struts or warping boards or whatever it was I was supposed to be doing up there.
'You're taking advantage, man,' he would say threateningly whenever he happened to see me. He had some idea that I had studied instrument building and was in fact able to do all sorts of complex, technical work, though I had never told him any such thing. 'Yes, you did,' he said, when I pled my ignorance. 'You did. You said you lived in the Blue Ridge Mountains one summer and made dulcimers. In Kentucky.'
I had nothing to say to this. I am not unused to being confronted with my own lies, but those of others never fail to throw me for a loop. I could only deny it and say, quite honestly, that I didn't even know. what a dulcimer was. 'Carve pegs,' he said insolently. 'Sweep up.' To which I replied, in so many words, that I could hardly carve pegs in rooms too cold for me to take my gloves off. 'Cut the fingertips off them, man,' said Leo, unperturbed. These occasional collarings in the front hall were as far as my contact with him went. It eventually became evident to me that Leo, for all his professed love for mandolins, never actually set foot in the workshop and had apparently not done so for months before I came to live there. I began to wonder if perhaps he was even unaware of the hole in the roof; one day I made so bold as to mention it to him. 'I thought that was one of the things you could fix around the place,' he said. It stands as a testimony to my misery that one Sunday I actually attempted to do this, with a few odd scraps of mandolin wood that I found around, and nearly lost my life in the attempt; the grade of the roof was wickedly sharp and I lost my balance and nearly fell into the dam, catching myself only at the last moment on a length of tin drainpipe which, mercifully, held. I managed with effort to save myself – my hands were cut on the rusted tin, and I had to get a tetanus shot – but Leo's hammer and saw and the pieces of mandolin wood tumbled into the dam. The tools all sank and Leo probably does not know to this day that they are missing, but unfortunately the mandolin pieces floated and managed to lodge themselves in a cluster at the top of the spillway, right outside Leo's bedroom window. Of course he had plenty to say about this, and about college kids who didn't care about other people's things, and everybody trying to rip him off all the time.
Christmas came and went without notice, except that with no work and everything closed there was no place to go to get warm except, for a few hours, to church. I came home afterwards and wrapped myself in my blanket and rocked back and forth, ice in my very bones, and thought of all the sunny Christmases of my childhood – oranges, bikes and Hula Hoops, green tinsel sparkling in the heat.
Mail arrived occasionally, in care of Hampden College. Francis sent me a six-page letter about how bored he felt, and how sick he was, and virtually everything he'd had to eat since I'd seen him last. The twins, bless them, sent boxes of cookies their erandmother had made and letters written in alternating inks black for Charles, red for Camilla. Around the second week of January I got a postcard from Rome, no return address. It was a photograph of the Primaporta Augustus; beside it, Bunny had drawn a surprisingly deft cartoon of himself and Henry in Roman dress (togas, little round eyeglasses) squinting off curiously in the direction indicated by the statue's outstretched arm. (Caesar Augustus was Bunny's hero; he had embarrassed us all by cheering loudly at the mention of his name during the reading of the Bethlehem story from Luke 2 at the literature division's Christmas party. 'Well, what of it,' he said, when we tried to shush him.
'All the world shoulda been taxed.')
I still have this postcard. Characteristically, the writing is in pencil; over the years it's become a bit smudged but it's still quite legible. There is no signature, but there is no mistaking the authorship: Richard old Man are you Frozen? it is quite warm here. We live in a Penscione (sp.) I ordered Conche by mistake yesterday in a restaurant it was awfiil but Henry ate it. Everybody here is a damn Catholic. Arrivaderci see you soon.
Francis and the twins had asked me, rather insistently, my address in Hampden. 'Where are you living?' said Charles in black ink. 'Yes, where?' echoed Camilla in red. (She used a particular morocco shade of ink that to me, missing her terribly, brought back in a rush of color all the thin, cheerful hoarseness of her voice.) As I had no address to give them, I ignored their questions and padded my replies with broad references to snow, and beauty, and solitude. I often thought how peculiar my life must look to someone reading those letters, far away. The existence they described was detached and impersonal, all embracing yet indefinite, with large blanks that rose to halt the reader at every turn; with a few changes of date and circumstance they could have been as easily from the Gautama as myself.
