'Aw, Mikey you're such a bleedin' heart. Maybe you should run for political office.' Jimmy Hats shook his head and turned to face the side window. He knew not to push it too far.
'And you're not wondering what the hell we're doing here? You're not thinking that I'm crazier than the last of the Coney Island shithouse rats? Maybe you want to jump out of the car. Head over to Union Station, hop a train back to New York, Jimmy my boy.'
The Butcher was smiling when he said it, so Hats knew it was probably okay for him to laugh too. Probably. But in the past year he'd seen Sullivan kill two of their 'friends,' one with a baseball bat, one with a plumber's wrench. You had to be careful at all times.
'So what are we doing here?' Hats asked. 'Since we should be back in New York.'
The Butcher shrugged. 'I'm looking for a cop's house.'
Hats shut his eyes. 'Aw, Jeezus. Not a cop. Why a cop?' Then he pulled his fedora down over his face. 'See no evil,' he muttered.
The Butcher shrugged, but he was amused. 'Just trust me. Did I ever let you down? Did I ever go too far over the top?'
They both started to laugh at that one. Did Michael Sullivan ever go too far over the top? Did he ever not go too far over the top was the better question.
It took another twenty minutes to find the house he was looking for. It was a two-story A-frame, looked as if it had been painted recently, flowers in the window boxes.
'Cop lives here? Not too bad a place actually. He fixed it up okay.'
'Yeah, Jimmy. But I'm tempted to waltz in and create a little havoc. Maybe use my saw. Take some photographs.'
Hats winced. 'Is that such a good idea? Really, I'm bein' serious here.'
The Butcher shrugged. 'I know you are. I can see that, James. I feel the heat from your brain working overtime.'
'Cop have a name?' asked Hats. 'Not that it matters.'
'Not that it matters. Cop's name is Alex Cross.'
Chapter 13
THE BUTCHER PARKED a block or so up Fourth Street; then he got out of the car and walked quickly back toward the cozy house where the cop had the bottom-floor flat. Getting the correct address had been easy enough for him. The Mafia had ties with the Bureau, after all. He loped around the side, trying not to be seen, but not concerned if he was. People in these neighborhoods didn't talk about what they saw.
This job was going to happen fast now. In and out of the house in a few seconds. Then back to Brooklyn to celebrate his latest hit and get paid for it.
He stepped through a thick patch of pachysandra surrounding the back porch, then boosted himself up. He walked right in through the kitchen door, which whined like a hurt animal.
No problem so far. He was inside the place easy enough. He figured the rest would be a snap too.
Nobody in the kitchen.
Nobody home?
Then he heard a baby crying and took out his Beretta. He fingered the scalpel in his left-hand pocket.
This was a promising development. Babies in the house made everybody careless. He'd killed guys like this before, in Brooklyn and in Queens. One mob stoolie he'd cut into little pieces in his own kitchen, then stocked the family fridge to send a message.
He passed down a short hall, moving like a shadow. Didn't make a sound.
Then he peeked into the small living room, family room, whatever the hell it was.
This wasn't exactly what he'd expected to see. Tall, good-looking man changing diapers for two little kids. The guy seemed to be pretty good at it too. Sullivan knew because years ago he'd been in charge of his three snot- nosed brothers in Brooklyn. Changed a lot of stinking diapers in his day.
'You the lady of the house?' he asked.
The guy looked up – Detective Alex Cross – and he didn't seem afraid of him. Didn't even seem surprised that the Butcher was in the house, even though he had to be shocked, and probably scared. So the cop had some brass balls on him anyway. Unarmed, changing his kids' diapers, but showing some attitude, some real character.
'Who are you?' Detective Cross asked, almost as if he was in charge of the situation.
The Butcher folded his arms, keeping the pistol out of sight from the children. Hell, he liked kids okay. It was adults he had a problem with. Like his old man – to take one flagrant example.
'You don't know why I'm here? No idea?'
'Maybe I do. I guess you're the hit man from the other day. But why are you here? At my house? This isn't right.'
Sullivan shrugged. 'Right? Wrong? Who's to say? I'm supposed to be a little crazy. So people tell me anyway. That could be it. You think? They call me the Butcher.'
Cross nodded. 'So I've heard. Don't hurt my kids. No one else is here but me. Their mother's not home.'
'Now why would I do that? Hurt your kids? Hurt you in front of your kids? Not my style. Tell you what. I'm outta here. Like I said – crazy. You lucked out. Bye-bye, kiddies.'
Then the hit man took another bow, like he had after he shot down Jiang An-Lo.
The Butcher turned away, and he left the apartment the way he came in. Let the hotshot detective try to figure that one out. There was a method to his madness though – always a method to every move he made. He knew what he was doing, and why, and when.
Chapter 14
THAT NIGHT WITH THE BUTCHER shook me more than anything that had happened to me before as a policeman. A killer inside my house. Right in the living room with my kids.
And what was I supposed to make of it? That I'd been warned? That I was lucky to be alive? Oh, lucky me? The killer had spared my family. But why had he come after me in the first place?
The next day was one of my worst on the police force. While a squad car watched over the house, I was called into three separate meetings about the screwup at Jiang An-Lo's. There was talk of a departmental review, the first I'd been involved in.
On account of all the unscheduled meetings, plus the extra paperwork and my regular workload, I was late picking up Maria at Potomac Gardens that night. I felt guilty about it.
I hadn't gotten used to her spending time inside a project like Potomac Gardens, especially once it got dark. It was dark now. And Maria was pregnant again.
It was a little past seven fifteen when I got to the projects that night. Maria wasn't waiting out front as she usually was.
I parked and got out of the car. I started to walk toward her office, which was located near maintenance, on the ground floor. Finally, I began to jog.
Then I saw Maria coming out the front door, and everything was suddenly right with the night. Her satchel was filled with so much paperwork that she couldn't get it closed. She had an armful of folders that wouldn't fit in the bag.
She still managed to wave and smile when she saw me coming her way There was almost never anger from her over mistakes I made – like being more than half an hour late to pick her up.
I didn't care how corny or old-fashioned it was, but I was excited to see her, and that's the way it always was with us. My priorities had shifted to Maria and our family first and then my job. It felt good to me, the right balance.
Maria had this excited way of calling out my name. 'Alex! Alex!' she shouted, and waved one hand as I jogged
