aware you have mixed feelings about participating. I hope this will help.»
Plutarch slides the sketchbook across to me. For a moment, I look at it suspiciously. Then curiosity gets the better of me. I open the cover to find a picture of myself, standing straight and strong, in a black uniform. Only one person could have designed the outfit, at first glance utterly utilitarian, at second a work of art. The swoop of the helmet, the curve to the breastplate, the slight fullness of the sleeves that allows the white folds under the arms to show. In his hands, I am again a mockingjay.
«Cinna,» I whisper.
«Yes. He made me promise not to show you this book until you’d decided to be the Mockingjay on your own. Believe me, I was very tempted,» says Plutarch. «Go on. Flip through.»
I turn the pages slowly, seeing each detail of the uniform. The carefully tailored layers of body armor, the hidden weapons in the boots and belt, the special reinforcements over my heart. On the final page, under a sketch of my mockingjay pin, Cinna’s written, I’m still betting on you.
«When did he…» My voice fails me.
«Let’s see. Well, after the Quarter Quell announcement. A few weeks before the Games maybe? There are not only the sketches. We have your uniforms. Oh, and Beetee’s got something really special waiting for you down in the armory. I won’t spoil it by hinting,» says Plutarch.
«You’re going to be the best-dressed rebel in history,» says Gale with a smile. Suddenly, I realize he’s been holding out on me. Like Cinna, he’s wanted me to make this decision all along.
«Our plan is to launch an Airtime Assault,» says Plutarch. «To make a series of what we call propos—which is short for ‘propaganda spots’—featuring you, and broadcast them to the entire population of Panem.»
«How? The Capitol has sole control of the broadcasts,» says Gale.
«But we have Beetee. About ten years ago, he essentially redesigned the underground network that transmits all the programming. He thinks there’s a reasonable chance it can be done. Of course, we’ll need something to air. So, Katniss, the studio awaits your pleasure.» Plutarch turns to his assistant. «Fulvia?»
«Plutarch and I have been talking about how on earth we can pull this off. We think that it might be best to build you, our rebel leader, from the outside…in. That is to say, let’s find the most stunning Mockingjay look possible, and then work your personality up to deserving it!» she says brightly.
«You already have her uniform,» says Gale.
«Yes, but is she scarred and bloody? Is she glowing with the fire of rebellion? Just how grimy can we make her without disgusting people? At any rate, she has to be something. I mean, obviously this»—Fulvia moves in on me quickly, framing my face with her hands—«won’t cut it.» I jerk my head back reflexively but she’s already busy gathering her things. «So, with that in mind, we have another little surprise for you. Come, come.»
Fulvia gives us a wave, and Gale and I follow her and Plutarch out into the hall.
«So well intended, and yet so insulting,» Gale whispers in my ear.
«Welcome to the Capitol,» I mouth back. But Fulvia’s words have no effect on me. I wrap my arms tightly around the sketchbook and allow myself to feel hopeful. This must be the right decision. If Cinna wanted it.
We board an elevator, and Plutarch checks his notes. «Let’s see. It’s Compartment Three-Nine-Oh-Eight.» He presses a button marked 39 , but nothing happens.
«You must have to key it,» says Fulvia.
Plutarch pulls a key attached to a thin chain from under his shirt and inserts it into a slot I hadn’t noticed before. The doors slide shut. «Ah, there we are.»
The elevator descends ten, twenty, thirty-plus levels, farther down than I even knew District 13 went. It opens on a wide white corridor lined with red doors, which look almost decorative compared to the gray ones on the upper floors. Each is plainly marked with a number 3901, 3902, 3903 …
As we step out, I glance behind me to watch the elevator close and see a metallic grate slide into place over the regular doors. When I turn, a guard has materialized from one of the rooms at the far end of the corridor. A door swings silently shut behind him as he strides toward us.
Plutarch moves to meet him, raising a hand in greeting, and the rest of us follow behind him. Something feels very wrong down here. It’s more than the reinforced elevator, or the claustrophobia of being so far underground, or the caustic smell of antiseptic. One look at Gale’s face and I can tell he senses it as well.
«Good morning, we were just looking for—» Plutarch begins.
«You have the wrong floor,» says the guard abruptly.
«Really?» Plutarch double-checks his notes. «I’ve got Three-Nine-Oh-Eight written right here. I wonder if you could just give a call up to—»
«I’m afraid I have to ask you to leave now. Assignment discrepancies can be addressed at the Head Office,» says the guard.
It’s right ahead of us. Compartment 3908. Just a few steps away. The door—in fact, all the doors—seem incomplete. No knobs. They must swing free on hinges like the one the guard appeared through.
«Where is that again?» asks Fulvia.
«You’ll find the Head Office on Level Seven,» says the guard, extending his arms to corral us back to the elevator.
From behind door 3908 comes a sound. Just a tiny whimper. Like something a cowed dog might make to avoid being struck, only all too human and familiar. My eyes meet Gale’s for just a moment, but it’s long enough for two people who operate the way we do. I let Cinna’s sketchbook fall at the guard’s feet with a loud bang. A second after he leans down to retrieve it, Gale leans down, too, intentionally bumping heads. «Oh, I’m sorry,» he says with a light laugh, catching the guard’s arms as if to steady himself, turning him slightly away from me.
That’s my chance. I dart around the distracted guard, push open the door marked 3908 , and find them. Half-naked, bruised, and shackled to the wall.
My prep team.
4
The stink of unwashed bodies, stale urine, and infection breaks through the cloud of antiseptic. The three figures are only just recognizable by their most striking fashion choices: Venia’s gold facial tattoos.
Flavius’s orange corkscrew curls. Octavia’s light evergreen skin, which now hangs too loosely, as if her body were a slowly deflating balloon.
On seeing me, Flavius and Octavia shrink back against the tiled walls like they’re anticipating an attack, even though I have never hurt them. Unkind thoughts were my worst offense against them, and those I kept to myself, so why do they recoil?
The guard’s ordering me out, but by the shuffling that follows, I know Gale has somehow detained him. For answers, I cross to Venia, who was always the strongest. I crouch down and take her icy hands, which clutch mine like vises.
«What happened, Venia?» I ask. «What are you doing here?»
«They took us. From the Capitol,» she says hoarsely.
Plutarch enters behind me. «What on earth is going on?»
«Who took you?» I press her.
«People,» she says vaguely. «The night you broke out.»
«We thought it might be comforting for you to have your regular team,» Plutarch says behind me. «Cinna requested it.»
«Cinna requestedthis ?» I snarl at him. Because if there’s one thing I know, it’s that Cinna would never have approved the abuse of these three, who he managed with gentleness and patience. «Why are they being treated like criminals?»
«I honestly don’t know.» There’s something in his voice that makes me believe him, and the pallor on Fulvia’s face confirms it. Plutarch turns to the guard, who’s just appeared in the doorway with Gale right behind him. «I was only told they were being confined. Why are they being punished?»
«For stealing food. We had to restrain them after an altercation over some bread,» says the guard.
Venia’s brows come together as if she’s still trying to make sense of it. «No one would tell us anything. We
