Short Fiction

By Thomas Mann.

Translated by Kenneth Burke, Herman George Scheffauer, and H. T. Lowe-Porter.

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Foreword

This edition of Thomas Mann’s Short Fiction was produced from various translations. “Bashan and I” was translated by Hermann George Scheffauer and originally published in 1923. “Tristan,” “Tonio Kröger,” and “Death in Venice” were translated by Kenneth Burke and originally published in 1924. “Disorder and Early Sorrow” was translated by Hermann George Scheffauer and originally published in 1926. “Little Herr Friedemann,” “Little Louise,” “Tobias Mindernickel,” “The Wardrobe,” “The Path to the Cemetery,” “The Infant Prodigy,” “At the Prophet’s,” and “How Jappe Fought Do Escobar” were also translated by Hermann George Scheffauer and originally published in 1928. “Mario and the Magician” was translated by H. T. Lowe-Porter and originally published in 1930.

Robin Whittleton

Billeberga, Sweden,

Short Fiction

Little Herr Friedemann

It was the fault of the wet-nurse. What was the good of Frau Consul Friedemann’s giving her an earnest talking-to, when her suspicions were first aroused, and bidding her suppress that vice of hers? What was the good of giving her a daily glass of claret in addition to the nourishing beer? It was suddenly evident that this young woman also went so far as to drink the spirits intended for the cooking-stove, and before a substitute for her had arrived, before one could discharge her, the disaster had happened. One day when the mother and her three half-grown daughters returned from a walk, little Johannes, about a month old, lay on the floor, whimpering lightly yet frightfully, just as he had fallen from the swaddling-table, while the wet-nurse stood staring stupidly.

The doctor, who tested the limbs of the contorted and jerking little body with firm, solicitous fingers, made a very, very serious face; the three girls stood sobbing in a corner and Frau Friedemann prayed aloud in the terror of her heart.

Even before the birth of the child the poor woman had been forced to undergo having her husband, the consul for the Netherlands, swept from her side by an illness as sudden as it was violent, and she was still too broken in spirit to be capable of hoping that little Johannes might be preserved to her. But after two days the physician, with an encouraging pressure of the hand, told her that an immediate danger was no longer to be feared; the slight concussion of the brain had, first of all, entirely disappeared, as one might see by the mere look of the eyes, which no longer had the same fixity as at the beginning. Of course, one would have to wait to know how, after all, the thing would develop⁠—and, to be sure, to hope for the best, to hope for the best.


The grey house with the gables in which Johannes Friedemann grew up stood near the northern gates of the old mercantile city, a city of medium size. Through the house door one entered a roomy vestibule, paved with stone tiles, from which a staircase with white-painted banister led to the upper stories. The wallpaper of the living-room in the first story revealed faded landscapes, and stiff-backed furniture stood ranged around the heavy mahogany table with the dark-red cover of plush.

Here he often sat during his childhood, at the window, in front of which beautiful flowers were always growing⁠—sat on a little stool at the feet of his mother and listened to some wonderful story while he regarded the smooth, grey parting of her hair and her kind, gentle face and breathed the slight fragrance that always emanated from her. Or perhaps he would ask to see the picture of his father, a pleasant-looking gentleman with grey side-whiskers. He was in heaven, said his mother, and was awaiting

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