the countryside itself were taking the day off. Max hadn’t seen a living soul during his run. There were no cars on the roads, no tractors on the horizon, no figures in the vines, just perfect stillness, bathed in sunshine, wherever he looked. And today, there was no chance of that peace being shattered by a domestic symphony conducted by Madame Passepartout.
He opened one of the kitchen windows, dislodging an indignant pigeon, and heard the distant tolling of the church bell summoning the villagers to mass, an interlude of piety before the indulgence of Sunday lunch. He remembered once reading an article claiming that members of the Catholic faith ate better and more copiously than Protestants, the reason being that they could confess to any sins of gluttony committed at the table and so absolve themselves of any guilt. Looking inside the refrigerator, he found little to lead him into temptation, and had to make do with a bowl of
The kitchen smelled of Madame Passepartout’s attentions, of cleanliness and wax polish and lavender essence. She had restored the surface of the old wooden table to a healthy gleam, and had placed in the middle of it a bowl of dusky pink roses cut from the bush in the courtyard. Next week, Max thought, he must talk to her about wages. Whatever she asked would be worth it, if only for the pleasure of having coffee every morning in such polished and fragrant surroundings.
Max himself was polished and fragrant in preparation for his outing with Nathalie Auzet. He had shaved with extra care, and dressed in dark blue cotton trousers and an old but still presentable silk shirt that a girlfriend of long ago had given him one Christmas. On his way to the front door, he caught sight of himself in the hall mirror, and saw that his London pallor had been replaced by the beginnings of a tan-a cafe tan, confined to his face and forearms, but a start. He left the key under the pot of geraniums and drove off, whistling.
Nathalie’s house was a commuter’s joy, only two doors up the street from her office. A glossy black Peugeot 305 convertible, top down, was parked outside, and the door to the house was ajar. Whatever journalists wrote with such horrified relish in the newspapers about rising crime statistics obviously didn’t yet apply to Saint-Pons.
Max raised the heavy bronze knocker and gave two tentative taps.
“Nathalie, it’s me. Max.”
“Are you always early?”
“I promised my mother never to be late for meetings with
The hair dryer stopped. “Come in. I’ll be down in a minute.”
Max went through a tiny hall and into an L-shaped room, the sitting area divided from the kitchen by an old zinc-topped bar. A leather chesterfield, with a silk shawl thrown over the back, and two club chairs were arranged around a coffee table piled with books, and a handsome oriental carpet, its colors muted with age to a soft glow, covered the tiled floor. A large nineteenth-century Provencal mirror, in a massive frame of gilded gesso, hung above the fireplace, reflecting a vase of lilies on the mantelpiece. A group of Lartigue photographs-all of them signed, Max noticed-decorated one wall. Everything spoke of quiet good taste and no shortage of money.
Perched on the edge of the chesterfield, Max inspected the books on the coffee table. They were mostly on art or photography, from Caillebotte and Botero to Atget and Erwitt, although one pile seemed to be devoted to wine-volumes on Yquem, on Burgundy, on the legendary champagnes. And on top of the pile, there was an old copy of
Max picked up the book, a little foxed but still handsome, and started to leaf through the pages. If it were still in print, he thought, he’d get a copy for Charlie, a man who would appreciate the mixture of fine wines and what he would call highly desirable real estate. Remembering the glorious bottle they had shared in London, Max turned to the index to look up Chateau Leoville Barton.
As the pages fluttered open, a bookmark fell to the floor. Max picked it up and saw that it was a wine label; a wine among hundreds of others that he’d never heard of, but he liked the simplicity of the label’s design and the thick cream stock on which it was printed. It was discreet and clean without being too modern, exactly the kind of label he would choose for his own wine, if he could ever get anything drinkable out of the vineyard. He put it back as he heard Nathalie coming down the stairs, replaced the book, and stood up to greet her.
She had left her
“Well,” she said, “are you ready to
“Sounds like fun. Is it legal?”
Nathalie laughed. “It means to go looking for antiques, for bargains.” She picked up a big leather shoulder bag. “Although you won’t find any bargains today. We’ll take my car. I like to drive.”
And Max had always liked the idea of having a pretty chauffeur; it had been one of his executive fantasies. Even so, he soon found himself jamming one foot hard on the floor, searching for a nonexistent brake. Nathalie drove in the classic French manner-fast, with impatience, and testing the outer limits of safety-and she had a cavalier disregard for the advantages of keeping both hands on the wheel. That is not to say the nonsteering hand was idle. When it wasn’t shifting gears, it was kept busy brushing back the shining hair, adjusting the sunglasses, or adding touches of visual punctuation to the conversation.
As the kilometers flew by, she told Max a little about the development of Ile-sur-Sorgue from a sleepy little town with a Sunday-morning bric-a-brac market to an internationally known antiques center. “Now they all come here,” she said. “Dealers from New York and California, London, Munich, Paris, decorators and their smart clients with houses in the Alpilles…” She paused while she executed a particularly ill-advised burst of speed, passing the car in front on a blind bend and narrowly missing an oncoming cyclist. She glanced over at Max, and grinned. “You can open your eyes now. We’re nearly there.”
Max offered up a silent prayer of thanks to the patron saint of terrified passengers and began to relax as traffic slowed to a crawl, cars nudging along in a search for parking spots by the side of the river. Nathalie saw a couple loading a large and very gloomy religious painting into a Volvo; sign language established that they were about to leave. She stopped, forcing the rest of the traffic to back up. Almost immediately, a blare of horns began, building up to a crescendo of irate honks from the car immediately behind her. Nathalie ignored the noise, taking her time to ease into the spot left vacant by the Volvo before waving on the car behind with a gesture of her hand, ending with a flip of the fingers that was just this side of an insult. The driver accelerated away, returning the gesture with interest.
Max got out of the car and stretched. “Is it always like this on a Sunday?”
Nathalie nodded. “The winter’s a little quieter, but not much. There’s no off-season for shopping.”
They started walking toward the line of stalls where the
More stalls sprawled along the other bank of the river, these laden with cheese and flowers, olive oil and herbs, the cheap clothes and sturdy pink brassieres and corsets that only seem to be sold in provincial French markets. Max was silent, taking in the colors, the smells, the good-humored jostling of the crowd, enjoying the light pressure of Nathalie’s guiding hand.
They found a table at a cafe overlooking the river and ordered two