hope. Say, do you want to hear a new song?
| Miss Rixey |
Sure! |
| Benny |
Bowled over by this answer. What? |
| Miss Rixey |
I said sure. |
| Benny |
Darts to the piano and starts.
“Should a father’s carnal sins
Blight the life of babykins?
All I ask is give our child—”
|
|
But Miss Rixey has not waited. Something about the rhythm has caught her ear, and she has simply gone into her dance. It has expressed itself in the form of a neat Off-to-Buffalo, right through the door and into Hart’s office. And perhaps further. |
|
Benny sits looking after her, stunned. As he does so Edna enters—a bit uncertainly, as is her wont, but she enters. |
| Benny |
Willing to take anything. Hello, kid. |
| Edna |
Hello. |
| Benny |
Want to see somebody? |
| Edna |
I’ll be going. |
| Benny |
Wait—you want to hear a great song? You know who I am, don’t you? I’m Benny Fox, the hit-writer. I write words and music both. I’m like Berlin, only more pathetic. Now I got a new one. It’s about a couple that have a baby without benefit to a clergyman, and you can dance to it. He plays it.
“Should a father’s carnal sins
Blight the life of babykins?
All I ask is give our child a name—I mean a last name.
I don’t ask to share your life,
Live with you as man and wife;
All I ask is give our child a name—
Not just a first name.”
Maxie comes on. Hello, Maxie. I’ll start over so you can get this.
“Should a father’s carnal sins—
|
| Maxie |
Looking at Edna. Wait a minute! Isn’t this—Miss Baker? |
| Edna |
And you’re Mr. Schwartz. |
| Maxie |
Correct! |
| Benny |
Come on, Maxie! Get a load of this!
“Should a father’s carnal sins—”
|
| Maxie |
Go back to your cell! We want to talk! |
| Benny |
But she wants to hear this number! |
| Maxie |
Gets an idea. Listen! You don’t know who she is. |
| Benny |
No. |
| Maxie |
Well! Remember what happened to “Tokyo.” It’s a case of the burnt child. Benny scoots out, throwing a look back at Edna as he goes. My, but I’m glad to see you! |
| Edna |
It’s nice of you to say so, anyway. |
| Maxie |
I guess it was kind of nervy of me, calling you up that way. Hope you didn’t mind. |
| Edna |
Why—no. I—I thought it was very friendly. |
| Maxie |
Of course it isn’t really any of my business exactly, but—nobody else was doing anything, so I thought I would. Probably you can guess who it’s about. |
| Edna |
Tell me about him! What’s happened? What’s happened to him? |
| Maxie |
Do you mind if I ask a question? I think I know the answer. |
| Edna |
What? |
| Maxie |
You’re in love with him, aren’t you? Edna turns away. You know, you can tell me. I’m for you—I want to help you. You do—love him? Edna nods. Enough to keep him from—ruining himself? |
| Edna |
How do you mean? |
| Maxie |
He’s engaged to be married. You know that? |
| Edna |
I—supposed that was it. |
| Maxie |
But he’s not happy. He’s not in love with her. |
| Edna |
Breaking out. I can’t do anything! He doesn’t love me! He never did! |
| Maxie |
Somebody’s got to do something. He’s not a fellow that can think for himself. They left that out. |
| Edna |
Oh, why did you make me come here? I shouldn’t have done it—I don’t know why I did! I’ve been trying every way to forget him—I went away, and I didn’t see anybody, and then I went around with lots of people—it only made it worse. I kept wanting to call him up, and once I did, only—I hung up before he could come to the telephone. |
| Maxie |
Let me bring him in here. |
| Edna |
No, no! I don’t want to talk to him! I mustn’t! |
| Maxie |
But he’s in trouble. And you’re the only one that can help him. |
| Edna |
He don’t want to see me! |
| Maxie |
Let me tell him you’re here. It can’t do any harm. Edna is silent. You needn’t answer. Only promise me one thing. |
| Edna |
What? |
| Maxie |
No matter what happens, come and see me afterward. Will you? Edna nods. The second door on the left, down that hall. Maxie goes. Edna is alone for a moment. Two moments, even. Then a pretty excited Fred comes on. |
| Fred |
Hello, Eddie. |
| Edna |
Hello. |
| Fred |
I’m awful glad to see you, Eddie! Gee, but I’m glad to see you! |
| Edna |
I didn’t really come to—I mean, it was Mr. Schwartz that made me talk to you. |
| Fred |
My, but it’s great to see you again! I didn’t know how great it would be. |
| Edna |
I’m glad to see you, too, Fred. I’m glad you’re well and that you’re going to be—happy. |
| Fred |
I been thinking about you, Eddie an awful lot, lately. I been waking up in the morning, thinking about you. |
| Edna |
Are you waking up in the morning again, Fred? |
| Fred |
I been going to call you up to tell you about it. We used to have a lot of fun together. Eagerly. Remember that day in Van Cortlandt Park when I lost my watch and that little boy found it? |
| Edna |
You gave him a nickel. |
| Fred |
It was a dime. And he said, “Keep it and buy your wife a raddio set.” He thought we was married. He laughs, as though trying to induce a mood of merriment in Edna. |
| Edna |
I remember. |
| Fred |
You was embarrassed, all right. You got red. |
| Edna |
Any girl would. |
| Fred |
And then coming back we forgot to change at Seventy-second Street. That is, you forgot. I didn’t know any better. |
| Edna |
I just wasn’t thinking. |
| Fred |
We had to go all the way down to Times Square. That’s when we saw the flea circus. |
| Edna |
You said one of the fleas reminded you of a man in Schenectady. |
| Fred |
Yeah. Perry Robinson. He always walked like he’d just picked up a nail. Fred drops the pretense and comes out with it. Eddie, did Maxie say anything to you? About me. |
| Edna |
In agony. He said you were going to be married, Fred. I should have congratulated you. |
| Fred |
Suddenly. I |