On the Making of Man

things suitable for his refreshment are in readiness⁠—in the same manner the rich and munificent Entertainer of our nature, when He had decked the habitation with beauties of every kind, and prepared this great and varied banquet, then introduced man, assigning to him as his task not the acquiring of what was not there, but the enjoyment of the things which were there; and for this reason He gives him as foundations the instincts of a twofold organization, blending the Divine with the earthy, that by means of both he may be naturally and properly disposed to each enjoyment, enjoying God by means of his more divine nature, and the good things of earth by the sense that is akin to them.

III

That the nature of man is more precious than all the visible creation.9

But it is right that we should not leave this point without consideration, that while the world, great as it is, and its parts, are laid as an elemental foundation for the formation of the universe, the creation is, so to say, made offhand by the Divine power, existing at once on His command, while counsel precedes the making of man; and that which is to be is foreshown by the Maker in verbal description, and of what kind it is fitting that it should be, and to what archetype it is fitting that it should bear a likeness, and for what it shall be made, and what its operation shall be when it is made, and of what it shall be the ruler⁠—all these things the saying examines beforehand, so that he has a rank assigned him before his genesis, and possesses rule over the things that are before his coming into being; for it says, “God said, Let us make man in our image, after our likeness, and let them have dominion over the fish of the sea, and the beasts of the earth, and the fowls of the heaven, and the cattle, and all the earth.”10

O marvellous! a sun is made, and no counsel precedes; a heaven likewise; and to these no single thing in creation is equal. So great a wonder is formed by a word alone, and the saying indicates neither when, nor how, nor any such detail. So too in all particular cases, the aether, the stars, the intermediate air, the sea, the earth, the animals, the plants⁠—all are brought into being with a word, while only to the making of man does the Maker of all draw near with circumspection, so as to prepare beforehand for him material for his formation, and to liken his form to an archetypal beauty, and, setting before him a mark for which he is to come into being, to make for him a nature appropriate and allied to the operations, and suitable for the object in hand.

IV

That the construction of man throughout signifies his ruling power.11

For as in our own life artificers fashion a tool in the way suitable to its use, so the best Artificer made our nature as it were a formation fit for the exercise of royalty, preparing it at once by superior advantages of soul, and by the very form of the body, to be such as to be adapted for royalty: for the soul immediately shows its royal and exalted character, far removed as it is from the lowliness of private station, in that it owns no lord, and is self-governed, swayed autocratically by its own will; for to whom else does this belong than to a king? And further, besides these facts, the fact that it is the image of that Nature which rules over all means nothing else than this, that our nature was created to be royal from the first. For as, in men’s ordinary use, those who make images12 of princes both mould the figure of their form, and represent along with this the royal rank by the vesture of purple, and even the likeness is commonly spoken of as “a king,” so the human nature also, as it was made to rule the rest, was, by its likeness to the King of all, made as it were a living image, partaking with the archetype both in rank and in name, not vested in purple, nor giving indication of its rank by sceptre and diadem (for the archetype itself is not arrayed with these), but instead of the purple robe, clothed in virtue, which is in truth the most royal of all raiment, and in place of the sceptre, leaning on the bliss of immortality, and instead of the royal diadem, decked with the crown of righteousness; so that it is shown to be perfectly like to the beauty of its archetype in all that belongs to the dignity of royalty.

V

That man is a likeness of the Divine sovereignty.13

It is true, indeed, that the Divine beauty is not adorned with any shape or endowment of form, by any beauty of colour, but is contemplated as excellence in unspeakable bliss. As then painters transfer human forms to their pictures by the means of certain colours, laying on their copy the proper and corresponding tints, so that the beauty of the original may be accurately transferred to the likeness, so I would have you understand that our Maker also, painting the portrait to resemble His own beauty, by the addition of virtues, as it were with colours, shows in us His own sovereignty: and manifold and varied are the tints, so to say, by which His true form is portrayed: not red, or white,14 or the blending of these, whatever it may be called, nor a touch of black that paints the eyebrow and the eye, and shades, by some combination, the