Three Act Tragedy

not, you are a mug - a fool? Naturally you would change your name. You would not like to be Lady Mugg, eh?”

Egg laughed. She said:

“Well, wish me happiness.”

“I do wish you happiness, mademoiselle. Not the brief happiness of youth, but the happiness that endures – the happiness that is built upon a rock.”

“I’ll tell Charles you call him a rock,” said Egg. “And now for what I came to see you about. I’ve been worrying and worrying about that cutting from the paper that Oliver dropped from his wallet. You know, the one Miss Wills picked up and handed back to him. It seems to me that either Oliver is telling a downright lie when he says he doesn’t remember its being there, or else it never was there. He dropped some odd bit of paper, and that woman pretended it was the nicotine cutting.”

“Why should she have done that, mademoiselle?”

“Because she wanted to get rid of it. She planted it one Oliver.”

“You mean she is a criminal?”

“Yes.”

“What was her motive?”

“It’s no good asking me that. I can only suggest that she’s a lunatic. Clever people often are rather mad. I can’t see any other reason – in fact I can’t see any motive anywhere.”

“Decidedly, that is the impasse. I should not ask you to guess at a motive. It is of myself that I ask that question without ceasing. What was the motive behind Mr. Babbington’s death? When I can answer that the case will be solved.”

“You don’t think just madness -?” suggested Egg.

“No, mademoiselle – not madness in the sense you mean. There is a reason. I must find that reason.”

“Well, good-bye,” said Egg. “I’m sorry to have disturbed you, but the idea just occurred to me. I must hurry. I’m going with Charles to the dress rehearsal of Little Dog Laughed - you know, the play Miss Wills has written for Angela Sutcliffe. It’s the first night tomorrow.”

“Mon dieu!” cried Poirot.

“What is it? Has anything happened?”

“Yes, indeed something has happened. An idea. A superb idea. Oh, but I have been blind – blind – ”

Egg stared at him. As though realising his eccentricity, Poirot took a hold on himself. He patted Egg on the shoulder.

“You think I am mad. Not at all. I heard what you said. You go to see The Little Dog Laughed, and Miss Sutcliffe acts in it. Go then, and pay no attention to what I have said.”

Rather doubtfully Egg departed. Left to himself, Poirot strode up and down the room muttering under his breath. His eyes hone green as any cat’s.

“Mais oui - that explains everything. A curious motive – a very curious motive – such a motive as I have never come across before, and yet it is reasonable, and, given the circumstances, natural. Altogether a very curious case.”

He passed the table where his card house still reposed. With a sweep of his hands he swept the cards from the table.

“The happy family, I need it no longer,” he said. “The problem is solved. It only remains to act.”

He caught up his had and put on his overcoat. Then he went downstairs and the commissionaire called him a taxi. Poirot gave the address of Sir Charles’s flat.

Arrived there, he paid off the taxi, and stepped into the hall. The porter was absent taking up the lift. Poirot walked up the stairs. Just as he arrived on the second floor the door of Sir Charles’s flat opened and Miss Milray came out.

She started when she saw Poirot.

“You!”

Poirot smiled.

“Me! Or is it I? Enfin, moi!”

Miss Milray said:

“I’m afraid you won’t find Sir Charles. He’s gone to the Babylon Theatre with Miss Lytton Gore.”

“It is not Sir Charles I seek. It is my stick that I think I have left behind one day.”

“Oh, I see. Well, if you’ll ring, Temple will find it for you. I’m sorry I can’t stop. I’m on my way to catch a train. I’m going down to Kent – to my mother.”

“I comprehend. Do not let me delay you, mademoiselle.”

He stood aside and Miss Milray passed rapidly down the stairs. She was carrying a small attache case.

But when she had gone Poirot seemed to forget the purpose for which he had come. Instead of going on up to the landing, he turned and made his way downstairs again. He arrived at the front door just in time to see Miss Milray getting into a taxi. Another taxi was coming slowly along the kerb. Poirot raised a hand and it came to rest. He got in and directed the driver to follow the other taxi.

No surprise showed on his face when the first taxi went north and finally drew up at Paddington Station, though Paddington is an odd station from which to proceed to Kent. Poirot went to the first-class booking window and demanded a return ticket to Loomouth. The train was due to depart in five minutes. Pulling up his overcoat well about his ears, for the day was cold, Poirot ensconced himself in the corner of a first-class carriage.

They arrived at Loomouth about five o’clock. It was already growing dark. Standing back a little, Poirot heard Miss Milray being greeted by the friendly porter at the little station.

“Well, now, miss, we didn’t expect you. Is Sir Charles coming down?”

Miss Milray replied:

“I’ve come down here unexpectedly. I shall be going back tomorrow morning. I’ve just come to fetch some things. No, I don’t want a cab, thank you. I’ll walk up by the cliff path.”

The dusk had deepened. Miss Milray walked briskly up the steep zigzag path. A good way behind came Hercule Poirot. He trod softly like a cat. Miss Milray, on arrival at Crow's Nest, produced a key from her bag and passed through the side door, leaving it ajar. She reappeared a minute or two later. She had a rusty door key and an electric torch in her hand. Poirot drew back a little behind a convenient bush.

Miss Milray passed round behind the house and up a scrambling overgrown path. Hercule Poirot followed. Up and up went Miss Milray until she came suddenly to an old stone tower such as is found often on that coast. This one was of humble and dilapidated appearance. There was, however, a curtain over the dirty window, and Miss Milray inserted her key in the big wooden door.

The key turned with a protesting creak. The door swung with a groan on its hinges. Miss Milray and her torch passed inside.

With an increase of pace Poirot caught up. He passed, in his turn, noiselessly through the door. The light of Miss Milray’s torch gleamed fitfully on glass retorts, a bunsen burner – various apparatus.

Miss Milray had picked up a crowbar. She had raised it and was holding it over the glass apparatus when a hand caught her by the arm. She gasped and turned.

The green, catlike eyes of Poirot looked into hers.

“You cannot do that, mademoiselle,” he said. “For what you seek to destroy is evidence.”

27

Hercule Poirot sat in a big armchair. The wall lights had been turned out. Only a rose-shaded lamp shed its glow on the figure in the armchair. There seemed something symbolic about it – he alone in the light – and the other three, Sir Charles, Mr. Satterthwaite and Egg Lytton Gore – Poirot’s audience – sitting in the outer darkness.

Hercule Poirot’s voice was dreamy. He seemed to be addressing himself to space rather than his listeners.