lower down.
He stepped into the dark, wide front hall, from which cold air blew as from a cellar. From the hall he got into a room, also dark, faintly illumined by light coming through a wide crack under a door. Opening this door, he at last found himself in the light and was struck by the disorder that confronted him. It looked as if they were washing the floors in the house, and all the furniture had for the time being been piled up here. On one table there even stood a broken chair, and next to it a clock with a stopped pendulum to which a spider had already attached its web. Near it, leaning its side against the wall, stood a cupboard with old silver, decanters, and Chinese porcelain. On the bureau, inlaid with mother-of-pearl mosaic, which in places had fallen out and left only yellow grooves filled with glue, lay a various multitude of things: a stack of papers written all over in a small hand, covered by a marble paperweight, gone green, with a little egg on top of it, some ancient book in a leather binding with red edges, a completely dried-up lemon no bigger than a hazelnut, the broken-off arm of an armchair, a glass with some sort of liquid and three flies in it, covered by a letter, a little piece of sealing wax, a little piece of rag picked up somewhere, two ink-stained pens, dried up as if with consumption, a toothpick, turned completely yellow, with which the master had probably picked his teeth even before the invasion of Moscow by the French.[26]
On the walls, hung quite close together and haphazardly, were a number of pictures: a long, yellowed engraving of some battle, with enormous drums, shouting soldiers in three-cornered hats, and drowning horses, without glass, in a mahogany frame with thin bronze strips and bronze rounds at the corners. Next to it, half the wall was taken up by an enormous, blackened oil painting portraying flowers, fruit, a sliced watermelon, a boar's head, and a duck hanging upside down. From the middle of the ceiling hung a chandelier in a hempen sack, which the dust made to resemble a silk cocoon with a worm sitting inside it. On the floor in the corner of the room was heaped a pile of whatever was more crude and unworthy of lying on the tables. Precisely what was in this pile it was hard to tell, for there was such an abundance of dust on it that the hands of anyone who touched it resembled gloves; most conspicuously, there stuck out from it a broken-off piece of a wooden shovel and an old boot sole. One would never have known that the room was inhabited by a living being, were its presence not announced by an old, worn nightcap lying on the table. While he was examining all these strange adornments, a side door opened and in came the same housekeeper he had met in the yard. But here he perceived that the housekeeper was a man, rather than a woman; a woman, in any case, does not shave, while this one, on the contrary, did shave, though apparently not very often, because his whole chin along with the lower part of his cheeks resembled a currycomb made of iron wire, used in stables for grooming horses. Chichikov, giving his face an inquisitive expression, waited impatiently for what the housekeeper wanted to say to him. The housekeeper, for his part, also waited for what Chichikov wanted to say to him. Finally the latter, astonished at such strange perplexity, decided to ask:
'About the master? Is he in, or what?'
'The master's here,' said the housekeeper.
'But where?' Chichikov reiterated.
'What, my dear, are you blind or something?' said the housekeeper. 'Egad! But I am the master!'