I wrote these letters in the mornings before work, in the library, during my sessions of prolonged loitering in Commons, where I remained every evening until asked to leave by the janitor. It seemed my whole life was composed of these disjointed fractions of time, hanging around in one public place and then another, as if I were waiting for trains that never came. And, like one of those ghosts who are said to linger around depots late at night, asking passersby for the timetable of the Midnight Express that derailed twenty years before, I wandered from light to light until that dreaded hour when all the doors closed and, stepping from the world of warmth and people and conversation overheard, I felt the old familiar cold twist through my bones again and then it was all forgotten, the warmth, the lights; I had never been warm in my life, ever.
I became expert at making myself invisible. I could linger two hours over a coffee, four over a meal, and hardly be noticed by the waitress. Though the janitors in Commons rousted me every night at closing time, I doubt they ever realized they spoke to the same boy twice. Sunday afternoons, my cloak of invisibility around my shoulders, I would sit in the infirmary for sometimes six hours at a time, placidly reading copies of Yankee magazine ('Clamming on Cuttyhunk') or Reader's Digest ('Ten Ways to Help That Aching Back!'), my presence unremarked by receptionist, physician, and fellow sufferer alike.
But, like the Invisible Man in H. G. Wells, I discovered that my gift had its price, which took the form of, in my case as in his, a sort of mental darkness. It seemed that people failed to meet my eye, made as if to walk through me; my superstitions began to transform themselves into something like mania. I became convinced that it was only a matter of time before one of the rickety iron steps that led to my room gave and I would fall and break my neck or, worse, a leg; I'd freeze or starve before Leo would assist me. Because one day, when I'd climbed the stairs successfully and without fear, I'd had an old Brian Eno song running through my head ('In New Delhi,'And Hong Kong,' They all know that it won't be long…'), I now had to sing it to myself each trip up or down the stairs.
And each time I crossed the footbridge over the river, twice a day, I had to stop and scoop around in the coffee-colored snow at the road's edge until I found a decent-sized rock. I would then lean over the icy railing and drop it into the rapid current that bubbled over the speckled dinosaur eggs of granite which made up its bed – a gift to the river-god, maybe, for safe crossing, or perhaps some attempt to prove to it that I, though invisible, did exist. The water ran so shallow and clear in places that sometimes I heard the dropped stone click as it hit the bed. Both hands on the icy rail, staring down at the water as it dashed white against the boulders, boiled thinly over the polished stones, I wondered what it would be like to fall and break my head open on one of those bright rocks: a wicked crack, a sudden limpness, then veins of red marbling the glassy water.
If I threw myself off, I thought, who would find me in all that white silence? Might the river beat me downstream over the rocks until it spat me out in the quiet waters, down behind the dye factory, where some lady would catch me in the beam of her headlights when she pulled out of the parking lot at five in the afternoon? Or would I, like the pieces of Leo's mandolin, lodge stubbornly in some quiet place behind a boulder and wait, my clothes washing about me, for spring?
This was, I should say, about the third week in January. The thermometer was dropping; my life, which before had been only solitary and miserable, became unbearable. Every day, in a daze, I walked to and from work, sometimes during weather that was ten or twenty below, sometimes during storms so heavy that all I could see was white, and the only way I made it home at all was by keeping close to the guard rail on the side of the road.
Once home, I wrapped myself in my dirty blankets and fell on the floor like a dead man. All my moments which were not consumed with efforts to escape the cold were absorbed with morbid Poe-like fancies. One night, in a dream, I saw my own corpse, hair stiff with ice and eyes wide open.
I was at Dr Roland's office every morning like clockwork. He, an alleged psychologist, noticed not one of the Ten Warning Signs of Nervous Collapse or whatever it was that he was educated to see, and qualified to teach. Instead, he took advantage of my silence to talk to himself about football, and dogs he had had as a boy. The rare remarks he addressed to me were cryptic and incomprehensible. He asked, for example, since I was in the Drama department, why hadn't I been in any plays? 'What's wrong? Are you shy, boy? Show them what you're made of Another time he told me, in an offhand manner, that when he was at Brown he had roomed with the boy who lived down the hall from him. One day, he said he didn't know my friend was in Hampden for the winter.
'I don't have any friends here for the winter,' I said, and I didn't.
