How ludicrous these efforts to translateInto one's private tongue a public fate!Instead of poetry divinely terse,Disjointed notes, Insomnia's mean verse!Life is a message scribbled in the dark.Anonymous. Espied on a pine's bark,As we were walking home the day she died,An empty emerald case, squat and frog-eyed,Hugging the trunk; and its companion piece,240 A gum-logged ant. That Englishman in Nice,A proud and happy linguist: je nourrisLes pauvres cigales — meaning that heFed the poor sea gulls! Lafontaine was wrong:Dead is the mandible, alive the song.And so I pare my nails, and muse, and hearYour steps upstairs, and all is right, my dear.Sybil, throughout our high-school days I knewYour loveliness, but fell in love with youDuring an outing of the senior class250 To New Wye Falls. We luncheoned on damp grass.Our teacher of geology discussedThe cataract. Its roar and rainbow dustMade the tame park romantic. I reclinedIn April's haze immediately behindYour slender back and watched your neat small headBend to one side. One palm with fingers spread,Between a star of trillium and a stone,Pressed on the turf. A little phalange boneKept twitching. Then you turned and offered me260 A thimbleful of bright metallic tea.Your profile has not changed. The glistening teethBiting the careful lip; the shade beneathThe eye from the long lashes; the peach downRimming the cheekbone; the dark silky brownOf hair brushed up from temple and from nape;The very naked neck; the Persian shapeOf nose and eyebrow, you have kept it all —And on still nights we hear the waterfall.Come and be worshiped, come and be caressed,270 My dark Vanessa, crimson-barred, my blestMy Admirable butterfly! ExplainHow could you, in the gloam of Lilac Lane,Have let uncouth, hysterical John ShadeBlubber your face, and ear, and shoulder blade?We have been married forty years. At leastFour thousand times your pillow has been creasedBy our two heads. Four hundred thousand timesThe tall clock with the hoarse Westminster chimesHas marked our common hour. How many more280 Free calendars shall grace the kitchen door?I love you when you're standing on the lawnPeering at something in a tree: «It's gone.It was so small. It might come back» (all thisVoiced in a whisper softer than a kiss).I love you when you call me to admireA jet's pink trail above the sunset fire.I love you when you're humming as you packA suitcase or the farcical car sackWith round-trip zipper. And I love you most290 When with a pensive nod you greet her ghostAnd hold her first toy on your palm, or lookAt a postcard from her, found in a book.She might have been you, me, or some quaint blend:Nature chose me so as to wrench and rendYour heart and mine. At first we'd smile and say:«All little girls are plump» or «Jim McVey(The family oculist) will cure that slightSquint in not time.» And later: «She'll be quitePretty, you know»; and trying to assuage300 The swelling torment: «That's the awkward age.»«She should take riding lessons,» you would say