Flowers for Algernon

really me?'

I went back to the lab with Burt, and we went on with the Rorschach. We went through the cards slowly. This time my responses were different. I 'saw' things in the inkblots. A pair of bats tugging at each other. Two men fencing with swords. I imagined all sorts of things. But even so, I found myself not trusting Burt completely any more. I kept turning the cards around, checking the backs to see if there was anything there I was supposed to catch.

I peeked, while he was making his notes. But it was all in code that looked like this:

WF + A DdF-Ad orig. WF — A SF + obj

The test still doesn't make sense. It seems to me that anyone could make up lies about things he didn't really see. How could they know I wasn't making fools of them by saying things I didn't really imagine?

Maybe I'll understand it when Dr. Strauss lets me read up on psychology. It's getting harder for me to write down all my thoughts and feelings because I know that people are reading them. Maybe it would be better if I could keep some of these reports private for a while. I'm going to ask Dr. Strauss. Why should it suddenly start to bother me?

PROGRESS REPORT 10

April 21

I figured out a new way to set up the mixing machines in the bakery to speed up production. Mr. Donner says he will save labor costs and increase profits. He gave me a fifty-dollar bonus and a ten-dollar-a-week raise.

I wanted to take Joe Carp and Frank Reilly out to lunch to celebrate, but Joe had to buy some things for his wife, and Frank was meeting his cousin for lunch. I guess it will take time for them to get used to the changes in me.

Everyone seems frightened of me. When I went over to Gimpy and tapped him on the shoulder to ask him some­thing, he jumped up and dropped his cup of coffee all over himself. He stares at me when he thinks Im not looking. Nobody at the place talks to me any more, or kids around the way they used to. It makes the job kind of lonely.

Thinking about it makes me remember the time I fell asleep standing up and Frank kicked my legs out from under me. The warm sweet smell, the white walls, the roar of the oven when Frank opens the door to shift the loaves.

Suddenly falling…twisting…everything out from under me and my head cracking against the wall.

It's me, and yet it's like someone else lying there— another Charlie. He's confused… rubbing his head… staring up at Frank, tall and thin, and then at Gimpy nearby, massive, hairy, gray-faced Gimpy with bushy eye­brows that almost hide his blue eyes.

'Leave the kid alone,' says Gimp. 'Jesus, Frank, why do you always gotta pick on him?'

'It don't mean nothing,' laughs Frank. 'It don't hurt him. He don't know any better. Do you, Charlie?'

Charlie rubs his head and cringes. He doesn't know what he's done to deserve this punishment, but there is al­ways the chance that there will be more.

'But you know better,' says Gimpy, clumping over on his orthopedic boot, 'so what the hell you always picking on him for?' The two men sit down at the long table, the tall Frank and the heavy Gimp shaping the dough for the rolls that have to be baked for the evening orders.

They work in silence for a while, and then Frank stops and tips his white cap back. 'Hey, Gimp, think Charlie could learn to bake rolls?'

Gimp leans an elbow on the worktable. 'Why don't we just leave him alone?'

'No, I mean it, Gimp—seriously. I bet he could learn something simple like making rolls.'

The idea seems to appeal to Gimpy who turns to stare at Charlie. 'Maybe you got something there. Hey, Charlie, come here a minute.'

As he usually does when people are talking about him, Charlie has been keeping his head down, staring at his shoelaces. He knows how to lace and tie them. He could make rolls. He could learn to pound, roll, twist and shape the dough into the small round forms.

Frank looks at him uncertainly. 'Maybe we shouldn't, Gimp. Maybe it's wrong. If a moron can't learn maybe we shouldn't start anything with him.'

'You leave this to me,' says Gimpy who has now taken over Frank's idea. 'I think maybe he can learn. Now listen, Charlie. You want to learn something? You want me to teach you how to make rolls like me and Frank are doing?

Charlie stares at him, the smile melting from his face. He understands what Gimpy wants, and he feels cornered. He wants to please Gimpy, but there is something about the words learn and teach, something to remember about being punished severely, but he doesn't recall what it is— only a thin white hand upraised, hitting him to make him learn something he couldn't understand.

Charlie backs away but Gimpy grabs his arm. 'Hey, kid, take it easy. We ain't gonna hurt you. Look at him shaking like he's gonna fall apart. Look, Charlie. I got a nice new shiny good-luck piece for you to play with.' He holds out his hand and reveals a brass chain with a shiny brass disc that says Sta-Brite Metal Polish. He holds the chain by one end and the gleaming gold disc rotates slowly, catching the light of the fluorescent bulbs. The pendant is a brightness that Charlie remembers but he doesn't know why or what.

He doesn't reach for it. He knows you get punished if you reach out for other people's things. If someone puts it into your hand that is all right. But otherwise it's wrong. When he sees that Gimpy is offering it to him, he nods and smiles again.

'That he knows,' laughs Frank. 'Give him something bright and shiny.' Frank, who has let Gimpy take over the experiment, leans forward excitedly. 'Maybe if he wants that piece of junk bad enough and you tell him he'll get it if he learns to shape the dough into rolls—maybe it'll work.'

As the bakers set to the task of teaching Charlie, others from the shop garner around. Frank clears an area between them on the table, and Gimpy pulls off a medium sized piece of dough for Charlie to work with. There is talk of betting on whether or not Charlie can learn to make rolls.

'Watch us carefully,' says Gimpy, putting the pendant beside him on the table where Charlie can see it. 'Watch and do everything we do. If you learn how to make rolls, you'll get this shiny good-luck piece.'

Charlie hunches over on his stool, intently watching Gimpy pick up the knife and cut off a slab of dough. He studies each movement as Gimpy rolls out the dough into a long roll, breaks it off and twists it into a circle, pausing now and then to sprinkle it with flour.

'Now watch me,' says Frank, and he repeats Gimpy's performance. Charlie is confused. There are differences. Gimpy holds his elbows out as he rolls the dough, like a bird's wings, but Frank keeps his arms close to his sides. Gimpy keeps his thumbs together with the rest of his fin­gers as he kneads the dough, but Frank works with the flat of his palms, keeping thumbs apart from his other fingers and up in the air.

Worrying about these things makes it impossible for Charlie to move when Gimpy says, 'Go ahead, try it.'

Charlie shakes his head.

'Look, Charlie, I'm gonna do it again slow. Now you watch everything I do, and do each part along with me. Okay? But try to remember everything so then you'll be able to do the whole thing alone. Now come on—like this.'

Charlie frowns as he watches Gimpy pull off a section of dough and roll it into a ball. He hesitates, but then he picks up the knife and slices off a piece of dough and sets it down in the center of the table. Slowly, keeping his el­bows out exactly as Gimpy does, he rolls it into a ball.

He looks from his own hands to Gimpy's, and he is careful to keep his fingers exactly the same way, thumbs to­gether with the rest of his fingers—slightly cupped. He has to do it right, the way Gimpy wants him to do it. There are echoes inside him that say, do it right and they will like you. And he wants Gimpy and Frank to like him.