It’s not the motorcycle maintenance, not the faucet. It’s all of technology they can’t take. And then all sorts of things started tumbling into place and I knew that was it. Sylvia’s irritation at a friend who thought computer programming was “creative”. All their drawings and paintings and photographs without a technological thing in them. Of course she’s not going to get mad at that faucet, I thought. You always suppress momentary anger at something you deeply and permanently hate. Of course John signs off every time the subject of cycle repair comes up, even when it is obvious he is suffering for it. That’s technology. And sure, of course, obviously. It’s so simple when you see it. To get away from technology out into the country in the fresh air and sunshine is why they are on the motorcycle in the first place. For me to bring it back to them just at the point and place where they think they have finally escaped it just frosts both of them, tremendously. That’s why the conversation always breaks and freezes when the subject comes up.
Other things fit in too. They talk once in a while in as few pained words as possible about “it” or “it all” as in the sentence, “There is just no escape from it”. And if I asked, “From what?” the answer might be “The whole thing”, or “The whole organized bit”, or even “The system”. Sylvia once said defensively, “Well, you know how to cope with it”, which puffed me up so much at the time I was embarrassed to ask what “it” was and so remained somewhat puzzled. I thought it was something more mysterious than technology. But now I see that the “it” was mainly, if not entirely, technology. But, that doesn’t sound right either. The “it” is a kind of force that gives rise to technology, something undefined, but inhuman, mechanical, lifeless, a blind monster, a death force. Something hideous they are running from but know they can never escape. I’m putting it way too heavily here but in a less emphatic and less defined way this is what it is. Somewhere there are people who understand it and run it but those are technologists, and they speak an inhuman language when describing what they do. It’s all parts and relationships of unheard-of things that never make any sense no matter how often you hear about them. And their things, their monster keeps eating up land and polluting their air and lakes, and there is no way to strike back at it, and hardly any way to escape it.
That attitude is not hard to come to. You go through a heavy industrial area of a large city and there it all is, the technology. In front of it are high barbed-wire fences, locked gates, signs saying NO TRESPASSING, and beyond, through sooty air, you see ugly strange shapes of metal and brick whose purpose is unknown, and whose masters you will never see. What it’s for you don’t know, and why it’s there, there’s no one to tell, and so all you can feel is alienated, estranged, as though you didn’t belong there. Who owns and understands this doesn’t want you around. All this technology has somehow made you a stranger in your own land. Its very shape and appearance and mysteriousness say, “Get out”. You know there’s an explanation for all this somewhere and what it’s doing undoubtedly serves mankind in some indirect way but that isn’t what you see. What you see is the NO TRESPASSING, KEEP OUT signs and not anything serving people but little people, like ants, serving these strange, incomprehensible shapes. And you think, even if I were a part of this, even if I were not a stranger, I would be just another ant serving the shapes. So the final feeling is hostile, and I think that’s ultimately what’s involved with this otherwise unexplainable attitude of John and Sylvia. Anything to do with valves and shafts and wrenches is a part of that dehumanized world, and they would rather not think about it. They don’t want to get into it.
If this is so, they are not alone. There is no question that they have been following their natural feelings in this and not trying to imitate anyone. But many others are also following their natural feelings and not trying to imitate anyone and the natural feelings of very many people are similar on this matter; so that when you look at them collectively, as journalists do, you get the illusion of a mass movement, an antitechnological mass movement, an entire political antitechnological left emerging, looming up from apparently nowhere, saying, “Stop the technology. Have it somewhere else. Don’t have it here.” It is still restrained by a thin web of logic that points out that without the factories there are no jobs or standard of living. But there are human forces stronger than logic. There always have been, and if they become strong enough in their hatred of technology that web can break.
Cliches and stereotypes such as “beatnik” or “hippie” have been invented for the antitechnologists, the antisystem people, and will continue to be. But one does not convert individuals into mass people with the simple coining of a mass term. John and Sylvia are not mass people and neither are most of the others going their way. It is against being a mass person that they seem to be revolting. And they feel that technology has got a lot to do with the forces that are trying to turn them into mass people and they don’t like it. So far it’s still mostly a passive resistance, flights into the rural areas when they are possible and things like that, but it doesn’t always have to be this passive.
I disagree with them about cycle maintenance, but not because I am out of sympathy with their feelings about technology. I just think that their flight from and hatred of technology is self-defeating. The Buddha, the Godhead, resides quite as comfortably in the circuits of a digital computer or the gears of a cycle transmission as he does at the top of a mountain or in the petals of a flower. To think otherwise is to demean the Buddha… which is to demean oneself. That is what I want to talk about in this Chautauqua.
We’re out of the marshes now, but the air is still so humid you can look straight up directly at the yellow circle of the sun as if there were smoke or smog in the sky. But we’re in the green countryside now. The farmhouses are clean and white and fresh. And there’s no smoke or smog.
2
The road winds on and on — we stop for rests and lunch, exchange small talk, and settle down to the long ride. The beginning fatigue of afternoon balances the excitement of the first day and we move steadily, not fast, not slow.
We have picked up a southwest side wind, and the cycle cants into the gusts, seemingly by itself, to counter their effect. Lately there’s been a sense of something peculiar about this road, apprehension about something, as if we were being watched or followed. But there is not a car anywhere ahead and in the mirror are only John and Sylvia way behind.
We are not in the Dakotas yet, but the broad fields show we are getting nearer. Some of them are blue with flax blossoms moving in long waves like the surface of the ocean. The sweep of the hills is greater than before and they now dominate everything else, except the sky, which seems wider. Farmhouses in the distance are so small we can hardly see them. The land is beginning to open up.
There is no one place or sharp line where the Central Plains end and the Great Plains begin. It’s a gradual change like this that catches you unawares, as if you were sailing out from a choppy coastal harbor, noticed that the waves had taken on a deep swell, and turned back to see that you were out of sight of land. There are fewer trees here and suddenly I am aware they are no longer native. They have been brought here and planted around houses and between fields in rows to break up the wind. But where they haven’t been planted there is no underbrush, no second-growth saplings… only grass, sometimes with wildflowers and weeds, but mostly grass. This is grassland now. We are on the prairie.
I have a feeling none of us fully understands what four days on this prairie in July will be like. Memories of car trips across them are always of flatness and great emptiness as far as you can see, extreme monotony and boredom as you drive for hour after hour, getting nowhere, wondering how long this is going to last without a turn in the road, without a change in the land going on and on to the horizon.
John was worried Sylvia would not be up to the discomfort of this and planned to have her fly to Billings, Montana, but Sylvia and I both talked him out of it. I argued that physical discomfort is important only when the mood is wrong. Then you fasten on to whatever thing is uncomfortable and call that the cause. But if the mood is right, then physical discomfort doesn’t mean much. And when thinking about Sylvia’s moods and feelings, I couldn’t see her complaining.
Also, to arrive in the Rocky Mountains by plane would be to see them in one kind of context, as pretty scenery. But to arrive after days of hard travel across the prairies would be to see them in another way, as a goal, a promised land. If John and I and Chris arrived with this feeling and Sylvia arrived seeing them as “nice” and “pretty”, there would be more disharmony among us than we would get from the heat and monotony of the Dakotas. Anyway, I like to talk to her and I’m thinking of myself too.
In my mind, when I look at these fields, I say to her, “See? — See?” and I think she does. I hope later she will see and feel a thing about these prairies I have given up talking to others about; a thing that exists here
