In the nearly four months since I started working at New York College, I’ve been to just about every emergency room in Manhattan with various sick or injured students. St. Vincent’s isn’t really one of my favorites. There’s a TV in the waiting room and everything, but it’s always turned to soap operas, and the candy machine is always out of Butterfingers.
Also, a lot of junkies go there to try to convince the triage nurse that they really need some morphine for these mysterious pains in their feet. The junkies are entertaining to watch for a while, but when they start withdrawing they get hostile, and then the security guard has to throw them out and then they beat on the windows and in general make it very hard to concentrate on Jane magazine or whatever I happen to be reading.
But though the waiting room at St. Vincent’s sucks, the medical staff is excellent. They ask me all sorts of questions about Jordan that I can’t answer. But as soon as I say his full name, they whoosh him into the emergency room ahead of everybody, because, you know, even doctors have heard of Easy Street.
Visitors aren’t allowed in the ER except during the first five minutes of every hour, so I’m banished to the waiting room. But I employ my time there wisely by calling Jordan’s dad to give him the details about the accident.
Mr. Cartwright is understandably upset by the news that his most popular male solo artist—oh, and son— has been felled by a geranium planter, so I don’t take it personally when he is very curt on the phone with me. Our most recent conversation before that hadn’t gone very smoothly, either—the one where he’d told me that he’d get Jordan to dump Tania and “fly right” if I’d just quit demanding to sing my own songs on my next album.
Mr. Cartwright is kind of a jerk. Which might be why Cooper hasn’t spoken to him in almost a year.
After I hang up with Jordan and Cooper’s dad, I can’t think of anyone else to call. I guess I could let Cooper know his brother’s been hurt.
But Cooper is bound to ask what Jordan was doing at Fischer Hall in the first place. And the truth is, I’m not the world’s greatest liar. I just have this feeling Cooper will see right through any attempt on my part to pull the wool over his eyes.
So I sink into a plastic chair in one corner of the waiting room and have fun watching other emergency patients being carted in instead of making any more phone calls. It’s just like Trauma in the ER, on the Learning Channel, only, you know, live. I see a jovial drunk with a bleeding hand, a frazzled mom with a baby she’s spilled her cappuccino on, a kid in a school uniform with a big cut on his chin being steered around by a nun, a construction worker with a broken foot, and a bunch of Spanish women with no visible problems who talk very loudly and get yelled at by the triage nurse.
I sit for twenty more minutes, and then the security guard announces that everyone waiting has five minutes to see their loved ones in the ER. So I herd along with the nun and the nervous mom and the Spanish ladies through the double doors and look around for Jordan.
He is unconscious again, or at least his eyes are closed, the white bandage around his head contrasting startlingly with the deep tan of his skin. (His parents have a really nice summer place in the Hamptons. The pool has a waterfall and everything.) They’d put his gurney in a pretty secluded, quiet section of the ER, and when I ask, the nurse tells me a bed is being prepared for him upstairs. They’re still waiting for his X-rays, but it looks as though a concussion is likely.
I guess I must look really worried or something since the nurse smiles at me and puts her hand on my arm and says, “Don’t worry. I’m sure he’s going to be back to doing dance moves in no time.”
In spite of the nurse’s assertion, I can’t bring myself to leave him there all alone. I can’t believe no one from his family has shown up yet! So when my five minutes of standing there and staring at Jordan are up, I go back to my plastic seat in the waiting room. I’ll stay, I decide, until he’s moved upstairs, or until a member of his family arrives. I’ll just hang out till they get here. And then—
And then I don’t know what I’ll do. I’m convinced—one hundred percent convinced, surer than I’ve ever been about anything, which I realize isn’t saying much, but whatever—that someone has just tried to kill me.
Right? I mean, hadn’t that been what the guy from the chess circle had said? “Good thing you moved, lady, or you’d have been the one it hit,” or something like that?
