think at one time that I was on the verge of becoming a poet, but Providence was kind enough to save me from that disaster. Do you remember old Dakshina? If he had not become a Salt Inspector, he would have been a poet. I remember his rendering to this day⁠ ⁠…

“No, Queen Bee, it is no use rummaging those bookshelves. Nikhil has ceased to read poetry since his marriage⁠—perhaps he has no further need for it. But I suppose ‘the fever fit of poesy,’ as the Sanskrit has it, is about to attack me again.”

“I have come to give you a warning, Sandip,” said my husband.

“About the fever fit of poesy?”

My husband took no notice of this attempt at humour. “For some time,” he continued, “Mahomedan preachers have been about stirring up the local Mussulmans. They are all wild with you, and may attack you any moment.”

“Are you come to advise flight?”

“I have come to give you information, not to offer advice.”

“Had these estates been mine, such a warning would have been necessary for the preachers, not for me. If, instead of trying to frighten me, you give them a taste of your intimidation, that would be worthier both of you and me. Do you know that your weakness is weakening your neighbouring zamindars also?”

“I did not offer you my advice, Sandip. I wish you, too, would refrain from giving me yours. Besides, it is useless. And there is another thing I want to tell you. You and your followers have been secretly worrying and oppressing my tenantry. I cannot allow that any longer. So I must ask you to leave my territory.”

“For fear of the Mussulmans, or is there any other fear you have to threaten me with?”

“There are fears the want of which is cowardice. In the name of those fears, I tell you, Sandip, you must go. In five days I shall be starting for Calcutta. I want you to accompany me. You may of course stay in my house there⁠—to that there is no objection.”

“All right, I have still five day’s time then. Meanwhile, Queen Bee, let me hum to you my song of parting from your honey-hive. Ah! you poet of modern Bengal! Throw open your doors and let me plunder your words. The theft is really yours, for it is my song which you have made your own⁠—let the name be yours by all means, but the song is mine.” With this Sandip struck up in a deep, husky voice, which threatened to be out of tune, a song in the Bhairavi mode:

“In the springtime of your kingdom, my Queen,
Meetings and partings chase each other in their endless hide and seek,
And flowers blossom in the wake of those that droop and die in the shade.
In the springtime of your kingdom, my Queen,
My meeting with you had its own songs,
But has not also my leave-taking any gift to offer you?
That gift is my secret hope, which I keep hidden in the shadows of your flower garden,
That the rains of July may sweetly temper your fiery June.”

His boldness was immense⁠—boldness which had no veil, but was naked as fire. One finds no time to stop it: it is like trying to resist a thunderbolt: the lightning flashes: it laughs at all resistance.

I left the room. As I was passing along the verandah towards the inner apartments, Amulya suddenly made his appearance and came and stood before me.

“Fear nothing, Sister Rani,” he said. “I am off tonight and shall not return unsuccessful.”

“Amulya,” said I, looking straight into his earnest, youthful face, “I fear nothing for myself, but may I never cease to fear for you.”

Amulya turned to go, but before he was out of sight I called him back and asked: “Have you a mother, Amulya?”

“I have.”

“A sister?”

“No, I am the only child of my mother. My father died when I was quite little.”

“Then go back to your mother, Amulya.”

“But, Sister Rani, I have now both mother and sister.”

“Then, Amulya, before you leave tonight, come and have your dinner here.”

“There won’t be time for that. Let me take some food for the journey, consecrated with your touch.”

“What do you specially like, Amulya?”

“If I had been with my mother I should have had lots of Poush cakes. Make some for me with your own hands, Sister Rani!”

X

Nikhil’s Story

XII

I learnt from my master that Sandip had joined forces with Harish Kundu, and there was to be a grand celebration of the worship of the demon-destroying Goddess. Harish Kundu was extorting the expenses from his tenantry. Pandits Kaviratna and Vidyavagish had been commissioned to compose a hymn with a double meaning.

My master has just had a passage at arms with Sandip over this. “Evolution is at work amongst the gods as well,” says Sandip. “The grandson has to remodel the gods created by the grandfather to suit his own taste, or else he is left an atheist. It is my mission to modernize the ancient deities. I am born the saviour of the gods, to emancipate them from the thraldom of the past.”

I have seen from our boyhood what a juggler with ideas is Sandip. He has no interest in discovering truth, but to make a quizzical display of it rejoices his heart. Had he been born in the wilds of Africa he would have spent a glorious time inventing argument after argument to prove that cannibalism is the best means of promoting true communion between man and man. But those who deal in delusion end by deluding themselves, and I fully believe that, each time Sandip creates a new fallacy, he persuades himself that he has found the truth, however contradictory his creations may be to one another.

However, I shall not give a helping hand to establish a liquor distillery in my country. The young men, who are ready to offer their services for their country’s cause, must not fall into this habit of

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