attempted. There were a few laughs at the expense of “the Yanks and their gadgets,” and a few reminiscences of the Dieppe raid that had raised the curtain on Normandy: a hellish fiasco in which the Commander had helped land the doomed Canadian forces on bullet-swept beaches, with Lord Mountbatten (an especially vain member of the British Royal Family) as part of his ship’s company. But this effort at good cheer was all aimed at erasing what had occurred before the cinema’s curtains had parted. My father had come back from the box office with the news that only the most absurdly expensive or the most abjectly cheap seats were now available. He looked quite put out at this: Didn’t the throng for this film understand that he’d practically
But I also admired him for his lack of guile and his dislike for anything that was surreptitious or underhand. While in the Royal Navy, he had indignantly refused any advances from the Freemasons, even though this mafia of the mediocre might, had he but joined them, have swung the difference between being promoted and otherwise. One loyalty was enough for him. His candor and modesty once almost caused me to weep. He told of a senior officer who had asked him if he’d come and help out at a cocktail party on the base. It was explained to him in confidence by his superior that the event was meant to soak up all the bores who hadn’t been invited to anything yet. “Thank you, sir,” he had replied. “But I believe I have already received my invitation.” Yvonne’s face, when he told this story in company, was a frozen study that I never forgot.
The Commander lost his last proper job in a similarly naive way, feeling himself obliged to tell the boys’ school in Oxford—the place which had furnished his last and only economic security—that he had reached the statutory retirement age. “Honestly, Eric,” the somewhat shambolic headmaster later informed me he had told him, “you didn’t have to do that. Nobody was going to make anything of it. Nobody had ever even thought of asking. But now that you
Eric Ernest Hitchens’s own grave is on Portsdown Hill, overlooking what Arthur Conan Doyle used to call “The Narrow Sea.” This historic stretch of water was decidedly and historically “ours.” (“I do not say,” Lord St. Vincent is supposed to have told Parliament in the Napoleonic epoch, “that our enemies cannot come. I only say that they cannot come by sea.”) Here is the chapel where General Eisenhower said a prayer for fine weather and victory the night before the D-Day landings in Normandy: a stained-glass window commemorates the modest warrior who later became president of the United States. Commander Hitchens had once assured me, after a visit to my long- bedridden grandfather, that he would not make a protracted business of dying, and he was as good as his word. He died in 1987, aged 78. Having never spent a day in bed in his life, he went very speedily from diagnosis of an inoperable cancer in his esophagus to a hammer-blow heart attack that gave his hostess, his sister Ena, barely time to rush to his side. (My Aunt Ena had also landed on the beaches of Normandy as a nurse in the second wave— another excellent day’s work—and got all the way to Germany before they told her to stop.)
The Commander’s funeral took place on a day of bitter and extreme cold. I dismounted from the train at what had once been my home-bound station for the school holidays. By a macabre coincidence, as I walked through the freezing station yard I saw workmen painting out the faint storefront sign “Susannah Munday” on what had once been my mother’s sad attempt at a dress shop. I was able to see my father in his last repose before the screwing- on of the lid, and later to do for him what he had once done for me, and carry him on my shoulders. We laid the coffin in the chancel of the D-Day chapel: my brother had made all the liturgical and musical arrangements with a clear eye to tradition and dignity. I rather pity those Anglo-American families to whom the “Navy Hymn” is not a part of the emotional furniture: its words and music are impossibly stirring even to one who finds the opening words “Eternal Father” doubly problematic. The tune is actually called “Melita,” after the old name of the island of Malta where St. Paul was shipwrecked, and was written for someone who was about to take ship across the Atlantic for the United States. My own text was from that same Paul of Tarsus, and from his Epistle to the Philippians, which I selected for its non-religious yet high moral character:
Finally, brethren, whatsoever things are true, whatsoever things are honest, whatsoever things are just, whatsoever things are pure, whatsoever things are lovely, whatsoever things are of good report; if there be any virtue, and if there be any praise, think on these things.
Try looking that up in a “modern” version of the New Testament (Philippians 4:8) and see what a ration of bland doggerel you get. I shall never understand how the keepers and trustees of the King James Version threw away such a treasure. But that very thought, if you like, is partly taken from my father’s legacy of suspicion of change and of resistance to the rude shock of the new.
The Commander had no surviving friends to speak of and in the misty churchyard there were only a few gaunt Hampshire faces with that Hitchens look: the look of the tough south English peasant that one can sometimes also see in Georgia and the Carolinas. These distant kinsmen gave a hasty clasp of the hand and faded back into the chalky landscape. It was all stark enough to have pleased my father at his most downbeat. An absence of fuss could be noted. I suddenly remembered the most contemptuous word I had ever heard the old man utter. Discovering me lying in the bath with a cigarette, a book, and a perilously perched glass (I must have been attempting some adolescent version of the aesthetic), he almost barked: “What is this? Luxury?” That this was another word for sin, drawn from the repertory of antique Calvinism, I immediately understood.
That my mother would have approved—though perhaps languidly preferring a
Fragments from an Education
Orwell, Connolly, Waugh, Betjeman, to name only a few, have pungently described the disenchantments of schooldays… I do not wish to appear less competent than my contemporaries in making creep the flesh of the epicure of sado-masochistic school reminiscence.
…that stoic redskin interlude which our schools intrude between the fast-flowing tears of the child and the man.
I NOW CLAIM STANFORD, California, as a part of my own turf but I was extremely apprehensive and feeling very junior when I first glimpsed the campus in 1987. The impression of first-day-at-school in its grand quads was only enhanced by the effort of my old friend Edward Said, with whom I was visiting the campus for a conference, to encourage me to feel more at home. “Come on,” he said, “we’ll go and take a cocktail from Ian Watt.” I was made additionally nervous by the thought of introduction to this dry, wry, and donnish figure, the world’s expert on Joseph Conrad and the author of
