This might seem a long way from Plato’s date of around 9600 BC, but the crucial point here is that both dates agree in setting the Flood at the end of the Ice Age. Modern geology tells us that as the ice caps melted, a series of floods swept down from the north. We have already noted the suggestion that the islands of Atlantis suffered several catastrophic floods over a long period before the last island was finally, completely, submerged.

Underwater archaeologists are today discovering in many parts of the world the remains of civilizations which were covered by floods caused by the melting of ice at the end of the Ice Age. In April 2002 divers stories told by local fishermen were used to help locate the lost city of the Seven Pagodas off the coast of Mahabalipuram in India. The temple-like structures that have been found are much grander and more complex than we would expect for the end of the Ice Age — the Neolithic, or New Stone Age. Author and investigator Graham Hancock, who has done so much to question our academic assumptions about ancient history, was quoted at the time as saying, ‘I have argued for many years that the world’s flood myths deserve to be taken seriously, a view that most Western academics reject. But here in Mahabalipuram, we have proved the myths right and the academics wrong.’

I myself have seen artefacts retrieved from the sea bed off the American Atlantic coast — the so-called Scott stones — which I am persuaded it would very difficult for technology to reproduce today, let alone eleven thousand years ago when the area in question went under the sea. In design terms the Scott stones show features which are remarkably similar to Egyptian artefacts. This is not my secret to reveal, but I hope that perhaps by the time this book is published Aaron du Val, President of the Miami Museum Egyptological Society, may have chosen to show the world what he has.

No detailed description of the events that put such artefacts under the sea has survived in the Greek myths that have come down to us, and the biblical account is characteristically brief, but these can be supplemented and illumined by accounts from other cultures, particularly the Sumerian and other Near Eastern accounts. No scholars dispute that some of these accounts from older cultures provided source material for the biblical story. Elements familiar to us from the biblical account, such as the ark, the doves and the olive branch, appeared in the earlier Sumerian account, where Noah is called Ziusudra. He appears, too, in the Mesopotamian account where he is called Atrahasis and in the Babylonian account which names him Upnapishtim. Weaving these different versions together creates an amplified version of the biblical story:

One day Noah was standing in a reed hut, when he heard a voice coming through the wall that warned him of a rainstorm that would wipe out mankind. Tear down your reed hut and build a boat, he was told. Noah and his family set about building a great vessel made out of reeds, finally daubing it with bitumen in order to make it watertight. Everything growing out of the ground, everything grazing on it, the birds of the sky, the cattle and the wild animals roaming open country, he put in. Then for six days and nights the storm blew and their boat was tossed about by the waves. The downpour, the storm and the flood overwhelmed the surface of the earth. On the seventh day, hearing the winds begin to fall, Noah opened a window and light fell on his face. The world was silent, because all humanity had been returned to clay…

The catastrophic deluge that nearly destroyed humankind is remembered every year by both the living and the dead on the Day of the Dead or Halloween. In England as late as the nineteenth century villagers would dress up as the dead, wear masks and make a mum-mumming sound with closed lips to imitate the sound made by the walking dead — hence the word ‘mummers’.

WHEN NOAH AND HIS FAMILY DISEMBARKED to set foot on dry land, something rather odd happened. ‘And Noah began to be a husbandman and he planted a vineyard, and he drank of the wine, and was drunken, and he was uncovered within his tent. And Ham saw the nakedness of father and told his two brethren without.’ (Genesis 9.20-22)

It is entirely fitting that Noah should become a husbandman, because archaeology tells us that agriculture began during this period, the Neolithic. But what are we to make of the strange story of his drunken nakedness?

In order to make sense of it, we must turn to the tradition that identifies Noah with the legendary Greek figure Dionysus the Younger.

We need to disentangle two different strands of stories concerning two figures with the same name. Dionysus is the name of two distinct individuals, a god and later a demi-god. These two make very different contributions to human history in two different eras. The Dionysus who should be identified with Noah is very different from the earlier Dionysus Zagreus, the Elder Dionysus, the story of whose dismemberment we told in Chapter 6.

After the Flood, Dionysus the Younger, often depicted in a boat, travelled from Atlantis via Europe to India, with the aim of teaching the whole world the arts of agriculture, the sowing of crops, the cultivation of the vine and writing. This latter had of course been taught by Enoch, but was now in danger of being lost in the devastation brought by the Flood.

Dionysus and his followers carried the thyrsus, a pole wrapped with ivy-like snakes and topped with a pine cone like a pineal gland. This shows that Dionysus also taught the secret evolution of the human form, the development of the spine topped by the pineal gland we have just been considering.

The fauns and satyrs and the whole rout of Dionysus represent stragglers from Atlantis. They are the last remnant of a process of metamorphosis of forms. The curious story in Genesis of Noah’s sons uncovering his genitals while he was drunkenly sleeping also refers to the petering out of this process. We saw that the genitals were the last parts of human anatomy to evolve into their present form, and his sons were curious to find out about their origins. Were they the sons of a human or a demi-god, a man or an angel?

Noah’s ark. Legend has it that the only animal that missed the ark was the unicorn, which therefore became extinct. This is an obvious depiction of the diminishing of the powers of the Third Eye. As the waters of the deluge closed over Atlantis, the era of Imagination ended. The subconscious was formed.

Dionysus the Younger was educated by the satyr Silenus.

Stories about this individual in the Greek and Hebrew traditions — Dionysus the Younger and Noah — are both connected with the grape and intoxication. We have already met followers of Dionysus. The wild and savage maenads tore Orpheus limb from limb with tooth and nail. In a state of ecstatic drunkenness the maenads were possessed by a god.

PRIMITIVE PEOPLES HAVE ALWAYS LIVED in tune with the vegetable part of their natures. One of the results of this is that they have understood how different plants have different effects on human biology, physiology and consciousness.

What we see in these Greek and Hebrew traditions of the beginnings of agriculture is a depiction of a new, more thoughtful form of consciousness. What greater outward symbol of the impact of orderly human thought on nature could there be than fields of wheat?

The task of the leaders of humanity would now be to forge the new thought-directed consciousness.

In the Zend-Avesta, the sacred literature of Zoroastrianism, the Noah/Dionysius figure is called Yima. He tells the people how to build a settlement — a ‘var’- a fenced-in place, a kind of stronghold ‘taking in men, cattle, dogs, birds and blazing fires’. He instructs people that when they arrive at the place where they are to settle, they must ‘drain off water, put up boundary posts, then make houses from posts, clay walls, matting and fences’. He urges his people to ‘expand the earth by tilling it’. There was to be ‘neither suppression nor baseness, neither dullness nor violence, neither poverty nor defeat, no cripples, no long teeth, no giants, neither any of the characteristics of the evil spirit’.

The invasion of Ceylon by Rama, the ‘shepherd of the peoples’.

Again, we see an anxiety about a reversion to anomalous forms of the previous epoch such a giants.

The Greek epic poet Nonnus described Dionysus’s migration to India, and the same journey is also described in the Zend-Avesta as ‘the march of the Ram on India’. But the fullest description comes in the great Indian epic, the Ramayana.

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