'I took care to spread that little fact as far as I could, and prepare the world for the event.

'I take credit to myself for our plan of selling the pictures—it was mine. I suggested it that last evening when we were laying out our campaign, and all three of us agreed to give it a good fair trial before giving it up for some other. It succeeded with all of us. I walked only two days, Claude walked two—both of afraid to make Millet celebrated too close to home—but Carl walked only half a day, the bright, conscienceless rascal, and after that he travelled like a duke.

'Every now and then we got in with a country editor and started an item around through the press; not an item announcing that a new painter had been discovered, but an item which let on that everybody knew Francois Millet; not an item praising him in any way, but merely a word concerning the present condition of the 'master'— sometimes hopeful, sometimes despondent, but always tinged with fears for the worst. We always marked these paragraphs, and sent the papers to all the people who had bought pictures of us.

'Carl was soon in Paris and he worked things with a high hand. He made friends with the correspondents, and got Millet's condition reported to England and all over the continent, and America, and everywhere.

'At the end of six weeks from the start, we three met in Paris and called a halt, and stopped sending back to Millet for additional pictures. The boom was so high, and everything so ripe, that we saw that it would be a mistake not to strike now, right away, without waiting any longer. So we wrote Millet to go to bed and begin to waste away pretty fast, for we should like him to die in ten days if he could get ready.

'Then we figured up and found that among us we had sold eighty-five small pictures and studies, and had sixty-nine thousand francs to show for it. Carl had made the last sale and the most brilliant one of all. He sold the 'Angelus' for twenty-two hundred francs. How we did glorify him!—not foreseeing that a day was coming by-and-by when France would struggle to own it and a stranger would capture it for five hundred and fifty thousand, cash.

'We had a wind-up champagne supper that night, and next day Claude and I packed up and went off to nurse Millet through his last days and keep busybodies out of the house and send daily bulletins to Carl in Paris for publication in the papers of several continents for the information of a waiting world. The sad end came at last, and Carl was there in time to help in the final mournful rites.

'You remember that great funeral, and what a stir it made all over the globe, and how the illustrious of two worlds came to attend it and testify their sorrow. We four—still inseparable—carried the coffin, and would allow none to help. And we were right about that, because it hadn't anything in it but a wax figure, and any other coffin- bearers would have found fault with the weight. Yes, we same old four, who had lovingly shared privation together in the old hard times now gone for ever, carried the cof—'

'Which four?'

'We four—for Millet helped to carry his own coffin. In disguise, you know. Disguised as a relative—distant relative.'

'Astonishing!'

'But true just the same. Well, you remember how the pictures went up. Money? We didn't know what to do with it. There's a man in Paris to-day who owns seventy Millet pictures. He paid us two million francs for them. And as for the bushels of sketches and studies which Millet shovelled out during the six weeks that we were on the road, well, it would astonish you to know the figure we sell them at nowadays—that is, when we consent to let one go!'

'It is a wonderful history, perfectly wonderful!'

'Yes—it amounts to that.'

'Whatever became of Millet?'

'Can you keep a secret?'

'I can.'

'Do you remember the man I called your attention to in the dining room to-day? That was Francois Millet.'

'Great—'

'Scott! Yes. For once they didn't starve a genius to death and then put into other pockets the rewards he should have had himself. This song-bird was not allowed to pipe out its heart unheard and then be paid with the cold pomp of a big funeral. We looked out for that.'

MY DEBUT AS A LITERARY PERSON

In those early days I had already published one little thing ('The Jumping Frog') in an Eastern paper, but I did not consider that that counted. In my view, a person who published things in a mere newspaper could not properly claim recognition as a Literary Person: he must rise away above that; he must appear in a magazine. He would then be a Literary Person; also, he would be famous—right away. These two ambitions were strong upon me. This was in 1866. I prepared my contribution, and then looked around for the best magazine to go up to glory in. I selected the most important one in New York. The contribution was accepted. I signed it 'MARK TWAIN;' for that name had some currency on the Pacific coast, and it was my idea to spread it all over the world, now, at this one jump. The article appeared in the December number, and I sat up a month waiting for the January number; for that one would contain the year's list of contributors, my name would be in it, and I should be famous and could give the banquet I was meditating.

I did not give the banquet. I had not written the 'MARK TWAIN' distinctly; it was a fresh name to Eastern printers, and they put it 'Mike Swain' or 'MacSwain,' I do not remember which. At any rate, I was not celebrated and I did not give the banquet. I was a Literary Person, but that was all—a buried one; buried alive.

My article was about the burning of the clipper-ship 'Hornet' on the line, May 3, 1866. There were thirty-one men on board at the time, and I was in Honolulu when the fifteen lean and ghostly survivors arrived there after a voyage of forty-three days in an open boat, through the blazing tropics, on ten days' rations of food. A very remarkable trip; but it was conducted by a captain who was a remarkable man, otherwise there would have been no survivors. He was a New Englander of the best sea-going stock of the old capable times—Captain Josiah Mitchell.

I was in the islands to write letters for the weekly edition of the Sacramento 'Union,' a rich and influential daily journal which hadn't any use for them, but could afford to spend twenty dollars a week for nothing. The proprietors were lovable and well-beloved men: long ago dead, no doubt, but in me there is at least one person who still holds them in grateful remembrance; for I dearly wanted to see the islands, and they listened to me and gave me the opportunity when there was but slender likelihood that it could profit them in any way.

I had been in the islands several months when the survivors arrived. I was laid up in my room at the time, and unable to walk. Here was a great occasion to serve my journal, and I not able to take advantage of it. Necessarily I was in deep trouble. But by good luck his Excellency Anson Burlingame was there at the time, on his way to take up his post in China, where he did such good work for the United States. He came and put me on a stretcher and had me carried to the hospital where the shipwrecked men were, and I never needed to ask a question. He attended to all of that himself, and I had nothing to do but make the notes. It was like him to take that trouble. He was a great man and a great American, and it was in his fine nature to come down from his high office and do a friendly turn whenever he could.

We got through with this work at six in the evening. I took no dinner, for there was no time to spare if I would beat the other correspondents. I spent four hours arranging the notes in their proper order, then wrote all night and beyond it; with this result: that I had a very long and detailed account of the 'Hornet' episode ready at nine in the morning, while the other correspondents of the San Francisco journals had nothing but a brief outline report—for they didn't sit up. The now-and-then schooner was to sail for San Francisco about nine; when I reached the dock she was free forward and was just casting off her stern-line. My fat envelope was thrown by a strong hand, and fell on board all right, and my victory was a safe thing. All in due time the ship reached San Francisco, but it was my complete report which made the stir and was telegraphed to the New York papers, by Mr. Cash; he was in charge of the Pacific bureau of the 'New York Herald' at the time.

When I returned to California by-and-by, I went up to Sacramento and presented a bill for general correspondence at twenty dollars a week. It was paid. Then I presented a bill for 'special' service on the 'Hornet'

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