Taunt our inferiors, cheerfully deride The dedicated imbeciles, and spit Into their eyes just for the fun of it. Nor can one help the exile, the old man 610 Dying in a motel, with the loud fan Revolving in the torrid prairie night And, from the outside, bits of colored light Reaching his bed like dark hands from the past Offering gems; and death is coming fast. He suffocates and conjures in two tongues The nebulae dilating in his lungs. A wrench, a rift — that's all one can foresee. Maybe one finds le grand neant; maybe Again one spirals from the tuber's eye. 620 As you remarked the last time we went by The Institute: «I really could not tell The difference between this place and Hell.» We heard cremationists guffaw and snort At Grabermann's denouncing the Retort As detrimental to the birth of wraiths. We all avoided criticizing faiths. The great Starover Blue reviewed the role Planets had played as landfalls of the soul. The fate of beasts was pondered. A Chinese 630 Discanted on the etiquette at teas With ancestors, and how far up to go. I tore apart the fantasies of Poe, And dealt with childhood memories of strange Nacreous gleams beyond the adults' range. Among our auditors were a young priest And an old Communist. Iph could at least Compete with churches and the party line. In later years it started to decline: Buddhism took root. A medium smuggled in 640 Pale jellies and a floating mandolin. Fra Karamazov, mumbling his inept All is allowed, into some classes crept; And to fulfill the fish wish of the womb, A school of Freudians headed for the tomb. That tasteless venture helped me in a way. I learnt what to ignore in my survey Of death's abyss. And when we lost our child I knew there would be nothing: no self-styled Spirit would touch a keyboard of dry wood 650 To rap out her pet name; no phantom would Rise gracefully to welcome you and me In the dark garden, near the shagbark tree. «What is that funny creaking — do you hear?» «It is the shutter on the stairs, my dear.» «If you're not sleeping, let's turn on the light. I hate that wind! Let's play some chess.» «All right.» «I'm sure it's not the shutter. There — again.» «It is a tendril fingering the pane.» «What glided down the roof and made that thud?» 660 «It is old winter tumbling in the mud.» «And now what shall I do? My knight is pinned.» Who rides so late in the night and the wind? It is the writer's grief. It is the wild March wind. It is the father with his child. Later came minutes, hours, whole days at last, When she'd be absent from our thoughts, so fast Did life, the woolly caterpillar run. We went to Italy. Sprawled in the sun On a white beach with other pink or brown 670 Americans. Flew back to our small town. Found that my bunch of essays The Untamed
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