178
K. Eric Drexler. Engines of Creation: The Coming Era of Nanotechnology. New York. 1986. P. 63.
179
Robert Pirsig. Zen and the Art of Motocycle Maintenance. New York. 1974. P. 16. Перевод М. Немцова.
180
Joseph Campbell, Bill Moyers. Op. Cit. Pp. 19-20.
181
Эта глава является дальним родственником моей статьи 'Киберпанк: на ударной волне с токсическим андерграундом' (Cyberpunk: Riding the Shockwave with Toxic Underground / Keyboard. May 1989. Pp. 75-89) и очерка 'Ниже долины Ультра-Киберов: крышесдвигающие саундреки к жизни в Роботопии' (Beneath the Valley of Ultra-Cibers: Brain-Bruising Soundtracks for Life in Robotopia / Keyboard. January 1992. Pp. 66-83).
182
Katie Hafner, John Markoff. Cyberpunk: Outlaws and Hackers on the Computer Frontier. New York. 1991. P. 9.
183
Lewis Shiner. Inside the Movement: Past, Present, and Future / Fiction 2000: Cyberpunk and the Future of Narrative. Athens. 1992. P. 19.
184
Lewis Shiner. Confessions of an Ex-Cyberpunk / New York Times. January 7. 1991. P. A17.
185
Ibid.
186
Keyboard. February 1994. P. 3.
187
Ibid. P. 90.
188
Michael Marans. The Next Big Thing / Keyboard. February 1994. P. 108.
189
Tod Machover. Hyperinstruments: A Composer's Approach to the Evolution of Intelligent Musical instruments / CyberArts: Exploring Art & Technology. San Francisco. 1992. Pp. 73-74.
190
Ibid. P. 75.
191
Louis M. Brill. Mark Trayle: Making Space for Music / Keyboard. October 1992. P. 39. CD Трэйли Etudes and Bagatelles (Artifact) можно приобрести через: 1374 Francisco Street, Berkeley. Calif. 94702. E-mail: [email protected].
192
Erik Davis. Wireheads and Cybergunk / Village Voice. August 8. 1989. P. 72.
