hurrying home. The red-scarfed militants near the platform kept up a steady volley of cheers, but the masses were calling it a day. There was a distinct impression that more and better material incentives were what many workers and peasants would appreciate. I won’t claim that I saw this all at once, and another part of me was still with the zealous Cubans who wanted to make sacrifices for Vietnam and Angola, and who didn’t want a life of ease.
These and other reflections inevitably “raised the question”—as we never tired of putting it—of Czechoslovakia. The Cuban leadership took no decided view on the increasingly public quarrel between Prague and Moscow. The Cuban Communist Party paper
Back in the camp, though, it seemed hard to imagine that Party-mindedness would not emerge as the eventual victor. I can remember exactly how I came to realize this. Cuba was famous for its celebration of cinema and its lionization of its revolutionary directors like Tomas Guitierrez Alea, the great “Titon” (even if his best-known marquee title,
At all events, to the camp one day, for a seminar on film and revolution, was brought the legendary Cuban director Santiago Alvarez. I had seen some of his stuff and been more impressed by its pace and color than I should have been: I knew perfectly well that the hideous President Johnson had
For all this lurid lapse into infantile pre–Oliver Stone leftism, old Alvarez then gave a reasonable-enough talk, and so I put up my hand and asked him a question. How did he find it, as an artist, to be working in Cuba, a state that had official policies on the aesthetic? Alvarez had obviously expected something like this and replied that artistic and intellectual liberty was untrammeled. Were there, I inquired, no exceptions to this? Well, he said, almost laughing at the naivete of my question, it would not of course be possible or desirable to attempt any attacks or satires on the Leader of the Revolution himself. But otherwise, the freedom of conscience and creativity was absolute.
I do not know if what I next said came from the “Left” or “Right” part of my brain, but I like to think I anticipated at least some of the huge cultural and literary defection that later cost Castro the allegiance of writers as diverse as Carlos Franqui, Heberto Padilla, Jorge Edwards, and many others. I made the mere observation that if the most salient figure in the state and society was immune from critical comment, then all the rest was detail. Ah, please never forget how useful the obvious can be. And how right it is that the image of the undraped emperor is such a keystone of our folklore. I don’t think I have ever been so richly rewarded merely for saying the self-evident. There was quite an “atmosphere” until after Alvarez—whose reply, if any, I don’t remember—had left, and then this “atmosphere” persisted while I took my metal tray and lined up in the dining hall. When I pretended to ask what was up, one of the Scottish comrades informed me: “The Cuban brothers thought what you said and did was so obviously counter-revolutionary.” I was both annoyed and delighted by this obloquy. I certainly considered myself a revolutionary and would warmly have contested the right of anybody to deny me the title, but there was also the sheer pleasure of seeing cliche in action: almost as if one had been called an “enemy of the people,” or a “capitalist hyena” or—back to school again—someone who had “let the whole side down.” You do not forget, even if you come from a free and humorous society, the first time that you are with unsmiling seriousness called a “counter- revolutionary” to your face.
It cannot have been many mornings later when I was shaken awake and told “Get up, and get up NOW! The Russians have invaded Czechoslovakia.” The person who was doing the shaking had bet me a trifling sum that this outcome would not occur, so it was nice of her to bring me the news of her own loss. I had already felt, in the course of the
I was in Havana itself by then, because it was almost time to catch the charter plane home or, in my case, to Prague. The Red Army’s first action had been to seize and immobilize the main airports of Czechoslovakia, so our plane hadn’t even been able to leave its base. I remember going to the campus of Havana University, where there were a surprising number of students willing to denounce the Russian action without looking over their shoulders or lowering their voices. All dissent had to be couched in Communist terms, so you heard it said that “Che” would never have supported such big-power bullying. (This I then half-believed but now doubt.) The Chinese leadership in Beijing had lost no time in denouncing “Soviet social-imperialism,” and there was a demonstration outside the Chinese embassy in support of this position, with people wearing little badges of Mao. I was told by somebody that if you went to call on the Chinese, they would ply you with cocktails and cigarettes while they explained their position, so I posed as an internationalist visitor and found the story to be true… the exquisite cigarettes, I remember, had the name “Double Happiness.” The politics weren’t so sublime: a tiny diplomatic bureaucrat explained that China had been the first to call for Russian intervention in Hungary to stop counter-revolution in 1956, so had every right to denounce the latest move as “counter-revolutionary” in turn. The logic of this didn’t seem exactly beautiful. And there was that unsettling term again…
At lunchtime came the news that Ho Chi Minh and the Vietnamese Communists had supported the Russians. This was enough to sway quite a number of Cubans… then dusk began to draw in and the population mustered around the TV sets. I forget now where I watched the lengthy tirade in which Fidel Castro ended all Utopian babble about Cuba following a different course from the sclerotic Stalinists in the Kremlin, but I think it was in the same pink-facaded Hotel Nacional where Graham Greene’s sadistic Captain Segura once received a cold blast of soda- water in the face and shouted “