Under the Dome

his ear and was walking in his usual don’t-give-a-shit amble, but Rusty saw concern on his face.

“I might be able to play hookey for an hour. No promises.”

“I understand, but it would be so great to see you.”

“You too. Be careful out there. And tell folks not to eat the hot-dogs. Burpee’s probably had them in cold storage for ten thousand years.”

“Those are his mastodon steaks,” Linda said. “Over and out, sweet man. I’ll look for you.”

Rusty stuck the walkie in the pocket of his white coat and turned to Twitch. “What’s up? And get that cigarette out from behind your ear. This is a hospital.”

Twitch plucked the cigarette from its resting place and looked at it. “I was going to smoke it out by the storage shed.”

“Not a good idea,” Rusty said. “That’s where the extra propane’s stored.”

“That’s what I came to tell you. Most of the tanks are gone.”

“Bullshit. Those things are huge. I can’t remember if they hold three thousand gallons each or five thousand.”

“So what are you saying? I forgot to look behind the door?”

Rusty began to rub his temples. “If it takes them—whoever they are—more than three or four days to short out that force field, we’re going to need mucho LP.”

“Tell me something I don’t know,” Twitch said. “According to the inventory card on the door, there’s supposed to be seven of those puppies, but there are only two.” He stowed the cigarette in the pocket of his own white coat. “I checked the other shed just to make sure, thought somebody might have moved the tanks—”

“Why would anyone do that?”

“I dunno, O Great One. Anyway, the other shed’s for the really important hospital supplies: gardening and landscaping shit. In that one the tools are present and accounted for, but the fucking fertilizer’s gone.”

Rusty didn’t care about the fertilizer; he cared about the propane. “Well—if push comes to shove, we’ll get some from the town supplies.”

“You’ll get a fight from Rennie.”

“When Cathy Russell might be his only option if that ticker of his vapor-locks? I doubt it. You think there’s any chance I can get away for a while this afternoon?”

“That’d be up to The Wiz. He now appears to be the ranking officer.”

“Where is he?”

“Sleeping in the lounge. Snores like a mad bastard, too. You want to wake him up?”

“No,” Rusty said. “Let him sleep. And I’m not going to call him The Wiz anymore. Given how hard he’s worked since this shit came down, I think he deserves better.”

“Ah so, sensei. You have reached a new level of enlightenment.”

“Blow me, grasshopper,” Rusty said.

10

Now see this; see it very well.

It’s two forty PM on another eye-bustingly gorgeous autumn day in Chester’s Mill. If the press were not being kept away they’d be in photo-op heaven—and not just because the trees are in full flame. The imprisoned people of the town have migrated to Alden Dinsmore’s dairy field en masse. Alden has struck a use-fee deal with Romeo Burpee: six hundred dollars. Both men are happy, the farmer because he jacked the businessman up considerable from Burpee’s starting offer of two hundred, Romeo because he would have gone to a thousand, if pressed.

From the protestors and Jesus-shouters Alden collected not a single crying dime. That doesn’t mean he isn’t charging them, however; Farmer Dinsmore was born at night, but not last night. When this opportunity came along, he marked out a large parking area just north of the place where the fragments of Chuck Thompson’s plane came to rest the day before, and there he has stationed his wife (Shelley), his older son (Ollie; you remember Ollie), and his hired man (Manuel Ortega, a no-greencard Yankee who can ayuh with the best of them). Alden’s knocking down five dollars a car, a fortune for a shirttail dairyman who for the last two years has been keeping his farm out of Keyhole Bank’s hands by the skin of his teeth. There are complaints about the fee, but not many; they charge more to park at the Fryeburg Fair, and unless folks want to park by the side of the road—which has already been lined on both sides by early arrivals—and then walk half a mile to where all the excitement is, they have no choice.

And what a strange and varied scene! A three-ring circus for sure, with the ordinary citizens of The Mill in all the starring roles. When Barbie arrives with Rose and Anse Wheeler (the restaurant is closed again, will reopen for supper—just cold sandwiches, no grill orders), they stare in openmouthed silence. Both Julia Shumway and Pete Freeman are taking pictures. Julia stops long enough to give Barbie her attractive but somehow inward-turning smile.

“Some show, wouldn’t you say?”

Barbie grins. “Yessum.”

In the first ring of this circus, we have the townsfolk who have responded to the posters put up by Scarecrow Joe and his cadre. The protest turnout has been quite satisfying, almost two hundred, and the sixty signs the kids made (the most popular: LET US OUT, DAMN IT!!) were gone in no time. Luckily, many people did bring their own signs. Joe’s favorite is the one with prison bars inked over a map of The Mill. Lissa Jamieson is not just holding it but pumping it aggressively up and down. Jack Evans is there, looking pale and grim. His sign is a collage of photographs featuring the woman who bled to death the day before. WHO KILLED MY WIFE? it screams. Scarecrow Joe feels sorry for him… but what an awesome sign! If the press could see that one, they’d fill their collective pants with joyshit.

Joe organized the protestors into a big circle that rotates just in front of the Dome, which is marked by a line of dead birds on the Chester’s Mill side (those on the Motton side have been removed by the military personnel). The circle gives all of Joe’s people—for so he thinks of them—a chance to wave their signs at the posted guards, who stand with their backs resolutely (and maddeningly) turned. Joe also gave out printed “chant-sheets.” He wrote these with Benny Drake’s skateboarding idol, Norrie Calvert. Besides being balls-to the-wall on her Blitz deck, Norrie’s rhymes are simple but tight, yo? One chant goes, Ha-ha-ha! Hee-hee-hee! Chester’s Mill must be set free! Another: You did it! You did it! Come on out and just admit it! Joe has—with real reluctance—vetoed another Norrie masterpiece that goes Take off the gags! Take off the gags! Let us talk to the press, you fags! “We have to be politically correct about this,” he told her. What he’s wondering just now is if Norrie Calvert is too young to kiss. And if she would slip him any tongue if he did. He has never kissed a girl, but if they’re all going to die like starving bugs trapped under a Tupper-ware bowl, he probably should kiss this one while there’s still time.

In the second ring is Pastor Coggins’s prayer circle. They are really getting God-sent. And, in a fine show of ecclesiastical detente, the Holy Redeemer choir has been joined by a dozen men and women from the Congo church choir. They’re singing “A Mighty Fortress Is Our God,” and a good number of unaffiliated townsfolk who know the words have joined in. Their voices rise to the blameless blue sky, with Lester’s shrill exhortations and the prayer circle’s supporting cries of amen and hallelujah weaving in and out of the singing in perfect counterpoint (although not harmony—that would be going too far). The prayer circle keeps growing as other townsfolk drop to their knees and join in, laying their signs temporarily aside so they can raise their clasped hands in supplication. The soldiers have turned their backs; perhaps God has not.

But the center ring of this circus is the biggest and most bodacious. Romeo Burpee pitched the End of Summer Blowout Sale tent well back from the Dome and sixty yards east of the prayer circle, calculating the location by testing the faint gasp of breeze that’s blowing. He wants to make sure that the smoke from his rank of Hibachis reaches both those praying and those protesting. His only concession to the afternoon’s religious aspect is to make Toby Manning turn off his boombox, which was blaring that James McMurtry song about living in a small town; it didn’t mix well with “How Great Thou Art” and “Won’t You Come to Jesus.” Business is good and will only get better. Of this Romeo is sure. The hotdogs—thawing even as they cook—may gripe some bellies later, but they smell perfect in the warm afternoon sun; like a county fair instead of chowtime in prison. Kids race around waving pinwheels and threatening to set Dinsmore’s grass on fire with leftover Fourth of July