And the someone who pushed that planter over could only have been Christopher Allington. Who else had access to his parents’ terrace? Who else had reason to knock geranium planters onto my head? It wasn’t a premeditated attempt at murder—it couldn’t have been. How could he have known I’d be on my way back into the building right then?
No, he must have just looked down and decided fate was on his side and given that planter the heave-ho. If I hadn’t ducked, it would have hit me, and not Jordan. And it probably would have killed me, because, you know, my head isn’t anywhere near as hard as an ex-member of Easy Street’s.
But why does Chris want to kill me? Just because I suspect him of being a murderer? Suspecting someone of being a murderer and actually having proof of someone being a murderer are two entirely different things. What possible proof could Chris think I have? I mean, aside from the condom—which only proves he’s randy, not a killer—I have nothing on him. I don’t even have proof that there’ve actually been any murders.
So why is he trying to kill me? Isn’t he putting himself more at risk by trying to kill me than by just laying low? Especially since foul play isn’t suspected in the deaths of Elizabeth and Roberta—
By anyone but me, anyway.
A deep, familiar voice breaks in on my meditations. I look away from the snoring junkie I’ve been staring at unseeingly, and up into Cooper’s calm, smiling face… and suddenly feel like throwing up.
“Heather,” he says, with friendly nonchalance, as he folds himself into the plastic chair beside me.
“Um.” That’s all I can think of to say. Swift, huh? After a lot of mental turmoil, I finally add, “Hi.”
Cooper gazes with mild interest at the snoring junkie. He looks, in his scruffy but form-fitting jeans and black leather jacket, good enough to eat. Better than Ho Hos, even. Cooper, I mean. Not the junkie.
“So,” he says, in the same conversational tone. “What’s new with you?”
I go cold all over, then hot. It’s totally unfair, the hold this guy has over me. And he’s never so much as asked me out! Okay, he asked me to move in with him, but, hello, that was out of pity. And I live on a whole separate floor. With a whole separate set of locks on the door. Which I’ve never actually used, but has he ever bothered to find that out? No!
“Nothing much,” I say to him, hoping he can’t see how my heart is leaping around inside my T-shirt. “Did, um, your dad call you?”
“No,” Cooper says. “Your friend Patty did. When she came to your office to pick you up for lunch, Magda told her what happened. Patty had the baby with her, or she’d have come herself.”
“Oh,” I say. I’d forgotten all about my lunch appointment with Patty. Glancing at the waiting room clock, I see that it’s after two. “Well.”
“What she couldn’t quite explain,” Cooper says, “is what, precisely, happened.”
Which is when it all comes spilling out.
I don’t want for it to. I don’t mean for it to. It’s just… well, I guess that’s why Cooper’s such a good detective. There’s something in his deep voice that just makes you blurt out everything you know…
Well, okay, not everything. I did manage to keep the whole part about what Jordan and I had done on Cooper’s hallway runner under wraps. Wild horses aren’t going to drag that information out of me.
Oh, and the part about me wanting to, you know, peel off Cooper’s clothes with my teeth, of course.
But the rest of it just comes out in this giant gush, the way the hot chocolate in the dorm cafeteria does sometimes, right after Magda’s poured the mix in but before anybody’s stirred it…
I tell him, starting with the lip-synch the night before, when I’d first begun to suspect that Christopher Allington was Elizabeth and Roberta’s killer, and ending with the geraniums cracking Jordan’s head open, skipping over the part in between where his brother and I made the beast with two backs in his foyer.
I’ve overheard Cooper in action with his clients a couple of times. The washer/dryer is on the same floor as his office, just off the kitchen, and I’ve been in there washing my control top underwear (I only wear it on special occasions, like customer service training seminars or cultural diversity awareness workshops) when he’s met with people who’ve hired him. He talks to them in this totally calm, careful voice…
… a completely different voice, it turns out, than he uses on his nonpaying clientele.
“Heather, are you insane?” He looks really mad. He sounds really mad. “You went and talked to the
