Lust Or No Harm Done

It was good to have someone spend the night. The nurseryman who had been a monk curled up next to and around Michael like a cat. His body was still hairless and hard, but he had become far more butch as he aged. He overwhelmed Michael physically, and when he slept, he purred. In the morning, the monk's black eyes shone with affection.

'You come to Chiang Mai, you give me call,' he said, and placed a card on the bedside table.

'You won't know me,' said Michael.

'Say a friend recommend my nursery. To buy rambutan for England. I will get to know you. I have no boyfriend now. I will like you.'

Michael remembered to write down the name and address before he disappeared. After he left, the card had vanished. But the naturalized Thai name and the address were real and belonged to a real person.

It was not until later, travelling on the tube, that Michael realized how this differed from every other encounter with an Angel. The Thai had said: the real me will like you. Could Michael go to Chiang Mai to find someone he had never actually met? What could come of a love separated by seven thousand miles? Harm? That had been Michael's experience of love.

There were other restitutions to be made.

There was, for example, Al.

When Michael returned from California, Al was in Michael's year. Al was Asian, his name was actually Ali, but he had been adopted and had a Western last name: Wilcox. His eyes slanted down at the outside corners. They were dancing and dark, and seemed to reflect Michael's eyes back at him.

In the last year at school, Al's adopted parents divorced, and neither one of them wanted an Asian child. So he was left in an apartment by himself. His parents told him they didn't want to disrupt his studies. He knew well enough that he had been purchased at age four to help glue their relationship together and that he could no longer serve their purposes.

Understand this: he lived alone at seventeen. At seventeen, you are always looking for somewhere to do it: the backs of cars, alleys, behind the pillars at clubs, in darkened archways if the need is strong enough. Al had a huge bed in the middle of a studio apartment that he had all to himself. Understand this: he was beautiful and wanted to be a fashion designer and he had a white girlfriend with a harelip.

Al kept her photograph on a chest of drawers. She was called Tabitha. Michael liked Tabitha: he was young enough to confuse feeling sorry for someone with real sympathy. The part of his mind that always fooled himself said: see how nice Al is? He is wise enough to like Tabitha despite the lip. How I wish, Michael's befuddled brain whispered, that I could find someone as nice as Al.

They had history class together, and when Al wasn't looking, Michael's gaze would be fixed upon him. They had art class together, and everything Al drew was women in beautiful clothes: Audrey Hepburn in cocktail dresses; Asian ladies in big flouncy party frocks.

Al was lean and slim and, like Michael, was on the crosscountry team. Once, after a long late run, they were alone in the shower room, and Al had swung back the door of his locker. He was naked and erect and he looked at Michael in a strangely solemn way.

Michael smiled tolerantly. The front part of his brain said: my friend's body has run away with him. It's hormones, it means nothing. Michael fooled himself into thinking Al needed reassurance, that it made no difference to him. Michael chuckled and gave the head of the penis an admonitory tap, as if to say: I don't mind, but put it away, mate.

By now Michael lived in terror of his sexuality. Michael had conjured out of his big athletic body a big forgiving athletic heterosexual. The heterosexual lived and breathed and took Michael's place whenever he was needed.

Al, shame-faced, turned his back to him and dressed, hunched and quiet.

But Michael could not be acting all the time. He must have been sending signals. He must have looked into Al's eyes at lunchtime, and smiled a big kind loving smile, all unawares. Once in the boys' toilets next to the showers Al walked past Michael's cubicle. The cubicles had no doors and were open to view so teachers could check for smoking or drugs. Al stopped and smiled, and Michael, caught as he was on the toilet, his dick jammed down between his legs, couldn't help but grin back. In that grin, he could feel all of his yearning flash out of him like a sword. There was complicity in that grin; I like being naked around you. He felt his legs unclench and open.

Some time later, Al invited Michael back to his studio. It was tiny, with big windows with net curtains pulled back. Anyone on the street could see them. That meant nothing to Al. He lolled like a tongue on his double bed, having changed into something comfortable: a T-shirt and very tight satiny blue running shorts.

Michael was trying to be good. This nice innocent boy, he told himself: Michael, keep your eyes to yourself. Al tapped the bed for Michael to sit next to him. Michael perched on its edge at a distance from him. He didn't want to take advantage.

Al heaved slightly on the bed, arching his back. 'My parents are worried about my living alone. They are frightened that I might meet a homosexual.'

'Where do parents get their ideas from? I mean, even if you did, it's no big deal, and if the guy wanted anything you could just say no, right?'

Al nodded, holding his chin up. 'I could, yeah.' He edged closer to Michael. 'Have you ever met anyone… like that?'

'Naw,' said Michael, going into big and butch mode. 'No, I never.'

And in big, blurting butch mode Michael had stood up, afraid, away from the bed.

Al had sat up too, and suddenly swung his feet onto the floor. A few more things were said, and then Al announced, his face closed and wary, 'Anyway, I got my homework to do.'

And outside the studio flat, Michael stopped. Next door was the newsagents where Michael glanced up nervously at Gay Times. He had to lean against the wall, and he nearly doubled over in rage. At first, he thought that he was outraged that a pass had been made at him. Then he thought he was enraged at the betrayal of Tabitha. Then he was mad at himself and mad at Al, and he did not know why. A blinding headache spread across the breadth of his forehead.

Michael could not remember what happened afterwards. He and Al seemed to stop talking. Something happened to Al during the last year at school. Michael saw it only from afar. Al didn't study for exams. His dark eyes were clouded and encircled with bags of even darker flesh. His tie was askew, his school uniform was untended. Al wore it with the bitter swagger of the unloved, the outcast. He dyed his hair a muddy, brassy blond.

Michael supposed it went something like this: my adopted parents do in fact care about me. They know I am stranded between two cultures. They don't want me to have to guess where my birth parents were from, and read about those cultures in books. They are worried that I will have no self-esteem. They are concerned that I am young and needing to be constantly reassured, partly because they deserted me. My parents would be horrified to know that I am haunting parks and toilets and taking older men back to my flat and spending all night in clubs. They don't want me getting into drugs and cock rings. It's just that my parents won't do a single thing to stop it.

Sometime before A-levels, Al simply stopped coming to school.

Michael still had fantasies that he had become Al's lover and ended up living with him. They would have moved to Sussex together and found a bedsit in Brighton and Michael would have gone to university and Al to art school. He could see the Cure posters on their wall and smell the curries they would have cooked together.

Michael kept an eye out for Al. He had no interest in clothes, but he read the fashion pages even so. Michael saw young British-Turkish designers become famous, he saw young Italian-British designers move to French couturiers. Al was not among them. From time to time he looked in the telephone directory for Al Wilcox, or rather Ali Wilcox. He looked at the photograph of any young Indian designer, in case Al had changed his name. Silence.

And something in that silence delayed him calling up an Angel now. He had felt that kind of silence before when calling up an Angel.

What was it that someone said? Fashion was moving in circles now because all the talented young designers had died?

If Michael had said yes to Al, if they had become lovers, would it have made any difference? Would Al be alive? It would have made a difference to Michael. He could have practised being in love, making a home, being