Here our hero involuntarily stepped back and looked at him intently. He had chanced to meet many different kinds of people, even kinds such as the reader and I may never get to meet; but such a one he had never met before. His face presented nothing unusual; it was about the same as in many lean old men, only his chin protruded very far forward, so that he had to cover it with a handkerchief all the time to keep from spitting on it; his small eyes were not yet dim and darted from under his high arched eyebrows like mice when, poking their sharp little snouts from their dark holes, pricking up their ears and twitching their whiskers, they spy out whether there is a cat or a mischievous boy in hiding, and sniff the very air suspiciously. Far more remarkable was his outfit: no means or efforts would avail to discover what his robe was concocted of: the sleeves and front were so greasy and shiny that they looked like the tarred leather used for making boots; behind, instead of two skirts, four hung down, with tufts of cotton wool emerging from them. Around his neck, too, something unidentifiable was tied: a stocking, a garter, a bellyband, anything but a cravat. In short, if Chichikov had met him, attired thus, somewhere at a church door, he probably would have given him a copper. For to our hero's credit it must be said that he had a compassionate heart and could never refrain from giving a poor man a copper. But before him stood no beggar, before him stood a landowner. This landowner had more than a thousand souls, and it would have been hard to find another who had so much wheat in grain, flour, or simply in stacks, whose storerooms, barns, and granaries were crammed with so much linen, felt, sheepskin dressed and raw, dried fish, and all sorts of vegetables and foodstuff. Had anyone peeked into his workshop, where all kinds of wood and never-used wares were stored up in reserve—he would have thought he had landed somehow on woodworkers' row in Moscow, where spry beldames set out daily, with their scullery maids in tow, to make their household purchases, and where there gleam mountains of wooden articles— nailed, turned, joined, and plaited: barrels, halved barrels, tubs, tar buckets, flagons with and without spouts, stoups, baskets, hampers in which village women keep their skeins of flax and other junk, panniers of thin bent aspen, corbeils of plaited birchbark, and much else that is put to service in rich and poor Rus.[27] What need, one might ask, did Plyushkin have for such a mass of these artifacts? Never in all his life could they have been used even on two such estates as his—but to him it still seemed too little. Not satisfied with it, he walked about the streets of his village every day, looked under the little bridges and stiles, and whatever he came across—an old shoe sole, a woman's rag, an iron nail, a potsherd—he carried off and added to the pile that Chichikov had noticed in the corner of the room. 'The fisherman's off in pursuit again!' the muzhiks would say, when they saw him going for his booty. And, indeed, after him there was no need to sweep the streets: if a passing officer happened to lose a spur, the spur would immediately be dispatched to the famous pile; if a woman started mooning by the well and forgot her bucket, he would carry off the bucket. However, if a muzhik noticed and caught him in the act, he would not argue and would surrender the purloined thing; but if it did make it to the pile, it was all over: he would swear to God that he had bought the thing at such and such a time from such and such a person, or inherited it from his grandfather. In his room he picked up whatever he saw on the floor—a bit of sealing wax, a scrap of paper, a feather—and put it all on the bureau or the windowsill.
And yet once upon a time he had been simply a thrifty manager! was married and had a family, and a neighbor would come to dine with him, to listen and learn from him the ways of management and wise parsimony. Everything flowed briskly and was accomplished at a regular pace: the gristmills and fulling mills turned, the felting, wood-turning, and spinning machines worked; into everything everywhere the manager's keen glance penetrated, and, like an industrious spider, ran busily yet efficiently to all ends of his managerial spiderweb. His features reflected no very strong emotions, but one could see intelligence in his eyes; his speech was pervaded by experience and knowledge of the world, and it was pleasant for a guest to listen to him; the affable and talkative mistress of the house was famous for her hospitality; two comely daughters came to meet the guest, both blond and fresh as roses; the son ran out, a frolicsome lad, and kissed everyone, paying little heed to whether the guest was glad of it or not. All the windows were open in the house, the garret was occupied by the French tutor, who shaved splendidly and was a great shot: he always brought home grouse or duck for dinner, but on occasion only sparrow eggs, which he ordered served as an omelette for himself, since no one else in the house would eat them. In the garret there also lived a young lady compatriot of his, who taught the two girls. The master himself used to come to table in a frock coat, somewhat worn but neat, the elbows in good order: not a patch anywhere. But the good mistress died; part of the keys, and of the petty cares along with them, passed to him. Plyushkin grew more restless and, like all widowers, more suspicious and stingy. He could not rely altogether on his eldest daughter, Alexandra Stepanovna, and right he was, because Alexandra Stepanovna soon eloped with a staff captain of God knows what cavalry regiment and married him hastily somewhere in a village church, knowing that her father disliked officers, from the strange prejudice that the military are all supposed to be gamblers and spendthrifts. The father sent her a curse for the road, but did not bother pursuing her. The house became still emptier.
In the master of the house, stinginess displayed itself still more noticeably, furthered in its development by its faithful friend, the gray flickering in his coarse hair; the French tutor was dismissed, because the time came for the son to enter the civil service;
