knowing pretty well where to find it. He saw a small panel, one of several in the wall behind the desk, and prised it open with his fingers.
He grinned broadly; that was his first natural smile since he had left Scotland Yard.
Inside a foot-deep cavity was a tiny dictaphone recording outfit. He switched it off, using a pencil, and closed the panel. Then he scanned the ceiling and panelling again until he was sure there was no peephole through which he could be watched or heard. He went to the outer room. The ginger-haired man stepped meekly out of the cupboard.
“In here,” Roger said.
He locked the outer door with the key on the inside; there was no way of getting in except by the windows. These overlooked a blank wall, and the drop to the area below was sheer. He stood first at one side, then the other, to make sure that the office could not be overlooked. Finally, with the ginger-haired man gaping and nervous, he stood on a corner of the desk and examined the ceiling; no, there was no break to mar the white paper; no peephole through which he could be watched.
“Who did you expect to find?”
“Not—not you.”
“I’ve believed you, so far. Who did you want to kill?”
“Rayner,” said the ginger-haired man.
So he had inherited an enemy as well as a name.
“Why?”
“He killed my wife.”
“Murderers get hanged.”
“It wasn’t known as murder,” the ginger-haired man said wearily. “It just wasn’t discovered, but I knew. I was inside when it happened. He always told me he’d kill her if she wouldn’t do what he wanted. She didn’t, and he killed her.”
Was this another of Kennedy’s little tricks?
“I’m—Kyle,” the man muttered.
“Why did they put you inside?” Kyle, Kyle? The name was familiar, and rang a bell in his memory.
“Forgery,” Kyle said simply. “I’m an engraver. I’m a good engraver.” That incongruous hint of dignity came again. “My products were practically undetectable.”
That was true: yes, Kyle. He’d been caught and tried in Manchester. It was one of those cases in which a provincial force had stolen a march on the Yard. Eddie Day, purveyor of faked messages, had gone to Manchester to hold a watching brief for the Yard, and had come back shaken by the cleverness of the forgeries.
“When did you come out?”
“A month ago.”
“What have you been doing since?”
“Looking for Rayner.”
“Are you still on your ticket?”
“Yes, I report twice a week. I go to Bow Street while I’m in London.”
“What does this man, who calls himself Rayner, look like?”
The watery pale-blue eyes, with their pink lids and thin fair lashes, looked puzzled.
“Don’t you know?”
“I am Rayner.”
“No, no! You can’t be! You——”
“The other man used my name. What’s he like? What’s his most noticeable feature?”
Kyle said softly and in a voice which seemed to be filled with hatred:
“You would never forget Rayner. His eyes—how I hated his eyes. Denise did, too, although they fascinated her, she—she was attracted to him, but he frightened her. He wanted her to go with him and leave me. My pals told me that Rayner told her he would kill her if she didn’t go to him. She didn’t go. She was killed in—in an accident. Accident!” Shrillness put an edge to his voice, and his eyes blazed. “She was run down by a car, all her beauty spoiled. All her beauty.” He took a photograph from his pocket, and his fingers trembled. He stared down at it, and tears glistened in his eyes. He whispered: “Look!”
She was gay and smiling, a queen to this man’s slave. It was easy to believe that Kyle had worshipped her.
Roger said: “I can understand why you don’t like Rayner. Let me have a look at your wallet.”
“I—no!”
“Come on.”
Kyle handed it over, reluctantly. Roger shook the contents of the wallet on to the brown-leather surface of the desk. He saw the expected oddments: a ticket of leave, prison-discharge form, registration card—an old, tattered, dog-eared letter dated eight years ago, a ten-shilling note, and another photograph. He turned the photograph over. He knew that Kyle was watching him, jealously intent, and kept his face set.
It wasn’t easy, for this was the girl from Paris—Lucille.
