It was in preparation for a scene which was really a response to the popular impatience for some supernatural guarantee of the Prophet’s mission, that the wooden pulpit had been erected above the church-door. But while the ordinary Frati in black mantles were entering and arranging themselves, the faces of the multitude were not yet eagerly directed towards the pulpit: it was felt that Savonarola would not appear just yet, and there was some interest in singling out the various monks, some of them belonging to high Florentine families, many of them having fathers, brothers, or cousins among the artisans and shopkeepers who made the majority of the crowd. It was not till the tale of monks was complete, not till they had fluttered their books and had begun to chant, that people said to each other, “Fra Girolamo must be coming now.”
That expectation rather than any spell from the accustomed wail of psalmody was what made silence and expectation seem to spread like a paling solemn light over the multitude of upturned faces, all now directed towards the empty pulpit.
The next instant the pulpit was no longer empty. A figure covered from head to foot in black cowl and mantle had entered it, and was kneeling with bent head and with face turned away. It seemed a weary time to the eager people while the black figure knelt and the monks chanted. But the stillness was not broken, for the Frate’s audiences with Heaven were yet charged with electric awe for that mixed multitude, so that those who had already the will to stone him felt their arms unnerved.
At last there was a vibration among the multitude, each seeming to give his neighbour a momentary aspen-like touch, as when men who have been watching for something in the heavens see the expected presence silently disclosing itself. The Frate had risen, turned towards the people, and partly pushed back his cowl. The monotonous wail of psalmody had ceased, and to those who stood near the pulpit, it was as if the sounds which had just been filling their ears had suddenly merged themselves in the force of Savonarola’s flashing glance, as he looked round him in the silence. Then he stretched out his hands, which, in their exquisite delicacy, seemed transfigured from an animal organ for grasping into vehicles of sensibility too acute to need any gross contact: hands that came like an appealing speech from that part of his soul which was masked by his strong passionate face, written on now with deeper lines about the mouth and brow than are made by forty-four years of ordinary life.
At the first stretching out of the hands some of the crowd in the front ranks fell on their knees, and here and there a devout disciple farther off; but the great majority stood firm, some resisting the impulse to kneel before this excommunicated man (might not a great judgment fall upon him even in this act of blessing?)—others jarred with scorn and hatred of the ambitious deceiver who was getting up this new comedy, before which, nevertheless, they felt themselves impotent, as before the triumph of a fashion.
But then came the voice, clear and low at first, uttering the words of absolution—“Misereatur vestri”—and more fell on their knees: and as it rose higher and yet clearer, the erect heads became fewer and fewer, till, at the words “Benedicat vos omnipotens Deus” it rose to a masculine cry, as if protesting its power to bless under the
