accelerating, whirling effortlessly about them. Soon enough their clothing was cast aside at least once within each of the forgotten, empty bedrooms of the old What Rocks house, their entwined bodies exposed by the dusty rays of light which angled downward through the murky windowpanes and illumed the barren floorboards. But prior to any of those furtive couplings — as their self-imposed states of isolation gave way to a greater want for togetherness — the pieces of the picture had begun taking shape, falling smoothly into place: the Saturdays in Claude, the two of them strolling leisurely on downtown sidewalks or sitting side by side at a Dairy Mart booth — paying little mind to the glancing, disapproving onlookers likely whispering, “The very gall of them two,” and “Poor McCreedy boy ain't even cold in the earth and see how she's going on that a way.”

For a while, the covert animosity was hard for Debra to tolerate, although she didn't harbor regrets about being seen with Hollis — nor did she believe Creed would have resented them. Better, she figured, that Billy's best girl and best army friend were joined at the hip than either one relying on a complete stranger for comfort; in some regard, she told herself, they were adhering to Creed's memory by consoling each other's grief, by also resuming and furthering the kind of relationship he had enjoyed with her but could no longer take part in. Then the passing of judgment she felt around town — the whispers, the snide remarks insinuated within earshot — seemed petty, unwarranted, as if the people of Claude just craved something, anything, to stir their indignant and self-righteous natures. When she went to buy some fabric patterns at Christian Dry Goods, the fat girl behind the counter, a former classmate of Creed's, told her in a hushed, well-intending voice, “You and that fella ought shouldn't be flaunting yourselfs like you do, it don't favor you, dear.” Debra smiled politely, thinking all the while: Trudy, I ain't the one who's six feet under — and I'm nobody's widow yet.

By then the rumors concerning them had spread beyond quiet gossip, and already Hollis had been asked to leave the McCreedy farm. At the supper table one evening, Florence fumed in silence, behaving like he wasn't even there — serving everyone except him, never letting her gaze travel to where he sat — frowning with dismay while Bill Sr. forthrightly said it was probably time for Hollis to head home to Minnesota. Edgar, like his mother, was also frowning, but only because the boy had grown fond of Hollis and would miss having him at the house. “I understand,” Hollis told the McCreedys, rising from his chair, “and I want to thank you all for your kindness. It feels like I've gained a family here.”

“You got yourself a family of your own,” Florence scoffed, talking at her plate. “You belong with them, not us.”

“Mother,” Bill Sr. responded to his wife in a reproving tone.

“That's okay,” Hollis said. “Maybe it's best if I get my things gathered.”

But Hollis wouldn't ready for a trip back to Critchfield, and — after packing his suitcase, stealing the photograph of Debra off the bureau and concealing it in a jacket pocket — he wouldn't return to where the McCreedys ate supper. Instead, he immediately left their house without as much as a goodbye, relying on that stealthy departure he had, of late, repeatedly used while fleeing elsewhere; he then walked a mile or so — slipping between the gaps of barbed-wire fences, wandering through grazing pastures — until arriving at the imposing residence standing out on the plains: the crumbling, half-deserted hilltop house known as What Rocks, a place which — as Debra had previously made known — afforded more than enough space for him should he find himself wanting a bedroom of his own. Still, in order to earn his keep, he would be required to work on the property, taking over the chores her alcoholic father was incapable of getting done, loading a pile of cedar posts in the bed of a pickup, mowing the lawn and tending the backyard gardens, yanking weeds and burrs, any sort of odd job; a small price to pay, he had no doubt, for sleeping under the same roof as that girl, a tiny penance, indeed, for what was given in return at What Rocks during the nights, or afternoons, when the door of an abandoned room would lock behind him and Debra, ushering forth a private world which, in the heat and collision of their bodies, was about as far removed from the McCreedys’ sorrowful existence as anything he could hope to conceive.

