physical presence, bees whirring and chasing one another around the inside of his head. His head was the hive that they flew into and out of, and without them there was a waxy, honeycombed emptiness. His head was too light and too hollow, and he would go mad if he didn’t get his own thoughts back, his own voice. The dead man was saying now,
Jude turned to get the gun, moving quickly now. Across the floor, to the desk, the gun at his feet, down on one knee to pick it up.
Jude did not hear the dogs until he was reaching for the revolver. One high-strung yap, then another. His attention snagged on that sound like a loose sleeve catching on a protruding nail. It shocked him, to hear anything else in that bottomless silence besides Craddock’s voice. The window behind the desk was still parted slightly, as he had left it. Another bark, shrill, furious, and another. Angus. Then Bon.
Jude’s gaze flitted to the little wastebasket next to the desk and to the pieces of the platinum record shoved into it. A nest of chrome knife blades sticking straight up into the air. The dogs were both barking in unison now, a tear in the fabric of the quiet, and the sound of them called to mind, unbidden, their smell, the stink of damp dog fur, the hot animal reek of their breath. Jude could see his face reflected in one of those silver record shards, and it jolted him: his own rigid, staring look of desperation, of horror. And in the next moment, mingled with the relentless yawping of the dogs, he had a thought that was his own, in his own voice.
In the next instant, Jude reached past the gun and put his hand over the wastebasket. He set the ball of his left palm on the sharpest, longest-looking spear of silver and lunged, driving all his weight down onto it. The blade sank into meat, and he felt a tearing pain lance through his hand and into the wrist. Jude cried out, and his eyes blurred, stung with tears. He instantly yanked his palm free from the blade, then clapped his right hand and the left together. Blood spurted between them.
Get to the dogs. His life—and Georgia’s—depended on it. It was an idea that made no rational sense, but Jude did not care what was rational. Only what was true.
The pain was a red ribbon he held between his hands, following it away from the dead man’s voice and back to his own thoughts. He had a great tolerance for pain, always had, and at other times in his life had even willfully sought it out. There was an ache way down in his wrist, in the joint, a sign of how deep his wound was, and some part of him appreciated that ache, wondered at it. He caught sight of his reflection in the window as he rose. He was grinning in the straggles of his beard, a vision even worse than the expression of terror he’d glimpsed in his own face a moment before.
He shot a look at Georgia on his way by—couldn’t risk a glance back to see what Craddock was doing—and she was still curled on the floor, her arms around her stomach and her hair in her face. She glanced back at him from under her bangs. Her cheeks were damp with sweat. Her eyelids fluttered. The eyes beneath pleaded, questioned, fogged over with pain.
He wished there were time to say he hadn’t meant to hurt her. He wanted to tell her that he wasn’t running, wasn’t leaving her, that he was leading the dead man away, but the pain in his hand was too intense. He couldn’t think past it to line words up into clear sentences. And besides, he didn’t know how long he’d be able to think for himself, before Craddock would get ahold of him again. He had to control the pace of what happened next, and it had to happen fast. That was fine. It was better that way. He had always been at his best operating in 5/4 time.
He heaved himself down the hall, made the stairs and took them fast, too fast almost, four at a time, so it was like falling. He crashed down the last few steps to the red clay tiles of the kitchen. One ankle turned under him. He stumbled into the chopping block, with its slender legs and scarred surface stained with old blood. A cleaver was buried in the soft wood at one edge, and the wide, flat blade glinted like liquid mercury in the dark. He saw the stairs behind him reflected in it and Craddock standing on them, his features blurred, his hands raised over his head, palms out, a tent-revival preacher testifying to the flock.
He hit the door into Danny’s office, pushed through it, and rushed on into darkness.
19
Three steps through the door, he pulled up, hesitated for a moment to get his bearings. The shades were drawn. There was no light anywhere. He could not see his way in all that darkness and had to move forward more slowly, shuffling his feet, hands stretched before him, feeling for objects that might be in his path. The door wasn’t far, and then he would be outside.
As he went forward, though, he felt an anxious constriction in his chest. It was a little more work to breathe than he liked. He felt at any moment his hands would settle on Craddock’s cold, dead face in the dark. At the thought he found himself fighting not to panic. His elbow struck a standing lamp, and it crashed over. His heart throbbed. He kept moving his feet forward in halting baby steps, but he had no sense of getting any closer to where he was going.
A red eye, the eye of a cat, opened slowly in the darkness. The speakers that flanked the stereo cabinet came on with a thump of bass and a low, empty hum. The constriction was around Jude’s heart, a sickening tightness.
The stereo was on, and there should’ve been radio, but there was no radio. There was no sound at all. Jude’s fingers brushed the wall, the doorframe, and then he grasped the doorknob with his punctured left hand. An imaginary sewing needle turned slowly in the wound, producing a cold flare of pain.
Jude twisted the doorknob, pulled the door back. A slash opened in the darkness, looking out into the glare of the floodlights on the front of the dead man’s truck.
“You think you’re something special because you learnt how to play a fuckin’ guitar?” said Jude’s father from the far end of the office. He was on the stereo, his voice loud and hollow.
In the next moment, Jude became aware of other sounds coming from the speakers—heavy breathing, scuffling shoes, the thud of someone bumping a table—noises that suggested a quiet, desperate wrestling match, two men struggling with each other. There was a little radio play going. It was a play Jude knew well. He had been one of the actors in the original.
Jude stopped with the door half open, unable to plunge out into the night, pinned in place by the sounds coming from the office stereo.
“You think knowin’ how to do that makes you better than me?” Martin Cowzynski, his tone amused and hating all at the same time. “Get over here.”
Then came Jude’s own voice. No, not Jude’s voice—he hadn’t been Jude then. It was Justin’s, a voice in a slightly higher octave, one that cracked sometimes and lacked the resonance that had come with the development of his adult pipes. “Momma! Momma, help!”
Momma did not say anything, did not make a sound, but Jude remembered what she’d done. She had stood up from the kitchen table and walked to the room where she did her sewing and gently closed the door behind her,