guy?”
It would be nice to think that the reason he’s so angry with me is because my near brush with death has finally made him realize his true feelings for me.
But I think all it did was reinforce his suspicions that I’m a complete and total whacko.
“Why are you yelling at me?” I demand. “I’m the victim here!”
“No, you’re not. Jordan is. And if you’d just listened to me—”
“But if I’d listened to you, I wouldn’t know that Chris Allington is the dangerous psychopath we’ve been looking for!”
“A fact of which you still don’t have any proof.” Cooper shakes his head. He has dark, thick hair that he hardly ever gets cut and that is always growing past his collar, giving him a distinctly nonconformist air, even without the whole private eye thing. “That planter could have been knocked over by anyone. How do you know the Allingtons’ gardener wasn’t watering the plants and accidentally knocked the thing over?”
“Directly onto me? Isn’t that just a bit of a coincidence? Considering the fact that I was just questioning Chris Allington the night before?”
I swear I see the corners of Cooper’s mouth twitch at this.
“I’m sorry, Heather, but I doubt your interrogation skills are such as to goad Chris Allington into a murderous frenzy.”
Okay, Miss Marple I may not be. But he doesn’t have to rub it in.
“I’m telling you, he tried to kill me. Why don’t you believe me?” I hear myself cry, before I can shut my mouth. “Can’t you see that I’m not a stupid little teen pop star anymore, and that I might just know what I’m talking about?”
Even as the words are coming out, I’m wishing them unsaid. What am I doing?What am I doing? This is the guy who, without my even asking, offered me a place to live when I had nowhere to go… well, okay, except the guest room in Patty and Frank’s loft.
But, you know. Besides that. How ungrateful can I be?
“I’m so sorry,” I say, feeling dry-mouthed with panic. “I didn’t mean it. I don’t know where that came from. I’m just—I think maybe I’m just upset. You know. From the stress.”
Cooper is just sitting there, looking at me with a totally unreadable expression.
“I don’t think of you as a stupid little teen pop star” is all he says, in a tone suggesting mild surprise.
“I know,” I say quickly. Oh God, why can’t I ever seem to keep my mouth shut? WHY?
“I just worry about you sometimes,” Cooper goes on, before I can say anything else. “I mean, you get yourself into things…. That whole thing with my brother—”
What whole thing? Did he mean… my relationship with his brother? Or last night? Oh please, don’t let him have seen the Post ….
“And it’s not like you have anyone.” He shakes his head again. “Any family, or anyone to look after you.”
“But neither do you,” I remind him.
“That’s different,” he says.
“I don’t see how,” I say. “I mean, except that I’m younger than you.” But what’s seven years, really? Prince Charles and Lady Diana were twelve years apart… and okay, that didn’t turn out so well, but how likely are we to repeat their mistakes as a couple? If Cooper and I ever were to become one, I mean. Neither of us even likes polo.
“Besides,” I say, remembering what I’d seen out of the ambulance window. “I do have a family. Sort of. I mean, there’s Rachel and Magda and Pete and Patty and you—”
I didn’t mean to add that last word. But there it is, floating in the air between us. You. You’re part of my family, Cooper. My new family, now that my real family members are all incarcerated or on the lam. Congratulations!
Cooper just looks at me like I’m crazy (how unusual). So I add lamely, “And Lucy, too.”
Cooper exhales slowly.
“If you really feel strongly that what happened wasn’t an accident,” he says at last, pointedly ignoring the We Are Family speech (don’t think I don’t notice), “and you really think someone is trying to kill you, then I suggest we go to the police.”
“I tried that,” I remind him. “Remember?”
“Yes. But this time I’m going with you, and I’m going to make sure—”
His voice trails off as a petite, attractive brunette comes rushing up to the waiting room desk, all breathless and leather-skirted, her left hand weighted down by a massive diamond ring.
Okay, so I can’t actually see the ring from where I’m sitting. I still know who she is. I’ve seen her with her mouth around my ex’s you-know-what. Her image will be forever burned onto my retina.
“Excuse me,” she breathes to the stony-faced receptionist. “But I believe my fiancé is here. Jordan Cartwright. When can I see him?”
Tania Trace, the woman who’d taken my place in Jordan’s heart and penthouse—not to mention my position on the music charts.
“Funny,” Cooper observes. “She looks as if she’s handling the pain quite well.”
I glance at him curiously, then remember that he’s referring to something I’d told him some time ago, after I’d first moved in.
“Oh sure,” I say. “Because she’s strung out on painkillers. But I’m telling you, Coop, you can’t have that much plastic surgery and expect to live a pain-free life. I mean, she’s been almost completely reconstructed. In reality, she’s a size eighteen.”
“Right,” Cooper says. “Looks like my brother’s in good hands now. Shall we go?”
We go.
And none too soon, if you ask me.
19
Shout out to my
Homegirls
Shout out to my
Friends
Shout out to the
Ones who love me
On those I can depend
Shout out to the
Girls out there
Who buy their own
Damned diamond rings
Shout out to you sisters
I’m with you to the end
“Shout Out”
Performed by Heather Wells
Composed by Dietz/Ryder
From the album Summer
Cartwright Records
The first person at the Sixth Precinct I tell my story to is a pretty but tired-looking woman at the front desk.