So regardless of what Florence might have finally thought of him, Hollis wasn't bothered in the slightest. He didn't care if she was angry and disapproved, or felt betrayed by him and Debra. He didn't care if she would eventually shun their wedding, or, for the rest of her days, speak ill of them to anyone who would listen. He didn't care, and whatever she thought truly didn't matter in the big picture; for he had redeemed himself through love, doing so without any help from her or the Lord. As such, he and Debra, by simply finding each other, had freed themselves to create a new reality together, divining their own singular path which just they were meant to embark upon; that alone, with hindsight, provided an answer as to why it was necessary for Creed to have died before him — why Hollis, too, had found himself thrown amidst the early chaos of a divided Korea, getting wounded beside the Naktong — and, later on, it became his sole reason for ever having made the tedious journey to Claude to begin with.

“And that,” Hollis said at the kitchen table, stroking Debra's liver-spotted hand, “is probably all you need to know about us.”

Except now his magic was failing him, his ability to heal her and, ultimately, himself. Then it wasn't him reaching out for her in the night, but, rather, it was she who moved toward him, pressing fingers to his arm, gripping at his shoulder. She gently spoke his name, saying it as a question, and, seconds later, he was helping her to stand, assisting her; yet it was she who led, guiding him from the kitchen table — from the darkness which had facilitated the past — bringing them squarely into the light of the present. Soon they sat together again, their knees touching, their fingers interlaced, facing each other on the living-room couch.

Debra took a deep breath, appearing quite forlorn as she then said, “There isn't much time left, at least for me. So it's important I have some say on when and how my life ends.”

“What do you mean?” he asked, with an uncomprehending expression.

“I'm saying cancer shouldn't get the last word, even though it's killing me.”

The living-room curtains were open, and suddenly Hollis's eyes shifted to the window where he saw the black of night softened by the bright transparent reflection of the living room.

“It isn't easy for you, I know,” she said. “It isn't fair either.”

“No,” he said, sounding irritated, “it isn't fair.” Our story wasn't supposed to go like this, he thought. This isn't how I wanted it to finish. He shook his head, biting his bottom lip, and continued staring at the window.

Debra sighed tiredly, squeezing his fingers, and said, “Hollis, you need to hear me. It's important what I'm about to say, so please listen.”

And now it was her turn to talk, although she wouldn't be revisiting their past; instead, she addressed the near future like an unapologetic fortune-teller prophesying the details of her own demise, revealing what she — and Hollis — could expect in the weeks ahead. Just that afternoon, while returning from the outpatient clinic in Tucson, she had decided not to pursue any more treatment, because it was obvious the disease hadn't stopped spreading even with the preventative use of chemotherapy agents or, for that matter, other experimental drugs. As such, the cancer cells would keep wrecking havoc, creating a bowel obstruction; there would be nausea and vomiting, an inability to pass gas, and her abdomen would swell in girth, surpassing the discomfort of the current ascites. At the end, whatever remained inside her would be expelled by traveling up the esophagus, moving through her throat and out between her lips as a dark greenish bilelike substance carrying the odor of feces — and her withered body, malnourished in appearance, would begin shutting down. Of course, drops of morphine would ease her through those final hours; she would exit this world within an incoherent fever dream, whispering unintelligibly and incessantly as if speaking in tongues, laboring for air while drifting to and from consciousness — until, with the transitory span of a second, she ceased breathing altogether.

Debra fell silent for a moment; her sunken face, lacking any makeup, seemed much older than it should have looked. Outside, Hollis couldn't see a thing — not the houses across the street, nor the stars above them. Then she said, without urgency, that they had to accept her death was fast approaching, but the last painful act wasn't yet a given; for a brief period remained in which she could trump the concluding onslaught of the disease. She could, with his support and permission, depart a bit prematurely, doing so on her own terms — by her own hand, in the tranquillity of their beautiful home — circumventing the indignity of what otherwise would be, for both of them, an excruciating, almost unbearable endgame.

Debra paused, hoping Hollis might now offer her something, but instead he shook his head with confusion, saying nothing. “Anyway,” she went on, “it's about over for me, except I don't want to waste away any more than I already have — and I don't plan on going through the worst of it — and if you won't help me go then, please, at least give me your blessing so I can do it alone with peace of mind. I want to be aware of myself and where I am at the conclusion of my life — I deserve that, after all, and so do you.”

Вы читаете The Post-War Dream
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