, who, like many of her class, never left her habitation except to go to one or two particular shops, and to confession once a year, knew nothing of his real name and whereabout: she only know that he paid her so as to make her very comfortable, and minded little about the rest, save that she got fond of Tessa, and found pleasure in the cares for which she was paid. There was some mystery behind, clearly, since Tessa was a contadina, and Messer Naldo was a signor; but, for aught Monna Lisa knew, he might be a real husband. For Tito had thoroughly frightened Tessa into silence about the circumstances of their marriage, by telling her that if she broke that silence she would never see him again; and Monna Lisa’s deafness, which made it

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