The other couple had disappeared.
I found the handle in the grass without any trouble. The mechanism responded, and an oblong section of turf rose up. It was the stair I had, not the elevator, but that was all right. I ran down the steps and into the first door I saw, and was in the top-floor lounge, an oval room lit with diffused simulated sunlight from above. The furniture was all comfortably bloated, sprawling and ugly; the carpet was deep, and there was a fresh flower scent in the air.
The blonde was over at the near end with her back to me, studying the autochef keyboard. She was half out of her play-suit. She pushed it the rest of the way down and stepped out of it, then turned and saw me.
She was surprised again; she hadn’t thought I might follow her down.
I got up close before it occurred to her to move; then it was too late. She knew she couldn’t get away from me; she closed her eyes and leaned back against the paneling, turning a little pale. Her lips and her golden brows went up in the middle.
I looked her over and told her a few uncomplimentary things about herself. She trembled, but didn’t answer. On impulse, I leaned over and dialed the autochef to hot cheese sauce. I cut the safety out of circuit and put the quantity dial all the way up. I dialed
The stuff began to come out in about a minute, steaming hot. I took the tureens and splashed. them up and down the wall on either side of her. Then when the first punch bowl came out, I used the empty bowls as scoops. I clotted the carpet with the stuff; I made streamers of it all along the walls, and dumped puddles into what furniture I could reach. Where it cooled it would harden, and where it hardened it would cling.
I wanted to splash it across her body, but it would’ve hurt, and we couldn’t have that. The punch bowls of hot sauce were still coming out of the autochef, crowding each other around the vent. I punched
It came out well chilled in open bottles. I took the first one and had my hand back just about to throw a nice line of the stuff right across her midriff, when a voice said behind me:
“Watch out for cold wine.”
My arm twitched and a little stream of the wine splashed across her thighs. She was ready for it; her eyes had opened at the voice, and she barely jumped.
I whirled around, fighting mad. The man was standing there where he had come out of the stairwell. He was thinner in the face than most, bronzed, wide-chested, with alert blue eyes. If it hadn’t been for him, I knew it would have worked—the blonde would have mistaken the cold splash for a hot one.
I could hear the scream in my mind, and I wanted it.
I took a step toward him, and my foot slipped. I went down clumsily, wrenching one knee. I got up shaking and tight all over. I wasn’t in control of myself. I screamed, “You—you—” I turned and got one of the punch bowls and lifted it in both hands, heedless of how the hot sauce was slopping over onto my wrists, and I had it almost in the air toward him when the sickness took me—that damned buzzing in my head, louder, louder, drowning everything out.
When I came to, they were both gone. I got up off the floor, weak as death, and staggered over to the nearest chair. My clothes were slimed and sticky. I wanted to die. I wanted to drop into that dark furry hole that was yawning for me and never come up, but I made myself stay awake and get out of the chair.
Going down in the elevator, I almost blacked out again. The blonde and the thin man weren’t in any of the second-floor bedrooms—I made sure of that—then I emptied the closets and bureau drawers onto the floor, dragged the whole mess into one of the bathrooms and stuffed the tub with it, then turned on the water.
I tried the third floor: maintenance and storage. It was empty. I turned the furnace on and set the thermostat up as high as it would go. I disconnected all the safety circuits and alarms. I opened the freezer doors and dialed them to defrost. I propped the stairwell door open and went back up in the elevator.
On the second floor I stopped long enough to open the stairway door there—the water was halfway toward it, creeping across the floor—and then searched the top floor. No one was there. I opened book reels and threw them unwinding across the room; I would have done more, but I could hardly stand. I gotup to the surface and collapsed on the lawn; that furry pit swallowed me up, dead and drowned.
While I slept, water poured down the open stairwell and filled the third level.
Thawing food packages floated out into the rooms. Water seeped into wall panels and machine housings; circuits shorted and fuses blew. The air-conditioning stopped, but the pile kept heating. The water rose.
Spoiled food, floating supplies, grimy water surged up the stairwell. The second and first levels were bigger and would take longer to fill, but they’d fill. Rugs, furnishings, clothing, all the things in the house would be waterlogged and ruined.
Probably the weight of so much water would shift the house, rupture water pipes and other fluid intakes. It would take a repair crew more than a day just to clean up the mess. The house itself was done for, not repairable. The blonde and the thin man would never live in it again.
Serve them right.
The dulls could build another house; they built like beavers. There was only one of me in the world.
The earliest memory I have is of some woman, probably the crechemother, staring at me with an expression of shock and horror. Just that. I’ve tried to remember .what happened directly before or after, but I can’t. Before, there’s nothing but the dark formless shaft of.no-memory that runs back to birth. Afterward, the big calm.
From my fifth year, it must have been, to my fifteenth, everything I can remember floats in a pleasant dim sea. Nothing was terribly important. I was languid and soft; I drifted. Waking merged into sleep.
In my fifteenth year it was the fashion in love-play for the young people to pair off for months or longer. “Loving steady,” we called it. I remember how the older people protested that it was unhealthy, but we were all normal juniors, and nearly as free as adults under the law.
All but me.
The first steady girl I had was named Elen. She had blonde hair, almost white, worn long; her lashes were dark and her eyes pale green. Startling eyes; they didn’t look as if they were looking at you. They looked blind.
Several times she gave me strange, startled glances, something between fright and anger. Once it was because I held her too tightly and hurt her; other times it seemed to be for nothing at all.
In our group a pairing that broke up sooner than four weeks was a little suspect—
there must be something wrong with one partner or both, or the pairing would have lasted longer.
Four weeks and a day after Elen and I made our pairing, she told me she was breaking it.
I’d thought I was ready. But I felt the room spin half around me till the wall came against my palm and stopped.
The room had been in use as a hobby chamber; there was a rack of plasticraft knives under my hand. I took one without thinking, and when I saw it I thought,
And I saw the startled, half-angry look in her pale eyes as I went toward her, but this is curious: She wasn’t looking at the knife. She was looking at my face.
The elders found me later with the blood on me, and put me into a locked room.
Then it was my turn to be frightened, because I realized for the first time that it was possible for a human being to do what I had done. And if I could do it to Elen, I thought, surely they could do it to me.
But they couldn’t. They set me free; they had to.
And it was then I understood that I was the king of the world.
Something else in me, that had been suppressed and forgotten, rose up with my first blow struck in anger. The sculpture began years afterward, as an accident, but in that moment I was free, and I was an artist.
One winter, in the AC Archives in Denver, I found a storeroom full of old printed books. I spent months there, reading them, because until then I’d thought I had invented sculpture and drawing. The thing I chiefly wanted to know was; why had it stopped? There was no answer in so many words in any of the books. But reading the histories of those times before the Interregnum, I found one thing that might explain it. Whenever there was a long period of peace and plenty anywhere in the ancient world, art grew poor—decoration, genre painting, imitations of imitations. And as for the great artists, they all belonged to violent periods—Praxiteles, ‘da Vinci, Rembrandt, van Rijn, Renoir, Picasso....
It had been bred out of the race, evidently. I don’t suppose the genetic planners wanted to get rid of it, but they would have shed almost anything to make a homogeneous, rational, sane, and healthy world.
