193
Stewart Brand. The Media Lab: Inventing the Future at M.I.T. New York. 1988. Pp. 108-109.
194
Из аннотации звукозаписывающей компании к альбому Hack (1990).
195
Richard Kadrey, Larry McCaffery. Cyberpunk 101: A Schematic Guide to Storming the Reality Studio / Storming the Reality Studio: A Casebook of Cyberpunk and Postmodern Fiction. Durham. 1991. P. 28.
196
Joe Gore. Sonic Youth / Guitar Player. February 1989. P. 29.
197
Jon Savage. Introduction to Re/Search 6/7: Industrial Culture Handbook. San Francisco. 1983. P. 3.
198
Ibid. P. 10
199
Front Line Assembly. Tactical Neural Implant (Third Mind Record, 1992).
200
William Gibson. Burning Chrome / Burning Chrome. New York. 1987. P. 182. (Цит. в переводе А. Етоева и А. Черткова.)
201
Mark Dery. We Are the Reality of This Cyberpunk Fantasy' / Glenn Barca and Elliott Sharp in Conversation with Mark Dary // Mondo 2000. № 5 (1992). Pp. 70-72. Здесь приведен отредактированный текст, который несколько отличается от опубликованного варианта.
202
John Shirley. Transmaniacon. New York. 1979. P. 13.
203
William Gibson. The Winter Market / Burning Chrome. New York. 1987. P. 118. (Цит. в переводе А. Корженевского).
204
William Gibson. Cyberspace '90 / Computerworld. October 15. 1990. Pp. 107-108.
205
Elliott Sharp / Orchestra Carbon. Abstract Repressionism 1990-99 (Victo, 1992)
206
Все цитаты из этого абзаца даны по: Robert R. Conroy. For the Airwaves / Rockpool. November 13. 1989; Gareth Branwyn. Industrial Introspection: An Interview with Trent Reznor of Nine Inch Nails / Mondo 2000. № 5. P. 62; Robert L. Doerschuk. Nine Inch Nails: Trent Reznor Hits College Radio on the Head with a Tough, Sharp Solo Album / Keyboard. April 1990. P. 42.
207
Kimberly Carrino. Nine Inch Nails: Gettin' Down in It with Trent Reznor / Buzz 6. № 49 (December 1989); Gareth Branwyn. Op Cit. P. 64.
